Apache | |
---|---|
Directed by | Robert Aldrich |
Screenplay by | James R. Webb |
Based on | novel Broncho Apache by Paul Wellman |
Produced by | Harold Hecht |
Starring | Burt Lancaster Jean Peters John McIntire |
Cinematography | Ernest Laszlo |
Edited by | Alan Crosland Jr. |
Music by | David Raksin |
Production company | |
Distributed by | United Artists |
Release date |
|
Running time | 87 minutes |
Country | United States |
Language | English |
Budget | $1,240,000 [1] or $1 million [2] |
Box office | $10 million (US/Canada) 1.2 million tickets (France) [3] |
Apache is a 1954 American Western film directed by Robert Aldrich and starring Burt Lancaster, Jean Peters and John McIntire. The film was based on the novel Broncho Apache by Paul Wellman, which was published in 1936. [4] It was Aldrich's first color film.
Following the surrender of the great leader Geronimo, Massai — the last Apache warrior — is captured and sent on a prison train to a reservation in Florida. But he manages to escape in Oklahoma and heads back to his homeland to win back his woman and settle down to grow crops. His pursuers have other ideas, though.
In April 1952 Burt Lancaster announced he would star in a film based on the novel, to be produced by himself and Harold Hecht. Lancaster had previously played an American Indian in Jim Thorpe – All-American . [5] Both Lancaster and his love interest, played by Jean Peters, appeared in brownface in the film.
In June 1953, Lancaster and Hecht announced they would make two films with United Artists, starting with Apache. [6] [7] The film would be the first in a series of movies Lancaster made for United Artists. [2] It was originally budgeted at $742,000. [8]
In July 1953 the producers hired Robert Aldrich as a director. [9] Aldrich says this was on the back of his second feature as director, World for Ransom , along with the fact that he had previously worked for Hecht-Lancaster on other movies as an assistant and had tried to buy the original novel himself. [10]
The ending of the novel featured the leading character killed by US troops. "Of course, United Artists and Hecht became apprehensive of that so called down-beat ending," said Aldrich. "I made noise but they didn't hear me; then you go through the steps but you know they're going to use that happy ending." [10]
Filming started October 19, 1953, in Sonora, after a week of rehearsal. [11] Lancaster tore a ligament while filming a horse scene on the film. [12] He returned to filming relatively quickly. [13]
The film was a big hit, earning over $3 million in theatrical rentals during its first year of release and $6 million in overall North American rentals. Aldrich subsequently directed Hecht-Lancaster's next film, Vera Cruz . [14]
The film earned $3.25 million in American and Canadian rentals during 1954, [15] and it went on to generate total gross receipts of $10 million in the United States and Canada. [3] In France, the film sold 1,216,098 tickets at the box office. [16]
On the review aggregator website Rotten Tomatoes , 64% of 11 critics' reviews are positive, with an average rating of 5.5/10. [17] At the time, Clyde Gilmour praised the film as "one of the most exciting and entertaining westerns Hollywood has produced," [18] while the New York Times criticized it as "slow and dull." [19] Retrospective reviews have praised the film for its "acceptance of the alien nature of the Apache" [20] and "more than the standard revisionist bromides." [21]
Burton Stephen Lancaster was an American actor and film producer. Initially known for playing tough guys with a tender heart, he went on to achieve success with more complex and challenging roles over a 45-year career in films and television series. He was a four-time nominee for the Academy Award for Best Actor, and he also won two BAFTA Awards and one Golden Globe Award for Best Lead Actor. The American Film Institute ranks Lancaster as #19 of the greatest male stars of classic Hollywood cinema.
From Here to Eternity is a 1953 American romantic war drama film directed by Fred Zinnemann and written by Daniel Taradash, based on the 1951 novel of the same name by James Jones. It deals with the tribulations of three United States Army soldiers, played by Burt Lancaster, Montgomery Clift, and Frank Sinatra, stationed on Hawaii in the months leading up to the attack on Pearl Harbor. Deborah Kerr and Donna Reed portray the women in their lives. The supporting cast includes Ernest Borgnine, Philip Ober, Jack Warden, Mickey Shaughnessy, Claude Akins, and George Reeves.
Sweet Smell of Success is a 1957 American film noir drama film directed by Alexander Mackendrick, starring Burt Lancaster, Tony Curtis, Susan Harrison, and Martin Milner, and written by Clifford Odets, Ernest Lehman, and Mackendrick from the novelette by Lehman. The shadowy noir cinematography filmed on location in New York City was shot by James Wong Howe. The picture was produced by James Hill of Hecht-Hill-Lancaster Productions and released by United Artists. The supporting cast features Sam Levene, Barbara Nichols, Joe Frisco, Edith Atwater, David White, and Emile Meyer. The musical score was arranged and conducted by Elmer Bernstein and the film also features jazz performances by the Chico Hamilton Quintet. Mary Grant designed the costumes.
Ulzana's Raid is a 1972 American revisionist Western film starring Burt Lancaster, Richard Jaeckel, Bruce Davison and Joaquin Martinez. The film, which was filmed on location in Arizona, was directed by Robert Aldrich based on a script by Alan Sharp. It portrays a brutal raid by Chiricahua Apaches against European settlers in 1880s Arizona. The bleak and nihilistic tone of U.S. troops chasing an elusive merciless enemy has been seen as allegory to the United States participation in the Vietnam War.
Robert Burgess Aldrich was an American film director, producer, and screenwriter. An iconoclastic and maverick auteur working in many genres during the Golden Age of Hollywood, he directed mainly films noir, war movies, westerns and dark melodramas with Gothic overtones. His most notable credits include Vera Cruz (1954), Kiss Me Deadly (1955), The Big Knife (1955), Autumn Leaves (1956), Attack (1956), What Ever Happened to Baby Jane? (1962), Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).
His Majesty O'Keefe is a 1954 American adventure film directed by Byron Haskin and starring Burt Lancaster. The cast also included Joan Rice, André Morell, Abraham Sofaer, Archie Savage, and Benson Fong. The screenplay by Borden Chase and James Hill was based on the novel of the same name by Laurence Klingman and Gerald Green (1952).
Vera Cruz is a 1954 American Western film directed by Robert Aldrich and starring Gary Cooper and Burt Lancaster, featuring Denise Darcel, Sara Montiel, Cesar Romero, Ernest Borgnine, Charles Bronson and Jack Elam. Set during the Franco-Mexican War, the film centers on a group of American mercenaries tasked with transporting a large shipment of Imperial gold to the port of Veracruz, but begin to have second thoughts about their allegiances. It was produced by Hecht-Lancaster Productions and released by United Artists on 25 December 1954.
Twilight's Last Gleaming is a 1977 American thriller film directed by Robert Aldrich and starring Burt Lancaster and Richard Widmark. The film was a West German/American co-production, shot mainly at the Bavaria Studios.
Taras Bulba is a 1962 American historical adventure drama film based on Nikolai Gogol's novel Taras Bulba, starring Tony Curtis and Yul Brynner. The film was directed by J. Lee Thompson.
Massai was a member of the Mimbres/Mimbreños local group of the Chihenne band of the Chiricahua Apache. He was a warrior who was captured but escaped from a train that was sending the scouts and renegades to Florida to be held with Geronimo and Chihuahua.
Harold Adolphe Hecht was an American film producer, dance director and talent agent. He was also, though less noted for, a literary agent, a theatrical producer, a theatre director and a Broadway actor. He was a member of the Academy of Motion Pictures Arts and Sciences and the Screen Producers Guild.
World for Ransom is a 1954 American film noir drama directed by Robert Aldrich and starring Dan Duryea, Patric Knowles, Gene Lockhart, Reginald Denny, and Nigel Bruce.
The Leopard is a 1963 epic historical drama film directed by Luchino Visconti. Written by Visconti, Suso Cecchi d'Amico, Enrico Medioli, Pasquale Festa Campanile, Massimo Franciosa, and an uncredited René Barjavel, the film is an adaptation of the 1958 novel of the same title by Giuseppe Tomasi di Lampedusa.
Trapeze is a 1956 American circus film directed by Carol Reed and starring Burt Lancaster, Tony Curtis and Gina Lollobrigida. The film is based on Max Catto's 1950 novel The Killing Frost, with an adapted screenplay written by Liam O'Brien.
The Kentuckian is a 1955 American CinemaScope Western film directed by Burt Lancaster, who also stars. This is one of only two films that Lancaster directed, and the only one for which he has sole credit. It is Walter Matthau's film debut. The film is an adaptation of the novel The Gabriel Horn by Felix Holt. The film was shot in locations around Kentucky, including Cumberland Falls, the Levi Jackson Wilderness Road State Park near London, Owensboro and Green River, and at the Abraham Lincoln Memorial Village near Rockport, Indiana. A featured landmark is the natural arch Sky Bridge.
Ten Tall Men is a 1951 American adventure film starring Burt Lancaster about the French Foreign Legion during the Rif War in Morocco. Though co-written and directed by Willis Goldbeck, Goldbeck walked off the film due to disputes with Lancaster with the movie being completed by Robert Parrish. Credited as an associate producer, Robert Aldrich was a production manager on the film where he met Lancaster, which led him to direct Vera Cruz for him. Robert Clary made his debut in the film as an Arab batman. Portions of the film were filmed in Palm Springs, California. The story was released as a Fawcett Movie Comic #16 in April 1951.
Taza, Son of Cochise is a 1954 American Western film directed by Douglas Sirk and starring Rock Hudson and Barbara Rush. The film was shot in 3D, and is one of just two films confirmed to have been released in the Pola-Lite 3D System using one projector.
Roland Kibbee was an American screenwriter and producer. He was a frequent collaborator and friend of actor-producer Burt Lancaster.
Hecht-Hill-Lancaster was a production company formed by the actor Burt Lancaster in association with his agent, Harold Hecht, and James Hill. In 1948 Lancaster and Hecht formed Norma Productions, which later became Hecht-Lancaster. Hill joined in the mid-1950s. The company produced some of the most notable American films of the 1950s.
Redface is the wearing of makeup to darken or redden skin tone, or feathers, warpaint, etc. by non-Natives to impersonate a Native American or Indigenous Canadian person, or to in some other way perpetuate stereotypes of Indigenous peoples of Canada and the United States. It is analogous to the wearing of Blackface. In the early twentieth century, it was often white performers, who wore blackface or redface when portraying Plains Indians in Hollywood Westerns. In the early days of television sitcoms, "non-Native sitcom characters donned headdresses, carried tomahawks, spoke broken English, played Squanto at Thanksgiving gatherings, received 'Indian' names, danced wildly, and exhibited other examples of representations of redface".