Antonio Nola (1642-after 1715) [1] was a Neapolitan composer of whom little biographical information or music survives. [2] He is to be distinguished from the better known Giovanni Domenico da Nola born 130 years earlier (died 1592).
Antonio Nola was a minor figure among the Neapolitan composers who collaborated with musicians from the church of the Girolamini, which included Giovanni Maria Trabaci, Scipione Dentice (nephew of Fabrizio Dentice), Giovanni Maria Sabino, Giovanni Salvatore, master of the royal chapel Filippo Coppola and, foremost among them, Erasmo di Bartolo ("Padre Raimo") author of the monumental Mottetti per le quarant' ore. [3] His only recorded work, in comparison with the Magnificat a 5 composed in the same year by his colleague Francesco Provenzale (1624–1704), shows a less sophisticated compositional level. [4]
Gaetano Greco was an Italian Baroque composer. He was the younger brother of Rocco Greco. Both brothers were trained at, and later taught at the Poveri di Gesu` Cristo conservatory in Naples. Gaetano Greco's teachers included Giovanni Salvatore and Gennaro Ursino, and possibly Francesco Provenzale. It is also possible that he studied with Alessandro Scarlatti. Leonardo Vinci, Giuseppe Porsile, Nicola Porpora, and Domenico Scarlatti were among his pupils. His successor at the conservatory was Francesco Durante.
Francesco Nicola Fago, 'II Tarantino' was an Italian Baroque composer and teacher. He was the father of Lorenzo Fago (1704-1793).
Francesco Provenzale was an Italian Baroque composer and teacher. He is considered the founder of the Neapolitan school of opera. Notably Provenzale was the teacher of famed castrato 'il cavaliere Nicolo Grimaldi '.
The Naples Conservatory of Music is a music school located in Naples, Italy. It is situated in the complex of San Pietro a Majella.
Fabrizio Dentice was an Italian composer and virtuoso lute and viol player.
Cataldo Vito Amodei was an Italian composer of the mid-Baroque period who spent his career in Naples. His cantatas were important predecessors to the active cantata production of 18th-century Naples, and he stands with the elder Francesco Provenzale and younger Alessandro Scarlatti as among the principal cantata composers. Other surviving works include a book of motets dedicated to Leopold I, Holy Roman Emperor; a serenata; two pastorales; two psalms; and four oratorios, which were important contributions to their genre.
Cristofaro or Cristoforo Caresana was an Italian Baroque composer, organist and tenor. He was an early representative of the Neapolitan operatic school.
Cappella Neapolitana is an early music ensemble based in Naples and dedicated to the recovery of Neapolitan musical heritage, primarily from the baroque era.
Giovanni Maria Sabino was an Italian composer, organist and teacher.
Pietro Antonio Giramo was an Italian baroque composer. His surviving works consist of two works in collections 1619, 1620, the Arie for several voices and a reprint of two cantatas; Il pazzo con la pazza ristampata and Uno ospedale per gl’infermi d’amore.
Gaetano Veneziano was an Italian composer. His son Giovanni Veneziano was also a composer.
In music history, the Neapolitan School is a group, associated with opera, of 17th and 18th-century composers who studied or worked in Naples, Italy, the best known of whom is Alessandro Scarlatti, with whom "modern opera begins". Francesco Provenzale is generally considered the school's founder.
It is with the Neapolitan school...that the History of Modern Music commences—insofar as that music speaks the language of the feelings, emotions, and passions.
Erasmo Bartoli Filippino or Erasmo di Bartolo, called padre Raimo (1606–1656), was an Italian priest, composer, and teacher at the conservatories in Naples.
Giuseppe Cavallo was an Italian composer and priest. He was maestro di canto at the conservatory and assistant to his teacher Francesco Provenzale. His oratorio Il Giuditio universale was recorded by Antonio Florio.
Francesco Sabino was an Italian composer. He was a nephew of brothers Giovan Maria Sabino and Donato Antonio Sabino.
Donato Antonio «Antonino» Sabino was an Italian composer and priest. He was brother of Giovan Maria Sabino, another composer-priest, and uncle of Francesco Sabino.
Michelangelo Faggioli (1666–1733) was an Italian lawyer and celebrated amateur composer of humorous cantatas in Neapolitan dialect. A founder of a new genre of Neapolitan comedy, he was the composer of the opera buffa La Cilla in 1706.
Orazio Giaccio was an Italian composer. His canzonette Laberinto amoroso was published in Naples by Gargano and Nucci in 1618.
Ghirlanda sacra scielta da diversi eccellentissimi compositori de varii motetti à voce sola is a compilation of 44 single-voice motets in the new style assembled by Leonardo Simonetti. Simonetti was a chorister in the Cappella Marciana, and placed his master Claudio Monteverdi at the head of the collection with four pieces, following it with other composers from the area of Venice and Veneto. A second printing followed in 1636.
Dinko Fabris is an Italian musicologist. He specializes in lute music, the music of Naples, and Italian music in general, producing books Italian composers such as Andrea Falconieri, Andrea Gabrieli, Francesco Provenzale and Francesco Cavalli. He holds teaching posts at the Conservatory of Bari and the University of Basilicata, and was president of the International Musicological Society from 2012 to 2017.