Ann Vickers | |
---|---|
Directed by | John Cromwell |
Written by | Jane Murfin |
Based on | Ann Vickers by Sinclair Lewis |
Produced by | Pandro S. Berman |
Starring | Irene Dunne Walter Huston |
Cinematography | Edward Cronjager |
Edited by | George Nicholls, Jr. |
Music by | Roy Webb |
Production company | RKO Radio Pictures |
Distributed by | RKO Radio Pictures |
Release date |
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Running time | 76 minutes |
Country | United States |
Language | English |
Ann Vickers is a 1933 American pre-Code romantic drama directed by John Cromwell and starring Irene Dunne and Walter Huston. It is based on the novel of the same name by Sinclair Lewis.
After a military officer (Bruce Cabot) gets Ann Vickers (Irene Dunne) pregnant and leaves her, she and friend Malvina Wormser (Edna May Oliver) go to Havana, where she gives birth, though the child dies soon after. Feeling conflicted and regretful, Ann devotes herself to social work, taking a job in a women's prison. However, when she tries to improve the conditions there, she loses her job. She instead writes a book about the harsh realities of the prison and begins a romance with a married judge, Barney Dolphin (Walter Huston). Though progressive in his views, Dolphin is caught taking bribes and is sentenced to prison. Ann, once again pregnant, supports herself by writing until Dolphin is released a few years later. Finally, Ann, Dolphin, and their child are reunited.
In the novel, Ann Vickers is a birth control advocate and reformer who has two extramarital affairs, each time becoming pregnant though unwed. The original screenplay, following Sinclair Lewis's novel, had her obtaining an abortion, but the story was changed so that she gives birth to a child who dies. The screenplay for the 1933 film was approved by the Production Code only when RKO Radio Pictures also agreed to make Vickers an unmarried woman at the time of her affairs, thus eliminating the issue of adultery. [1]
The reaction of leading American Roman Catholics to the content in this film and The Sign of the Cross led to the formation in 1934 of the Catholic Legion of Decency, an organization dedicated to identifying and combating what it viewed as objectionable content in films, usually by threatening a boycott. [2]
Love Affair is a 1939 American romance film, co-starring Charles Boyer and Irene Dunne, and featuring Maria Ouspenskaya. It was directed by Leo McCarey and written by Delmer Daves and Donald Ogden Stewart, based on a story by McCarey and Mildred Cram. Controversial on concept, the official screenplay was re-tooled and rewritten to appease Hollywood censorship and relied on actor input and improvisation, causing long delays and budget extensions.
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Ann Vickers is a 1933 novel by Sinclair Lewis. It is a part of three feminist books that Lewis had written, the other two being Main Street and The Job. It was made into a 1933 drama film of the same name directed by John Cromwell, adapted by Jane Murfin.
When Ladies Meet is a 1933 American pre-Code comedy film directed by Harry Beaumont and starring Ann Harding, Myrna Loy, Robert Montgomery, Alice Brady, and Frank Morgan. The film is the first adaptation of the 1932 Rachel Crothers play of the same name. It was nominated for an Academy Award for Best Art Direction by Cedric Gibbons.
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Dodsworth is a 1936 American drama film directed by William Wyler, and starring Walter Huston, Ruth Chatterton, Paul Lukas, Mary Astor and David Niven. Sidney Howard based the screenplay on his 1934 stage adaptation of the 1929 novel of the same name by Sinclair Lewis. Huston reprised his stage role.
Stingaree is an American pre-Code romantic drama film directed by William A. Wellman released by RKO Radio Pictures in 1934. The film was based on a 1905 novel by Ernest William Hornung. Set in Australia, it stars Irene Dunne as Hilda Bouverie and Richard Dix as Stingaree. Hollywood had previously filmed the Hornung story as serials in 1915 and 1917, starring True Boardman.
When Tomorrow Comes is a 1939 American romantic drama directed by John M. Stahl, and starring Irene Dunne and Charles Boyer. The screenplay concerns a waitress who falls in love with a man who later turns out to be a married concert pianist. Bernard B. Brown won the Academy Award for Best Sound.
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Ann Vickers refers to: