Jill Godmilow (born Joan Godmilow; November 23, 1943) is an American independent filmmaker, primarily of non-fiction works, and an advocate for Post-Realism in documentary. She is an Emeritus Professor in the Department of Film, Television, and Theatre at the University of Notre Dame. [1] [2] Godmilow is a recipient of a Guggenheim Fellowship. [3]
Born Joan Godmilow near Philadelphia, the younger daughter of Herbert and Beatrice (Schlaifman) Godmilow, [4] she studied Russian literature at the University of Wisconsin–Madison, graduating in 1965. [5]
Godmilow's 1974 film with collaborator Judy Collins, Antonia: A Portrait of the Woman , about female conductor Antonia Brico, received a nomination for Academy Award for Best Documentary Feature,[ citation needed ] and in 2003 was selected for the National Film Registry of the Library of Congress. [6] In 1984, she made Far From Poland, [7] a non-fiction feature about contradictions in the Polish Solidarity movement, filmed entirely in the U.S. It was heralded for breaking new ground in the documentary genre. [8]
Her 1987 feature film Waiting for the Moon is a biography of Gertrude Stein and Alice B. Toklas, played by actresses Linda Hunt and Linda Bassett. It was produced for PBS's American Playhouse series, released theatrically by Skouras Pictures, and won Best Feature Film at the Sundance Film Festival in 1987. [9] In 1998, What Farocki Taught premiered at the International Film Festival Rotterdam. The film is a replica, in color and in English, of Harun Farocki's 1969 black and white German language film Inextinguishable Fire, [10] [11] on the production of napalm at Dow Chemical Company. Her film was featured in the 2000 Whitney Biennial. [3]
In 2022, she published Kill the Documentary: A Letter to Filmmakers, Students, and Scholars, published by Columbia University Press, which the author prefers to call "a manifesto". [12]
Dame Joan Henrietta Collins is an English actress, author and columnist. She is the recipient of several accolades, including a Golden Globe Award, a People's Choice Award, two Soap Opera Digest Awards and a Primetime Emmy Award nomination. In 1983, Collins was awarded a star on the Hollywood Walk of Fame. She has been recognised for her philanthropy, particularly her advocacy towards causes relating to children, which has earned her many honours. In 2015, she was made a Dame by Queen Elizabeth II for her charitable services, presented to her by the then Prince of Wales.
Joan Beverly Kroc, also known as Joni, was an American philanthropist and third wife of McDonald's CEO Ray Kroc.
Antonia: A Portrait of the Woman is a 1974 documentary about symphony conductor Antonia Brico, including her struggle against gender bias in her profession. The film was directed by Judy Collins and Jill Godmilow. It was nominated for an Academy Award for Best Documentary Feature.
Marleen Gorris is a Dutch former writer and director. Gorris is known as an outspoken feminist and supporter of gay and lesbian issues which is reflected in much of her work. Her film, Antonia's Line, won an Oscar for Best Foreign Language Film in 1995 making her first woman to do so in this category. She has won 2 Golden Calf awards and received numerous other nominations, including one nomination for BAFTA Awards.
Antonia Louisa Brico was a Dutch-born American conductor and pianist.
Daniel Walter Schmid was a Swiss theatre and film director.
Harun Farocki was a German filmmaker, author, and lecturer in film.
The Notre Dame Queer Film Festival was founded in 2004 and ran in 2005 under the same moniker. In 2006, under pressure from a new administration led by University President Rev. John I. Jenkins, the name of the festival was changed to Gay and Lesbian Film: Filmmakers, Narratives, Spectatorships. The 2007 incarnation of the festival again changed names to Qlassics: Reimagining Sexuality and the Self in Recent American Cinema. More recently, the series has been titled the GlobaLGBTQ+ Film Festival, with a primary focus on films produced outside of the United States.
Lynne Sachs is an American experimental filmmaker and poet living in Brooklyn, New York. Her moving image work ranges from documentaries, to essay films, to experimental shorts, to hybrid live performances. Working from a feminist perspective, Sachs weaves together social criticism with personal subjectivity. Her films embrace a radical use of archives, performance and intricate sound work. Between 2013 and 2020, she collaborated with musician and sound artist Stephen Vitiello on five films.
Angela Schanelec is a German actress, film director, screenwriter, and translator.
Gita Pullapilly is a Hollywood film and television director, screenwriter, producer, and author. She writes and directs with her husband and film partner, Aron Gaudet under their banner, "Team A + G, Inc."
Christian Petzold is a German film director and screenwriter. Petzold is part of the 21st century Berlin School film movement. His films have received international recognition and acclaim. He is known for his frequent collaborations with actresses Nina Hoss and Paula Beer. Petzold won the Silver Bear for Best Director for his film Barbara (2012) at the 62nd Berlin International Film Festival.
Valeria Sarmiento is a film editor, director and screenwriter best known for her work in France, Portugal and her native Chile. She has worked both in film and television, directing 20 feature films, documentaries and television series'. She is the widow of Chilean film director Raúl Ruiz (1941-2011) with whom she collaborated for decades as regular editor and co-writer. She has also edited films for Luc Moullet, Robert Kramer and Ventura Pons and is a Guggenheim Fellow (1988).
Nina Menkes is an independent filmmaker. Her films include The Great Sadness of Zohara (1983), Magdalena Viraga (1986), Queen of Diamonds (1991), The Bloody Child (1996), "Massacre (Massaker)" (2005), Phantom Love (2007), Dissolution (2010), and Brainwashed: Sex-Camera-Power (2022). Nina Menkes' sister Tinka appears as an actress in many of them. Menkes teaches at the California Institute of the Arts in Santa Clarita, California. She has donated copies of several of her works to the Academy Film Archive.
Douglas Ferguson is a multidisciplinary artist mainly known for his fashion designs using enamelled metal mesh and hand-painted leather which received widespread exposure in the 1980s. Since starting out in the 1970s as Diana Vreeland's voluntary assistant at the Metropolitan Museum of Art's Costume Institute, he has also worked as an interior designer and film-maker.
Eliza Hittman is an American screenwriter, film director, and producer from New York City. She has won multiple awards for her film Never Rarely Sometimes Always, which include the New York Film Critics Circle Award and the National Society of Film Critics Award—both for best screenplay.
Ayoka "Ayo" Chenzira is an independent African-American producer, film director, television director, animator, writer, experimental filmmaker, and transmedia storyteller. She is the first African American woman animator and one of a handful of Black experimental filmmakers working since the late 1970s. She has earned international acclaim for her experimental, documentary, animation, and cross-genre filmmaking productions. Her work, as well as her efforts as one of the first African American woman film educators, have led some in the press to describe her as a media activist for social justice and challenging stereotype representations of African Americans in the mainstream media.
Nanfu Wang is a Chinese-born American filmmaker. Her debut film Hooligan Sparrow premiered at the 2016 Sundance Film Festival and was shortlisted for the Academy Award for Best Documentary Feature in 2017. Her second film, I Am Another You, premiered at SXSW Film Festival in 2017 and won two special jury awards, and her third film, One Child Nation, won the Grand Jury Prize for Documentary Feature at the 2019 Sundance Film Festival. Wang is the recipient of a 2021 Vilcek Prize for Creative Promise in Filmmaking, from the Vilcek Foundation.
Catholics vs. Convicts is a 2016 documentary film about the October 15, 1988 Notre Dame-Miami football game between the Miami Hurricanes of the University of Miami and the Notre Dame Fighting Irish of Notre Dame.
Wilbert Reuben ("Skip") Norman was a Black American filmmaker, visual anthropologist, and educator.
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