Antioch Arrow | |
---|---|
Origin | San Diego, California, U.S. |
Genres | |
Years active | 1992–1994 |
Labels | Gravity Records, Amalgameted Recording Corp, Three One G |
Past members | Aaron Montaigne Mac Mann Ron Avila Jeff Winterberg Aaron Richards Andy Ward |
Antioch Arrow was an American punk rock band from San Diego, California, that formed in 1992. Most of their discography was released through the San Diego independent label Gravity Records. The label was responsible raising San Diego's profile in the underground music scene of the mid-1990s. The band, breaking up in 1994 and releasing one final studio album posthumously in 1995, are now considered to be one of the most influential bands of the early 1990s that shaped emo and post-hardcore music of the late 1990s and early 2000s. [1]
The band first formed in 1992 by vocalist Aaron Montaigne, bassist Mac Mann, and drummer Ron Avila (who is also known by his nicknames "Ron Anarchy" and "Maxamillion Avila"). Avila and Montaigne originally knew each other from their previous band Heroin; Avila was the original drummer of Heroin, but left after the group played their first two shows. Montaigne joined the group to replace him. [1] The trio would soon recruit guitarists Jeff Winterberg and Aaron Richards and, under this line up, released a split 7-inch with the band Candle and their debut 12-inch extended play The Lady Is A Cat , both in 1993 through Gravity Records. After this, Richards left the band as was subsequently replaced by Andy Ward, who was previously in the group Evergreen. [2]
With their line-up solidified, the group would release their second extended play In Love With Jetts in 1994, again through Gravity Records. During their run, the group embarked on 3 different tours within the United States. The first was a week-long tour of the West Coast in the spring of 1993. The second was a month-long tour of the U.S., spanning late-June to early-July, 1993. The third and final tour was originally supposed to be for 6 weeks from early-June to late-July, 1994. However, van troubles and inter-band conflict ended the tour in early July with the band canceling many shows across the Northwest. Their last show ever took place in a truck trailer in Boulder, Colorado around July 6, 1994. In December 1994, the group were offered by Amalgamented Recording Corp to fly out to Los Angeles, California to record, which resulted in the group's final album, Gems Of Masochism , which was released posthumously in 1995. The album is noted for its gothic sound, utilizing synthesizers. According to Montaigne, it was ill-received by the punk scene when it was initially released. [1]
Since the group's break-up, members have gone on to work on other musical projects. Andy Ward and Ron Avila, for example, formed the Three One G supergroup Holy Molar. [3] Aaron Montaigne would later form a heroin addiction by the late 1990s, but eventually sobered when he joined the US Army in the early 2000s. [4] Motaigne would play drums for the deathrock band VR SEX. [5] Jeff Winterberg would go on to do photography, and in 2011 he was diagnosed with medulloblastoma, a rare form of cancer that typically affects children, with only two percent of cases affecting adults. [6] [7] [8]
The band is typically seen as a vital part of the "San Diego sound", an early style of post-hardcore originating from San Diego that was popularized by bands such as Swing Kids and Heroin. The group's first three releases were issued by Gravity Records, a label that is also considered to have played an important role in the "San Diego sound". [9] The band's early recordings, such as The Lady Is A Cat, displayed a somewhat "basic" hardcore punk sound, while In Love With Jetts introduced a much more spastic, noisy style that the band would later be known for. The group's final album, Gems Of Masochism, introduced synthesizers and an overall gothic aesthetic, both musically and visually. The band has been described as post-hardcore, [2] art punk, [10] emo, [10] post-punk, [3] and no wave. [3] They have been described as pioneers of screamo as well.[ citation needed ]
The band has gone on to name many influences, including mid-late 1980s DC emo and hardcore bands such as Ignition and Rites of Spring. The Birthday Party was also a major early influence for the group, and the somewhat strange style of The Nation of Ulysses also inspired the group majorly. Vocalist Aaron Montaigne has also stated that the vocal style of Chris Thompson (of the late 1980s Washington, DC hardcore group Fury) shaped his own style of desperate, fearful vocals. [1]
Antioch Arrow are now considered a highly influential band for their time. At the Drive-In once stated how the group influenced them, [11] as well as The Blood Brothers. [12] The experimental noise rock band Racebannon has also described Antioch Arrow as an early influence. [13]
Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.
In the United States, California is commonly associated with the film, music, and arts industries; there are numerous world-famous Californian musicians. New genres of music, such as surf rock and third wave ska, have their origins in California.
Screamo is a subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego–based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
Orchid is an American screamo band from Amherst, Massachusetts. Originally active from 1997 until 2002, they released several EPs and splits as well as three studio albums. The band consists of lead vocalist Jayson Green, drummer Jeffrey Salane, guitarist Will Killingsworth, guitarist Brad Wallace and bassist Geoff Garlock.
Holy Molar is a noise rock band from San Diego, composed of vocalist Mark McCoy, guitarist Gabe Serbian, bassist Justin Pearson, drummer Maxamillion Avila and keyboardist Bobby Bray.
Justin Pearson is an American musician and record label owner, known for being the vocalist and bassist in a number of San Diego–based noise rock, punk and grindcore bands, as well as running his record label Three One G Records. Starting off in the punk outfit Struggle in 1994, ensuing projects such as Swing Kids, The Locust, Dead Cross and Retox. He has collaborated with Kool Keith, Gabe Serbian, Karen O, Nick Zinner, Adam Gnade, Invisibl Skratch Piklz, Asia Argento, The Bloody Beetroots, Silent, among many others.
Mario Rubalcaba is an American drummer from San Diego, notable as a member of numerous rock bands including Clikatat Ikatowi, Thingy, Rocket from the Crypt, Hot Snakes, Earthless, the Sultans, and Off! He has also played on albums by The Black Heart Procession and Pinback and was formerly a professional skateboarder.
Void was an American hardcore punk band formed in Columbia, Maryland, in 1980. The group was a pioneering force in the thriving Washington, D.C., hardcore scene during the early 1980s, successfully combining elements of punk with heavy metal in a style that was accepted by the scene's otherwise exclusive community. Void's punk metal fusion sound was marked by guitarist Bubba Dupree's innovative guitar work and the "unhinged" vocals of John Weiffenbach, which resonated in the band's chaotic but popular live performances. Like many of their contemporaries, Void had a short-lived recording career, limited to the split album Faith/Void Split with the Faith on Dischord Records. However, they have enjoyed an enduring cult following among hardcore aficionados.
Gravity is an underground independent record label from San Diego. It was formed in 1991 by Matt Anderson, a member of the influential underground band Heroin. It has been central in developing and promoting the "San Diego sound" – an idiosyncratic form of post-hardcore with loose, chaotic musicianship and vocals, initiated by Heroin, Antioch Arrow, and Clikatat Ikatowi, as well as Mohinder from the Bay Area and Angel Hair from Colorado. The sound is associated with the first wave of screamo, and the label played an important role in the development of post-hardcore in the 1990s. Gravity has also branched out into other forms of experimental or independent music, releasing seminal early works by Unwound, Black Dice, The Rapture, and a full-length from Man Is The Bastard.
Evergreen was a Southern California underground post-hardcore band from the early-to-mid-1990s. They were influential in the development of emo in the 1990s.
Since the mid-1970s, California has had thriving regional punk rock movements. It primarily consists of bands from the Los Angeles, Orange County, Ventura County, San Diego, San Fernando Valley, San Francisco, Fresno, Bakersfield, Alameda County, Sacramento, Lake Tahoe, Oakland and Berkeley areas.
Hear Nothing See Nothing Say Nothing is the debut studio album by English hardcore punk band Discharge, released on 21 May 1982 by Clay Records.
Fight Fair was an American pop punk band from San Diego, California, that was also based out of San Francisco, California. The band was active from 2008-2011. They were signed to Triple Crown Records. They released their debut EP titled Settle the Score in 2008 Their debut full-length "California Kicks" was released June 29, 2010, while performing on the 2010 Vans Warped Tour.
Heroin was an American hardcore punk band formed in San Diego in 1989 within the underground Californian punk scene. They released 17 songs before breaking up in 1993, pioneering the screamo genre.
The emo revival, or fourth wave emo, was an underground emo movement which began in the late 2000s and flourished until the mid-to-late 2010s. The movement began towards the end of the 2000s third-wave emo, with Pennsylvania-based groups such as Tigers Jaw, Algernon Cadwallader and Snowing eschewing that era's mainstream sensibilities in favor of influence from 1990s Midwest emo. Acts like Touché Amoré, La Dispute and Defeater drew from 1990s emo and especially its heavier counterparts, such as screamo and post-hardcore.
The Lady Is A Cat is the first album by American band Antioch Arrow, which was released in 1993 through Gravity Records on 12" vinyl. The record was packaged in spray-painted chipboard sleeves, and the cover design was lifted from the poster for the 1955 film The Man with the Golden Arm. Although primarily pressed on black vinyl, rare translucent red copies were also pressed and released secretly. The total number of these copies is unknown.
In Love With Jetts is the second album by American band Antioch Arrow, first issued as a 12" record in 1994 through Gravity Records. The album is noted for its spastic sound, a change in pace compared to the band's previous release The Lady Is A Cat. It is the first recording by the group to feature guitarists Andy Ward and Jeff Winterberg. Ward, as described by vocalist Aaron Montaigne, brought an "avant-garde" guitar playing style to the group's sound.
Gems Of Masochism is the third and final studio album by American band Antioch Arrow, which was posthumously released on September 27, 1995 on CD and LP formats by the Amalgamated Recording Corp. The album, musically, shows the band's complete transition from spastic hardcore punk sound to the flat out gothic post-punk style, utilizing instruments such as keyboards.
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