Author | Walter R. Tschinkel |
---|---|
Language | English |
Subject | Ants, ant colonies, nest architecture, natural history |
Genre | Non-fiction |
Publisher | Princeton University Press |
Publication date | June 22, 2021 (Hardcover) |
Publication place | United States |
Pages | 248 |
Awards | PROSE Awards in Biological Sciences (2022) |
ISBN | 9780691179315 |
Ant Architecture: The Wonder, Beauty, and Science of Underground Nests is a 2021 book by American biologist Walter R. Tschinkel that explores the world of underground ant nests. Drawing from his research on ant colonies, Tschinkel who is known as the creator of the field of underground ant nest architecture research, [1] provides an in-depth look at the architectural and biological complexity of ant nests and the innovative methods used to study them. He documents how he casts ant nests with plaster, molten metal, or wax, then excavates them and analyzes their structure. The book also discusses the functional and environmental significance of these nests, and poses critical questions about ant behavior and the role of architecture in their colonies. [2] [3] The work won the 2022 PROSE Award in Biological Sciences from the Association of American Publishers. [4]
Initially an experimental biologist observing ants' behavior above ground or in the laboratory, Tschinkel became deeply invested in understanding the architectural complexity of their subterranean homes, which became "almost an obsession." Tschinkel, professor emeritus of biological science at Florida State University, [5] has spent over fifty years studying ant behavior, focusing much of his research on their underground nests later in his career. His methods, such as casting ant nests in plaster and molten metal, helped reveal the intricate beauty and functional complexity of these underground structures, shaping the foundation for Ant Architecture. [6]
In a 2021 interview with Adrian Smith of Ant Lab, [a] Tschinkel discussed his work in ant nest architecture, a field he created through the innovative use of casting techniques to study underground ant colonies. Inspired by a paper he read that described the use of dental plaster for making partial nest casts, [7] Tschinkel experimented with the material himself and made his first cast of a fire ant nest, which revealed an unexpectedly intricate structure: "I was really surprised because it turned out that I hadn’t envisioned it right at all." He later transitioned to using molten metal for casting, allowing for more complete and durable replicas of nests. He developed methods for melting aluminum or zinc in the field, using an insulated garbage can fired with charcoal. Reflecting on his decades of research, Tschinkel noted, "Once I saw what the underground chambers were like... I saw that that was something really special," underlining both the scientific and artistic significance of his discoveries. [1]
Tschinkel studies the complex underground nests built by ants through innovative methods he developed. These techniques include filling them with plaster, molten metal, or wax to create casts, which are then excavated to reveal their structure. It also includes the careful mapping of nests during excavation, collecting and censusing the contents of all chambers to reveal the vertical distribution of nest contents. Tschinkel uses these casts and censuses to guide readers through the chambers and architecture of various ant species' nests, offering insights into how the nests are built and how they influence ant colony behavior and the surrounding environment.
The book discusses the diversity of nest designs across different species, exploring questions of how architectural differences might have evolved, and whether ants follow specific "architectural plans." A central theme is the concept of the “superorganism” to describe an ant colony with its many regulatory and reproductive processes, including its division of labor, life cycle, and the creation of its nest. The impact of nest architecture on ecosystems through soil movement is revealed, as is the process of creating a new nest and moving into it.
Tschinkel also reflects on the aesthetics of these natural structures and the broader implications of his research for scientific discovery. Ant Architecture also highlights the value of using simple, problem-solving, cost-effective methods in scientific research, while addressing unresolved questions in the study of ant nest architecture.
Tschinkel has provided metal casts of multiple species of ant nests for display in many natural history (and some art) museums around the world, with about a dozen museums in North America, several in Germany, France, Italy, Netherlands, and one in Hong Kong.
In his review, John Longino of the University of Utah praised the author for making complex scientific topics both accessible and engaging. Longino said the book focuses on the relatively unexplored subject of ant nest architecture, emphasizing Tschinkel's inventive methods, such as the use of molten aluminum to cast ant nests. Longino said Tschinkel was able to blend science with storytelling, and noted that his work was both educational and entertaining. He wrote: “Walter takes the time to produce larger synthetic works that are actually entertaining”.
Mark E. Laidre commended the book for its in-depth exploration of the underground nests built by ants. Laidre highlighted Tschinkel's innovative techniques, such as creating molds of ant nests using various substances, which allowed him to uncover the complex structures beneath the surface. Laidre appreciated the combination of rigorous scientific research and engaging personal anecdotes, making the book both informative and entertaining. He emphasized Tschinkel's decades of dedication to studying ant architecture and praised the illustrations and video links that enrich the reader's understanding. Laidre noted that Tschinkel's work not only answered key questions but also raised intriguing new ones about the functions and diversity of ant architecture, saying, “Tschinkel’s studies raise countless questions about the precise functions of ant architecture, as well as the ultimate reasons why architectural diversity exists between different ant species.” [8]
In August 2021, Andrew Robinson listed the book the first in his weekly best science picks for Nature. [9]
Johannes E. Riutta found the castings impressive, stating that they "depict their myriad Myrmecological tunnels and chambers" in a manner suitable for both scientific study and artistic appreciation. He also implied that without these castings, "appreciation of the complexity and true magnificence of the structures" would be challenging, suggesting that the book's appeal might hinge heavily on this visual representation. [10]
Raghavendra Gadagkar praised the book for its remarkable blend of scientific insight and accessible writing. He admired Tschinkel's innovative work in revealing the intricate and often unseen architecture of ant nests, which he cast using molten aluminium. The reviewer highlighted how Tschinkel's process of science, focused on the behavior that produces these nests, invites imitation and inspires future research. He noted, "his efforts have barely scratched the surface," emphasizing the need for more extensive studies across different ant species and regions. [11]
The book won the 2022 PROSE Award in Biological Sciences. [4]
In metalworking and jewelry making, casting is a process in which a liquid metal is delivered into a mold that contains a negative impression of the intended shape. The metal is poured into the mold through a hollow channel called a sprue. The metal and mold are then cooled, and the metal part is extracted. Casting is most often used for making complex shapes that would be difficult or uneconomical to make by other methods.
Myrmecology is a branch of entomology focusing on the study of ants. Ants continue to be a model of choice for the study of questions on the evolution of social systems because of their complex and varied forms of social organization. Their diversity and prominence in ecosystems also has made them important components in the study of biodiversity and conservation. In the 2000s, ant colonies began to be studied and modeled for their relevance in machine learning, complex interactive networks, stochasticity of encounter and interaction networks, parallel computing, and other computing fields.
An ingot is a piece of relatively pure material, usually metal, that is cast into a shape suitable for further processing. In steelmaking, it is the first step among semi-finished casting products. Ingots usually require a second procedure of shaping, such as cold/hot working, cutting, or milling to produce a useful final product. Non-metallic and semiconductor materials prepared in bulk form may also be referred to as ingots, particularly when cast by mold based methods. Precious metal ingots can be used as currency, or as a currency reserve, as with gold bars.
Bio-inspired computing, short for biologically inspired computing, is a field of study which seeks to solve computer science problems using models of biology. It relates to connectionism, social behavior, and emergence. Within computer science, bio-inspired computing relates to artificial intelligence and machine learning. Bio-inspired computing is a major subset of natural computation.
An ant colony is a population of ants, typically from a single species, capable of maintaining their complete lifecycle. Ant colonies are eusocial, communal, and efficiently organized and are very much like those found in other social Hymenoptera, though the various groups of these developed sociality independently through convergent evolution. The typical colony consists of one or more egg-laying queens, numerous sterile females and, seasonally, many winged sexual males and females. In order to establish new colonies, ants undertake flights that occur at species-characteristic times of the day. Swarms of the winged sexuals depart the nest in search of other nests. The males die shortly thereafter, along with most of the females. A small percentage of the females survive to initiate new nests.
Molding sand, also known as foundry sand, is a sand that when moistened and compressed or oiled or heated tends to pack well and hold its shape. It is used in the process of sand casting for preparing the mold cavity.
Thomas S. Ray is an evolutionary biologist known for his research in tropical biology, digital evolution, and the human mind.
Design science refers to a scientific, i.e. rational and systematic, approach to designing. An early concept of design science was introduced in 1957 by R. Buckminster Fuller who defined it as a systematic form of designing which he applied especially in innovative engineering design. The concept has been more broadly defined by the Design Science journal as “quantitative and qualitative research in the creation of artifacts and systems, and their embedding in our physical, virtual, psychological, economic, and social environment”.
A foundry is a factory that produces metal castings. Metals are cast into shapes by melting them into a liquid, pouring the metal into a mold, and removing the mold material after the metal has solidified as it cools. The most common metals processed are aluminum and cast iron. However, other metals, such as bronze, brass, steel, magnesium, and zinc, are also used to produce castings in foundries. In this process, parts of desired shapes and sizes can be formed.
Helen Elizabeth Longino is an American philosopher of science who has argued for the significance of values and social interactions to scientific inquiry. She has written about the role of women in science and is a central figure in feminist epistemology and social epistemology. She is the Clarence Irving Lewis Professor of Philosophy, Emerita, at Stanford University. In 2016, she was elected to the American Academy of Arts and Sciences.
In casting, a pattern is a replica of the object to be cast, used to form the sand mould cavity into which molten metal is poured during the casting process. Once the pattern has been used to form the sand mould cavity, the pattern is then removed, molten metal is then poured into the sand mould cavity to produce the casting. The pattern is non consumable and can be reused to produce further sand moulds almost indefinitely.
Scientific pluralism is a position within the philosophy of science that rejects various proposed unities of scientific method and subject matter. Scientific pluralists hold that science is not unified in one or more of the following ways: the metaphysics of its subject matter, the epistemology of scientific knowledge, or the research methods and models that should be used. Some pluralists believe that pluralism is necessary due to the nature of science. Others say that since scientific disciplines already vary in practice, there is no reason to believe this variation is wrong until a specific unification is empirically proven. Finally, some hold that pluralism should be allowed for normative reasons, even if unity were possible in theory.
Glass casting is the process in which glass objects are cast by directing molten glass into a mould where it solidifies. The technique has been used since the 15th century BCE in both Ancient Egypt and Mesopotamia. Modern cast glass is formed by a variety of processes such as kiln casting or casting into sand, graphite or metal moulds.
Raghavendra Gadagkar is an honorary professor at the Centre for Ecological Sciences, Indian Institute of Science in Bangalore, India, who studies evolution of social behaviour using eusocial insects using Ropalidia marginata, a locally common wasp as a model. He was, from 2014 to 2016, the president of the Indian National Science Academy.
Casting is a manufacturing process in which a liquid material is usually poured into a mold, which contains a hollow cavity of the desired shape, and then allowed to solidify. The solidified part is also known as a casting, which is ejected or broken out of the mold to complete the process. Casting materials are usually metals or various time setting materials that cure after mixing two or more components together; examples are epoxy, concrete, plaster and clay. Casting is most often used for making complex shapes that would be otherwise difficult or uneconomical to make by other methods. Heavy equipment like machine tool beds, ships' propellers, etc. can be cast easily in the required size, rather than fabricating by joining several small pieces. Casting is a 7,000-year-old process. The oldest surviving casting is a copper frog from 3200 BC.
Ropalidia marginata is an Old World species of paper wasp. It is primitively eusocial, not showing the same bias in brood care seen in other social insects with greater asymmetry in relatedness. The species employs a variety of colony founding strategies, sometimes with single founders and sometimes in groups of variable number. The queen does not use physical dominance to control workers; there is evidence of pheromones being used to suppress other female workers from overtaking queenship.
Walter R. Tschinkel is an American myrmecologist, entomologist and Distinguished Research Professor of Biological Science and R.O. Lawton Distinguished Professor emeritus at Florida State University. He is the author of the Pulitzer Prize nominated book The Fire Ants, the book Ant Architecture: The Wonder, Beauty, and Science of Underground Nests, and more than 150 original research papers on the natural history, ecology, nest architecture and organization of ant societies; chemical communication in beetles; and the mysterious fairy circles of the Namib desert. His casts of ant nests and botanical drawings appear in numerous museums of art and natural history, from Hong Kong to Paris.
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