Priit Pärn is an Estonian cartoonist and animation director whose films have enjoyed success among critics as well as the public at various film festivals.
Rosa Vilma Tuazon Santos-Recto is a Filipino actress and politician. In a career spanning over six decades, she has played dramatic roles in film and television in the Philippines. She is widely referred as the "Star for All Seasons". She began her career as a child actress in the 1963 film Trudis Liit, for which she won her first FAMAS Award. She won the FAMAS Award for Best Actress for her dual role in Dama de Noche (1972). She has portrayed the superhero Darna in four films beginning with Lipad, Darna, Lipad! (1973). Santos produced Pagputi ng Uwak, Pag-itim ng Tagak (1978), which won both the FAMAS Award for Best Picture and the Gawad Urian for Best Film.
Eric Allen Goldberg is an American animator, voice actor, film director, and producer known for his work at Disney's Walt Disney Animation Studios and 20th Century Animation, as well as Warner Bros. Animation.
Floyd E. Norman is an American animator, writer, and cartoonist. Over the course of his career, he has worked for various animation companies, among them Walt Disney Animation Studios, Hanna-Barbera Productions, Ruby-Spears, Film Roman and Pixar.
The Cinema of the Philippines began with the introduction of the first moving pictures to the country on August 31, 1897, at the Salón de Pertierra in Manila. The following year, local scenes were shot on film for the first time by a Spaniard, Antonio Ramos, using the Lumiere Cinematograph. While most early filmmakers and producers in the country were mostly wealthy enterprising foreigners and expatriates, on September 12, 1919, Dalagang Bukid, a film based on a popular zarzuela, was the first movie made and shown by Filipino filmmaker José Nepomuceno. Dubbed as the "Father of Philippine Cinema," his work marked the start of cinema as an art form in the Philippines.
Lauro "Larry" Zarate Alcala was a well-known editorial cartoonist and illustrator in the Philippines. In 2018, he was posthumously conferred the National Artist for Visual Arts title and the Grand Collar of the Order of National Artists.
Clem Arnold Lawrence Arre is a Filipino comic book writer, artist and self-taught animator best known for his graphic novels The Mythology Class (1999) and Ang Mundo ni Andong Agimat (2006). He was born in Metro Manila, Philippines.
The Metro Manila Film Festival (MMFF) is an annual film festival organized by the Metro Manila Development Authority and held nationwide in the Philippines. The festival, which runs from Christmas Day through New Year's Day and into first weekend of January in the following year, focuses on Filipino produced films. During the course of the festival, movie theaters show only films that are approved by its jurors and exclude foreign films except in 3D theaters and IMAX theaters. It is one of the two Filipino major film festivals to exclude foreign films in a week-long period, the other being the Pista ng Pelikulang Pilipino happening during August.
The Tokyo Anime Awards started in 2002, but was named in 2005. The first, second and third award ceremonies were simply named 'Competition'. The award ceremonies were held at the Tokyo International Anime Fair (TAF) until 2013. In 2014, after the merger of the Tokyo International Anime Fair with the Anime Contents Expo and the formation of the AnimeJapan convention, the Tokyo Anime Awards was changed into a separate festival called Tokyo Anime Awards Festival (TAAF).
Carousel Productions, Inc. is the organization that currently owns and runs the Miss Earth and Miss Philippines Earth beauty contest. The annual events are produced in partnership with ABS-CBN Corporation. The organization is based in the Philippines.
Dayo: Sa Mundo ng Elementalia also called Niko: The Journey to Magika in English-speaking countries, is a 2008 animated adventure-fantasy comedy film and the Philippines' first all-digital full-length animated feature film. Produced by Cutting Edge Productions, the film revolves around Bubuy who has to save his grandparents who were abducted and brought to the strange land called Elementalia, home to a host of strange creatures from Philippine mythology. This $1.3 million production composed of over 500 local animators features a “tra-digital animation” technique using paperless 2D and 3D technologies. It has 2D animation for its characters and 3D animation for the backdrops.
R. O. Blechman is an American animator, illustrator, children's-book author, graphic novelist and editorial cartoonist whose work has been the subject of retrospectives at the Museum of Modern Art and other institutions. He was inducted into the Art Directors Hall of Fame in 1999.
Roque Federizon Lee (Roxlee) is a Filipino animator, filmmaker, cartoonist, and painter. Considered by many to be the godfather of young Filipino filmmakers, Roxlee is best known for creating Cesar Asar with his brother, Monlee.
Information and Communications Technology Academy, better known as iAcademy, is a private, non-sectarian educational institution in the Philippines. The college offers specialized Senior High School and Undergraduate programs in fields relating to computer science, game development, multimedia arts, animation, and business management.
Filipino animation, also known as Pinoy animation, is a body of original cultural and artistic works and styles applied to conventional Filipino storytelling, combined with talent and the appropriate application of classic animation principles, methods, and techniques, which recognizes their relationship with Filipino culture, comics, and films. It also delves into relying on traditional and common Filipino "sense of going about things" or manner of coping with Filipino life and environment.
José Zabala-Santos, nicknamed as "Mang Pepe" by hometown neighbors and as "Zabala" by colleagues in the cartooning profession, was a successful cartoonist in the Philippines and was one of the pioneers of Philippine comics. He became one of the most popular cartoonists in the Philippines during the 1950s because of his cartoon characters such Popoy, Sianong Sano, and Lukas Malakas. Zabala is one of the "respected names" of artists in the Philippine cartoon and comics industry.
The Animation Council of the Philippines, Inc. (ACPI) is a non-profit and non-stock organization in the Philippines that specializes in 2D and 3D animation. As an organization that is recognized and supported by the Government of the Philippines, and as a business engaged in information and communications technology, the goal of the ACPI is to promote the animation industry locally and globally. It aims to create an identity for the Philippines within the animation industry. It has the intention of making the Philippines as one of the preferred countries that provides animation services. It expresses high regard for locally produced animation with original content. It aims to reinvent and present the Philippines as a "center of excellence for animation and content creation services" not only to the Asian clientele but also to countries such as the United States, the United Kingdom, France, and Japan.
The 39th Metro Manila Film Festival (MMFF), presented by the Metropolitan Manila Development Authority (MMDA), was held from 25 December 2013 to the first week of January 2014. During the festival, no foreign films are shown in Philippine theaters in order to showcase locally produced films. For this year, eight film entries were chosen by the MMDA to be showcased in the festival. Contrary to previous years, the Enteng Kabisote, Panday, and Shake, Rattle & Roll films were not presented for this year's festival.
Gini Cruz Santos is a Filipina animator at Pixar studios based in the San Francisco Bay Area. She worked on numerous Pixar animation films including Toy Story 2, Monsters, Inc., Finding Nemo, A Bug's Life, The Incredibles, Ratatouille, Toy Story 3, Up, Lifted and Brave. She was nominated in 2004 for an Annie award for her detailed lifelike animation on Finding Nemo, and was nominated by the Visual Effects Society for an award for this project as well.
Philippine New Wave is a filmmaking term that has been popularly associated with the resurgence of independent, digital and experimental films in the Philippines began in the 21st century, and merged into a recent filmmaking period known as the Third Golden Age of Philippine cinema.
