Big Leaguer | |
---|---|
Directed by | Robert Aldrich |
Screenplay by | Herbert Baker |
Based on | a story by John McNulty Lou Morheim |
Produced by | Matthew Rapf |
Starring | Edward G. Robinson Vera-Ellen Jeff Richards Richard Jaeckel William Campbell |
Cinematography | William C. Mellor |
Edited by | Ben Lewis |
Music by | Alberto Colombo |
Production company | |
Distributed by | Loew's, Inc. |
Release date |
|
Running time | 71 minutes |
Country | United States |
Language | English |
Budget | $498,000 [1] [2] |
Box office | $559,000 [1] |
Big Leaguer is a 1953 American sports drama film starring Edward G. Robinson and was the first film directed by Robert Aldrich.
Although this story is fiction, Robinson's character in it, Hans Lobert, was an actual baseball player who played for five Major League Baseball teams and managed the Philadelphia Phillies. Third-billed in the cast, Jeff Richards was a professional ballplayer before he became an actor, and Hall of Fame pitcher Carl Hubbell appears as himself.
"It was not a personal film of my status at the time," said Aldrich later. "I feel the film was good but not indicative of what I wanted to express in the motion picture medium." [3]
John "Hans" Lobert runs a training camp in Florida for baseball's New York Giants (baseball). Every year, he evaluates the 18- to 22-year-old hopefuls to pick the best for a minor league contract. All have dreams and talent, but the elimination whittles them down to a lucky few who will get the $150-a-month contract.
Lobert's niece comes down from the home office in New York and finds herself attracted to one of the players, the tall, quiet Adam Polachuk, a Polish-American from Pittston, Pennsylvania. Polachuk, the best prospect at third base, is trying to earn a spot on the team without his father knowing about it. His father, who knows nothing about baseball, thinks Adam is attending school. His father finds out about Adam's attempt to make the Giants just before the best of the recruits square off against the Brooklyn Dodgers' rookie squad.
The elder Polachuk is persuaded by manager Lobert to let his son play in the game before taking him home. Polachuk is the star of the game for the Giants both offensively and defensively as the Giants rally to win the game.
The film was one of a series of low budget films made at MGM. According to Robert Aldrich, Louis B. Mayer "had wanted to put the sons of the guys who helped him form Metro into production work; and they had this thing called the sons of the pioneers... Three or four guys whose fathers had been helpful in first forming Metro." [4]
Mayer left MGM in 1951 but Dore Schary kept alive the idea, in part because of the success of a low budget unit at MGM which he ran in the early 1940s. In January 1952 he announced the formation of a new production unit under the supervision of Charles Schnee. It included several sons of executives who had helped establish MGM, Matthew Raft (son of Harry Rapf), Arthur Loew (son of Marcus Loew), and Sidney Franklin Jnr (son of Sidney Franklin). Other producers were Hayes Goetz, Henry Berman (brother of Pandro S. Berman), and Sol Fielding. The idea was to make ten to fifteen films a year. [5] [4]
Big Leaguer was based on an original story by John McNulty, who sold it to producer Matthew Rapf at MGM.
Herbert Butler wrote a script and in November 1952 MGM announced they would make the film under the Charles Schnee unit. Robinson signed later that month, the first film he had shot at MGM since Our Vines Have Tender Grapes. [6] Filming would not begin until March 1953 to take advantage of spring training. [7]
Robert Aldrich had worked at Enterprise Studios as an assistant director and met Herbert Baker on So This is New York . Baker recommended Aldrich as director because he had worked in television and "knew athletes". "They were looking for 'bright young guys' who'd been on the firing line for a while, someone they thought they could give an opportunity to and who knew what he was doing because they didn't", said Aldrich. [4] Aldrich was signed to direct in January, 1953. [8]
Jeff Richards, who was cast a baseball player, had been a baseball player in real life. [9]
Spring training filming took place at Melbourne, Florida with the real-life New York Giants. The film was shot in Cape Canaveral in 17 days "out of nowhere" said Aldrich. [4]
Aldrich remembered star Edward G. Robinson as "a marvellous actor and a brilliant man but he was not physically co ordinated. He would walk to first base and trip over the home plate." [10]
Aldrich said "The world wasn't waiting for that picture. It was a picture about the New York Giants and Metro had the foresight to open it in Brooklyn, so you can't have expected it to do very well. Nothing much came out of it." [4] A Los Angeles Times reviewer called it a "cheery little opus" and praised Vera-Ellen's performance, saying she "surprises pleasantly with her straight acting effort." [11]
According to MGM records the film earned $467,000 in the US and Canada and $92,000 elsewhere, resulting in a loss of $163,000. [1]
The Bad and the Beautiful is a 1952 American melodrama that tells the story of a film producer who alienates everyone around him. The film was directed by Vincente Minnelli, written by George Bradshaw and Charles Schnee, and stars Lana Turner, Kirk Douglas, Walter Pidgeon, Dick Powell, Barry Sullivan, Gloria Grahame and Gilbert Roland. The Bad and the Beautiful won five Academy Awards out of six nominations in 1952, a record for the most awards for a movie that was not nominated for Best Picture or for Best Director.
Isadore "Dore" Schary was an American playwright, director, and producer for the stage and a prolific screenwriter and producer of motion pictures. He directed one feature film, Act One, the film biography of his friend, playwright and theatre director Moss Hart. He became head of production at Metro-Goldwyn-Mayer and replaced Louis B. Mayer as president of the studio in 1951.
Robert Burgess Aldrich was an American film director, producer, and screenwriter. An iconoclastic and maverick auteur working in many genres during the Golden Age of Hollywood, he directed mainly films noir, war movies, westerns and dark melodramas with Gothic overtones. His most notable credits include Vera Cruz (1954), Kiss Me Deadly (1955), The Big Knife (1955), Autumn Leaves (1956), Attack (1956), What Ever Happened to Baby Jane? (1962), Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).
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Ralph Meeker was an American film, stage, and television actor. He first rose to prominence for his roles in the Broadway productions of Mister Roberts (1948–1951) and Picnic (1953), the former of which earned him a Theatre World Award for his performance. In film, Meeker is known for his portrayal of Mike Hammer in Robert Aldrich's 1955 Kiss Me Deadly and as condemned infantryman Cpl. Philippe Paris in Stanley Kubrick’s Paths of Glory.
John Bernard "Hans" Lobert was an American third baseman, shortstop, coach, manager and scout in Major League Baseball. Lobert was immortalized in the 1953 film Big Leaguer and in the 1966 Lawrence Ritter book The Glory of Their Times.
The Opposite Sex is a 1956 American musical romantic comedy film shot in Metrocolor and CinemaScope. The film was directed by David Miller and stars June Allyson, Joan Collins, Dolores Gray, Ann Sheridan, and Ann Miller, with Leslie Nielsen, Jeff Richards, Agnes Moorehead, Charlotte Greenwood, Joan Blondell, and Sam Levene.
Jeff Richards was an American minor league baseball player with the Portland Beavers, who later became an actor. He was sometimes credited as Dick Taylor and Richard Taylor.
Leonard Spigelgass was an American playwright, film producer and screenwriter. During his career, Spigelgass wrote the scripts for 11 Academy Award-winning films. He himself was nominated in 1950 for the story for Mystery Street and garnered three Writers Guild of America nominations over the course of his career. Spigelgass was also a friend of Gore Vidal who used Spigelgass as the model for Vidal's semi fictionary "wise hack" character in the latter's series of essays about Hollywood.
The Prodigal is a 1955 Eastmancolor biblical epic CinemaScope film made by MGM starring Lana Turner and Edmund Purdom. It was based on the New Testament parable about a selfish son who leaves his family to pursue a life of pleasure. The film also features James Mitchell, Louis Calhern, Joseph Wiseman, Cecil Kellaway, Audrey Dalton, and Walter Hampden. Dancer Taina Elg made her film debut in The Prodigal.
Charles Schnee was an American screenwriter and film producer. He wrote the scripts for the Westerns Red River (1948) and The Furies (1950), the social melodrama They Live by Night (1949), and the cynical Hollywood saga The Bad and the Beautiful (1952), for which he won an Academy Award.
Beau Brummell is a 1954 British historical film released by Metro-Goldwyn-Mayer. It was directed by Curtis Bernhardt and produced by Sam Zimbalist from a screenplay by Karl Tunberg, based on the 1890 play Beau Brummell by Clyde Fitch. The play was previously adapted as a silent film made in 1924 and starring John Barrymore as Beau Brummell, Mary Astor, and Willard Louis as the Prince of Wales.
John Cummings was an American film producer and director. He was best known for being a leading producer at Metro-Goldwyn-Mayer.
Million Dollar Mermaid is a 1952 American biographical drama film about the life of Australian swimming star Annette Kellerman. It was directed by Mervyn LeRoy and produced by Arthur Hornblow Jr. from a screenplay by Everett Freeman. The music score was by Adolph Deutsch, the cinematography by George Folsey and the choreography by Busby Berkeley.
Valley of the Kings is a 1954 American Eastmancolor adventure film produced by Metro-Goldwyn-Mayer. It was written and directed by Robert Pirosh from a screenplay by Robert Pirosh and Karl Tunberg, "suggested by historical data" in the 1949 book Gods, Graves and Scholars by C. W. Ceram. The music was by Miklós Rózsa and the cinematography by Robert Surtees.
The Next Voice You Hear... is a 1950 American drama film starring James Whitmore and Nancy Davis. It was based on a short story of the same name by George Sumner Albee, published in a 1948 issue of Hearst's International Cosmopolitan. An exhaustive description of the making of the film is the subject of producer Dore Schary's book Case History of a Movie.
Harry Rapf, was an American film producer.
Scene of the Crime is a 1949 American police procedural directed by Roy Rowland, starring Van Johnson, and featuring Gloria DeHaven, Arlene Dahl, and Tom Drake. The film's screenplay, by Charles Schnee, is based on a non-fiction article by John Bartlow Martin, "Smashing the Bookie Gang Marauders". It was the only property sold by Martin to be made into a film. Scene of the Crime was producer Harry Rapf's last film of his thirty-plus year career; he died of a heart attack a week after principal photography for the film began.
The Kid from Left Field is a 1979 American made-for-television baseball comedy film starring Gary Coleman and Robert Guillaume. Coleman's first film, it is a remake of the 1953 film of the same name.
Matthew Rapf was an American film and television producer and screenwriter. He was best known for producing The Loretta Young Show, Ben Casey, and Kojak.