Antonia: A Portrait of the Woman | |
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Directed by | Judy Collins Jill Godmilow |
Produced by | Judy Collins Jill Godmilow |
Starring | Antonia Brico Judy Collins |
Cinematography | Coulter Watt |
Edited by | Jil Godmilow |
Production company | Rocky Mountain Films |
Distributed by | Phoenix Films |
Release date |
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Running time | 58 minutes |
Country | United States |
Language | English |
Antonia: A Portrait of the Woman is a 1974 documentary about symphony conductor Antonia Brico, including her struggle against gender bias in her profession. The film was directed by Judy Collins and Jill Godmilow. It was nominated for an Academy Award for Best Documentary Feature. [1] [2]
In 2003, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry. [3] [4]
This article needs a plot summary.(February 2024) |
Adam's Rib is a 1949 American romantic comedy-drama film directed by George Cukor from a screenplay written by Ruth Gordon and Garson Kanin. It stars Spencer Tracy and Katharine Hepburn as married lawyers who come to oppose each other in court. Judy Holliday co-stars as the third lead in her second credited movie role. Also featured are Tom Ewell, David Wayne, and Jean Hagen. The music was composed by Miklós Rózsa, and the song "Farewell, Amanda" was written by Cole Porter.
Hospital is an 84-minute 1970 American documentary film directed by Frederick Wiseman, which explores the daily activities of the people at Metropolitan Hospital Center, a large-city hospital in New York City, with emphasis on its emergency ward and outpatient clinics.
King: A Filmed Record... Montgomery to Memphis is a 1970 American documentary film biography of Martin Luther King Jr. and his creation and leadership of the nonviolent campaign for civil rights and social and economic justice in the Civil Rights Movement.
The Life and Times of Rosie the Riveter is a 1980 documentary film and the first movie made by Connie Field about the American women who went to work during World War II to do "men's jobs." In 1996, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."
Modesta is a 1956 short film that stars Antonia Hidalgo and Juan Ortiz Jiménez.
The Public Enemy is a 1931 American pre-Code gangster film produced and distributed by Warner Bros. The film was directed by William A. Wellman and stars James Cagney, Jean Harlow, Edward Woods, Donald Cook and Joan Blondell. The film relates the story of a young man's rise in the criminal underworld in Prohibition-era urban America. The supporting players include Beryl Mercer, Murray Kinnell, and Mae Clarke. The screenplay is based on an unpublished novel—Beer and Blood by two former newspapermen, John Bright and Kubec Glasmon—who had witnessed some of Al Capone's murderous gang rivalries in Chicago.
A Woman Under the Influence is a 1974 American drama film written and directed by John Cassavetes. The story follows a woman whose unusual behavior leads to conflict with her blue-collar husband and family. It received two Academy Award nominations, for Best Actress and Best Director.
Judith Marjorie Collins is an American singer-songwriter and musician with a career spanning seven decades. An Academy Award-nominated documentary director and a Grammy Award-winning recording artist, she is known for her eclectic tastes in the material she records, for her social activism, and for the clarity of her voice. Her discography consists of 36 studio albums, nine live albums, numerous compilation albums, four holiday albums, and 21 singles.
An American in Paris is a 1951 American musical romantic comedy film inspired by the 1928 jazz-influenced symphonic poem An American in Paris by George Gershwin. Starring Gene Kelly, Leslie Caron, Oscar Levant, Georges Guétary, and Nina Foch, the film is set in Paris, and was directed by Vincente Minnelli from a script by Alan Jay Lerner. The music is by George Gershwin, with lyrics by his brother Ira, with additional music by Johnny Green, and Saul Chaplin, the music directors.
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Antonia Louisa Brico was a Dutch-born conductor and pianist.
Garlic Is as Good as Ten Mothers is a 1980 documentary film about garlic directed by Les Blank. Its official premiere was at the 1980 Berlin Film Festival.
Judith is the tenth studio album by American singer and songwriter Judy Collins, released in 1975 by Elektra Records in both stereo (7E-1032) and CD-4 quadraphonic (EQ-1032) versions. Collins recorded Judith three years after her precedent album True Stories and Other Dreams, having been focused during the interim on producing Antonia: a Portrait of the Woman a documentary about Antonia Brico.
Helen Keller in Her Story is a 1954 American biographical documentary about Helen Keller.
Patricia Cardoso is a Colombian and American filmmaker. She is best known for her 2002 film Real Women Have Curves, which centers around the experiences of a young Mexican-American woman navigating the challenges of family, culture, and body image. The film's lasting impact was recognized in 2019, when it was selected by the Library of Congress for inclusion in the National Film Registry "as a cinematic treasure and worthy of preservation as part of America's patrimony". This honor made Cardoso the first Latinx woman director to have a film included in the registry.
Rembrandt: A Self-Portrait is a 1954 American short documentary film about the artist Rembrandt produced by Morrie Roizman, a former editor for The March of Time. This film shows a series of Rembrandt's artwork, including painting and drawings spanning his entire life and being shown as related of events throughout his life are narrated.
A Woman Is a Risky Bet: Six Orchestra Conductors is a 1987 Swedish documentary film about women orchestra conductors directed by Christina Olofson.
Jill Godmilow is an American independent filmmaker, primarily of non-fiction works, and an advocate for Post-Realism in documentary. She is an Emeritus Professor in the Department of Film, Television, and Theatre at the University of Notre Dame. Godmilow is a recipient of a Guggenheim Fellowship.
Ayoka "Ayo" Chenzira is an independent African-American producer, film director, television director, animator, writer, experimental filmmaker, and transmedia storyteller. She is the first African American woman animator and one of a handful of Black experimental filmmakers working since the late 1970s. She has earned international acclaim for her experimental, documentary, animation, and cross-genre filmmaking productions. Her work, as well as her efforts as one of the first African American woman film educators, have led some in the press to describe her as a media activist for social justice and challenging stereotype representations of African Americans in the mainstream media.