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Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.
Rites of Spring was an American punk rock band from Washington, D.C., formed in late 1983. Along with Embrace, and Beefeater, they were one of the mainstay acts of the 1985 Revolution Summer movement which took place within the Washington, D.C. hardcore punk scene.
In the United States, California is commonly associated with the film, music, and arts industries; there are numerous world-famous Californian musicians. New genres of music, such as surf rock and third wave ska, have their origins in California.
Screamo is an aggressive subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego-based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.
Drive Like Jehu was an American post-hardcore band from San Diego active from 1990 to 1995. It was formed by rhythm guitarist and vocalist Rick Froberg and lead guitarist John Reis, ex-members of Pitchfork, along with bassist Mike Kennedy and drummer Mark Trombino, both from Night Soil Man, after their two bands disbanded in 1990. Drive Like Jehu's music was characterized by passionate singing, unusual song structure, indirect melodic themes, intricate guitar playing, and calculated use of tension, resulting in a distinctive sound amongst other post-hardcore acts and helped to catalyze the evolution of hardcore punk into emo.
Underoath is an American rock band from Tampa, Florida. It was founded by lead vocalist Dallas Taylor and guitarist Luke Morton in 1997 in Ocala, Florida; subsequently, its additional members were from Tampa, including drummer, clean vocalist and last remaining core member Aaron Gillespie. The band's current lineup consists of Gillespie, keyboardist Christopher Dudley, lead guitarist Timothy McTague, bassist Grant Brandell, and lead vocalist Spencer Chamberlain. Originally, the band identified as a Christian group; they have since distanced themselves from Christianity.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
Antioch Arrow was an American punk rock band from San Diego, California, that formed in 1992. Most of their discography was released through the San Diego independent label Gravity Records. The label was responsible raising San Diego's profile in the underground music scene of the mid-1990s. The band, breaking up in 1994 and releasing one final studio album posthumously in 1995, are now considered to be one of the most influential bands of the early 1990s that shaped emo and post-hardcore music of the late 1990s and early 2000s.
Travis Brandon Richter is an American musician, singer and record producer. He is known for being a vocalist and guitarist in the band From First to Last and the lead vocalist of The Color of Violence and The Human Abstract. He is also a record producer and in 2018 cofounded a music venue in Los Angeles, CA called "1720", with Alex Alereza (Nekrogoblikon) and Brett Powell.
The Satellite Years is the second studio album by the post-hardcore band Hopesfall. It was released in 2002 on Trustkill Records, the group's first for the company. The album was also released on vinyl by One Day Savior Recordings. The album was produced by Matt Talbott of HUM, who also provided vocals on the track "Escape Pod for Intangibles".
Gravity is an underground independent record label from San Diego. It was formed in 1991 by Matt Anderson, a member of the influential underground band Heroin. It has been central in developing and promoting the "San Diego sound" – an idiosyncratic form of post-hardcore with loose, chaotic musicianship and vocals, initiated by Heroin, Antioch Arrow, and Clikatat Ikatowi, as well as Mohinder from the Bay Area and Angel Hair from Colorado. The sound is associated with the first wave of screamo, and the label played an important role in the development of post-hardcore in the 1990s. Gravity has also branched out into other forms of experimental or independent music, releasing seminal early works by Unwound, Black Dice, The Rapture, and a full-length from Man Is The Bastard.
Evergreen was a Southern California underground post-hardcore band from the early-to-mid-1990s. They were influential in the development of emo in the 1990s.
Fuel was a short-lived Bay Area post-hardcore musical act that created both personal and political songs, something that was unique during the "first wave" of emo in the 1990s. Fuel had a sound akin to the mostly East Coast bands on Dischord Records, especially Fugazi, with twin guitars and dueling rough post-hardcore vocals. In fact, it is noted that Fuel was often jokingly referred to as "Fuelgazi." Fuel's style resembled the D.C. sound of many Dischord bands.
Crunkcore is a musical fusion genre characterized by the combination of musical elements from crunk, post-hardcore, heavy metal, pop, electronic and dance music. The genre often features screamed vocals, hip hop beats, and sexually provocative lyrics. The genre developed from members of the scene subculture during the mid 2000s. Notable crunkcore artists include Brokencyde, Millionaires, Dot Dot Curve, and Blood on the Dance Floor.
Pianos Become the Teeth are an American band from Baltimore, Maryland, formed in 2006. Their early musical style was inspired by post-rock and early screamo acts, and they were a part of the post-hardcore music movement, also represented by Touché Amoré, La Dispute, Defeater, and Make Do and Mend. The group reissued their well-received debut album Old Pride in 2010 through Topshelf Records.
The Lady Is A Cat is the first album by American band Antioch Arrow, which was released in 1993 through Gravity Records on 12" vinyl. The record was packaged in spray-painted chipboard sleeves, and the cover design was lifted from the poster for the 1955 film The Man with the Golden Arm. Although primarily pressed on black vinyl, rare translucent red copies were also pressed and released secretly. The total number of these copies is unknown.
In Love With Jetts is the second album by American band Antioch Arrow, first issued as a 12" record in 1994 through Gravity Records. The album is noted for its spastic sound, a change in pace compared to the band's previous release The Lady Is A Cat. It is the first recording by the group to feature guitarists Andy Ward and Jeff Winterberg. Ward, as described by vocalist Aaron Montaigne, brought an "avant-garde" guitar playing style to the group's sound.
Gems Of Masochism is the third and final studio album by American band Antioch Arrow, which was posthumously released on September 27, 1995 on CD and LP formats by the Amalgamated Recording Corp. The album, musically, shows the band's complete transition from spastic hardcore punk sound to the flat out gothic post-punk style, utilizing instruments such as keyboards.
Reversal of Man was a hardcore punk band from Tampa, Florida that formed in 1995. The band is associated with the late 1990s screamo movement and noted for bordering on powerviolence and grindcore. The group's lyrical content was often political, and the group initially formed as a reaction to the then-growing underground nazi punk scene in Florida.
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