The Choirboys | |
---|---|
Directed by | Robert Aldrich |
Written by | Jennifer Miller |
Produced by | Merv Adelson Lee Rich |
Starring | |
Cinematography | Joseph Biroc |
Edited by | William Martin Irving Rosenblum Maury Winetrobe |
Music by | Frank De Vol |
Production company | |
Distributed by | Universal Pictures |
Release date |
|
Running time | 119 minutes |
Country | United States |
Language | English |
Budget | $6,500,000 [1] |
Box office | ITL 126,400,000 (Italy) (1980) 292,099 admissions (France) [2] |
The Choirboys is a 1977 American comedy-drama film directed by Robert Aldrich, written by Christopher Knopf and Joseph Wambaugh based on Wambaugh's 1975 novel of the same name. It features an ensemble cast including Charles Durning, Louis Gossett Jr., Randy Quaid, and James Woods. The film was released to theaters by Universal Pictures on December 23, 1977.
Los Angeles police officers experiencing various pressures at work unwind at night with drunken get-togethers (a.k.a. "choir practice") at MacArthur Park, where their pranks often go too far: among those there are a retiring cop, a small number of young cops, a bigoted one and a Vietnam vet with panic disorder.
Lorimar purchased the screen rights to the novel in October 1975, before it was published. [3] The price was a reported $700,000. [4] It was Wambaugh's fourth book, third novel and first comedy. The Los Angeles Times called it "brilliant". [5] The book became a best seller. [6]
Wambaugh adapted his own novel into a screenplay. Robert Aldrich signed to direct in February 1976. [7] "The whole $5.3 million is from independent sources," said Wambaugh in November 1976. "No Hollywood studio is involved - they can be as bad as networks." [8]
"When I turned in my first script they said they loved it," said Wambaugh later. "Then there was total silence. I called but they didn't return my calls." [9]
Aldrich wanted changes to the script and hired Christopher Knopft to do them. "I think Mr. Wambaugh is going to be very unhappy with this film of his work," said Aldrich. "I haven't figured out yet how to correct some of the things that are in the book and still make people who read the book want to see the movie - but I do intend to figure it out." [10]
Aldrich said he did not feel the same way as Wambaugh about "the problems of the cop... I don't find the fact that cops can't ‘cope’ particularly rewarding; I can't relate to it. I don't know how to feel sorry for a cop. It's a volunteer force. You're not drafted to become a cop. So you've got to take some of the heat if you don't like what people think about you. After all, that's an extraordinary pension you get in twenty years; nobody else gets it. In fact, I disagree with Wambaugh to such an extent that I don't think people really like cops." [10]
Aldrich said the book "doesn't go far enough for me" for instance not showing them to be racist, taking bribes or wanting to be stormtroopers. "I think you've got to show L. A. cops as brutal as they really are. And Wambaugh can't face that problem, so it's never touched in the book. " [10]
When Wambaugh saw the rewritten script he was not pleased. "They'd mutilated my work," he said. [9]
He took out a full page advertisement complaining about what had happened to his book and sued to get his name taken off the credits of the final print. [11] [12]
Aldrich rehearsed with the cast prior to filming. "We don't have any superstars," said Aldrich. "The film doesn't need Steve McQueen to carry it." [13]
Filming started 21 March 1977. Aldrich said the film showed how police dealt with pressures but "it won't be all grim, though; there will be some hysterically funny sequences coming out of the love they have for each other." [14]
Charles Durning said he based his character on Aldrich, "one of the brightest guys I know and who never forgets he's the boss." [15]
During filming, one of the cast, Walter McGinn, died in a road accident. [12]
In June 1977, Universal agreed to distribute. [16]
The film attracted negative reviews and is considered by some to be Aldrich's weakest film. Vincent Canby's review in The New York Times described the film as "cheap and nasty" as well as "a stylistic and narrative mess".
Wambaugh, after seeing the film, called it a "dreadful, slimy, vile film... a sleazy, insidious film. There was no serious intent to it. It was an insult to me but also to every self-respecting cop in America." [17]
He sued Lorimar and was paid $1 million in compensation. [17]
He then bought back the rights to The Onion Field and Black Marble to have more control, because of what happened to The Choirboys. [18]
The Choirboys currently holds a 40% rating on Rotten Tomatoes based on 10 reviews. [19]
Robert Burgess Aldrich was an American film director, producer, and screenwriter. An iconoclastic and maverick auteur working in many genres during the Golden Age of Hollywood, he directed mainly films noir, war movies, westerns and dark melodramas with Gothic overtones. His most notable credits include Vera Cruz (1954), Kiss Me Deadly (1955), The Big Knife (1955), Autumn Leaves (1956), Attack (1956), What Ever Happened to Baby Jane? (1962), Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).
Louis Cameron Gossett Jr. was an American actor. He made his stage debut at the age of 17. Shortly thereafter, he successfully auditioned for the Broadway play Take a Giant Step. Gossett continued acting onstage in critically acclaimed plays including A Raisin in the Sun (1959), The Blacks (1961), Tambourines to Glory (1963), and The Zulu and the Zayda (1965). In 1977, Gossett appeared in the popular miniseries Roots, for which he won Outstanding Lead Actor for a Single Appearance in a Drama or Comedy Series at the Emmy Awards.
Charles Edward Durning was an American actor who appeared in over 200 movies, television shows and plays. Durning's best-known films include The Sting (1973), Dog Day Afternoon (1975), The Muppet Movie (1979), True Confessions (1981), Tootsie (1982), Dick Tracy (1990), and O Brother, Where Art Thou? (2000). He was nominated for the Academy Award for Best Supporting Actor for both The Best Little Whorehouse in Texas (1982) and To Be or Not to Be (1983). Prior to his acting career, Durning served in World War II and was decorated for valor in combat.
Joseph Aloysius Wambaugh Jr. is an American writer known for his fictional and nonfictional accounts of police work in the United States. Many of his novels are set in Los Angeles and its surroundings and feature Los Angeles police officers as protagonists. He won three Edgar Awards, and was named a Grand Master by the Mystery Writers of America.
The Choirboys (ISBN 0-440-11188-9), a novel, is a controversial 1975 work of fiction written by Los Angeles Police Department officer-turned-novelist Joseph Wambaugh. In 1995 the novel was selected by the Mystery Writers of America as Number 93 of "The Top 100 Crime Novels of All Time".
Twilight's Last Gleaming is a 1977 American thriller film directed by Robert Aldrich and starring Burt Lancaster and Richard Widmark. The film was a West German/American co-production, shot mainly at the Bavaria Studios.
Bad, also known as Andy Warhol's Bad, is a 1977 comedy film directed by Jed Johnson and starring Carroll Baker, Perry King, and Susan Tyrrell. It was written by Pat Hackett and George Abagnalo, and was the last film produced by Andy Warhol before his death in 1987.
Cop is a 1988 American neo-noir crime suspense film written and directed by James B. Harris, starring James Woods, Lesley Ann Warren and Charles Durning. It is based on the 1984 book Blood on the Moon, by James Ellroy. Harris and Woods co-produced the film, a first for their careers.
Sharky's Machine is a 1981 American neo-noir action thriller film directed by Burt Reynolds, who stars in the title role. It is the film adaptation of William Diehl's 1978 novel of the same name, with a screenplay by Gerald Di Pego. It also stars Vittorio Gassman, Brian Keith, Charles Durning, Earl Holliman, Bernie Casey, Henry Silva, Darryl Hickman, Richard Libertini, Rachel Ward and Joseph Mascolo.
The Greek Tycoon is a 1978 American biographical romantic drama film, of the roman à clef type, directed by J. Lee Thompson. The screenplay by Morton S. Fine is based on a story by Fine, Nico Mastorakis, and Win Wells, who loosely based it on Aristotle Onassis and his relationship with Jacqueline Kennedy. Mastorakis denied this, instead stating "We're not doing a film about Aristotle Onassis. It's a personification of all Greek Tycoons." The film stars Anthony Quinn in the title role and Jacqueline Bisset as the character based on Kennedy. Quinn also appeared in Thompson's 1979 film The Passage. Various plot lines track the Kennedy assassination and Onassis relationships but the ordering of the timeline being vastly different. Onassis' son did die in a plane crash, one of his ex-wives committed suicide and the marriage was short lived due to a sudden illness. Names were similar but not identical.
Avalanche Express is a 1979 adventure thriller film starring Lee Marvin, Robert Shaw, Maximilian Schell, and Linda Evans, and produced and directed by Mark Robson. The plot is about the struggle over a defecting Soviet general. The screenplay by Abraham Polonsky was based on a 1977 novel by Colin Forbes. It was the last film for Shaw and Robson, who both died during production in 1978.
...All the Marbles is a 1981 American comedy-drama film about the trials and travails of a female wrestling tag team and their manager. It was directed by Robert Aldrich and stars Peter Falk, Vicki Frederick and Laurene Landon. The Pittsburgh Steeler hall of famer "Mean" Joe Greene plays himself.
The Golden Gate is a novel written by the Scottish author Alistair MacLean. It was first released in the United Kingdom by Collins in 1976 and later in the same year by Doubleday in the United States.
The Onion Field is a 1979 American neo-noir crime drama film directed by Harold Becker and written by Joseph Wambaugh, based on his 1973 true crime book of the same name. The film stars John Savage, James Woods and Franklyn Seales, as well as Ted Danson in his film debut.
Hustle is a 1975 American neo-noir crime thriller film directed by Robert Aldrich, and starring Burt Reynolds and Catherine Deneuve.
Harry and Walter Go to New York is a 1976 American period comedy film written by John Byrum and Robert Kaufman, directed by Mark Rydell, and starring James Caan, Elliott Gould, Michael Caine, Diane Keaton, Charles Durning and Lesley Ann Warren. In the film, two dimwitted con-men try to pull off the biggest heist ever seen in late nineteenth-century New York City. They are opposed by the greatest bank robber of the day, and aided by a crusading newspaper editor.
The Secrets of Harry Bright is the seventh novel written by former Los Angeles Police Department detective Joseph Wambaugh. Published in 1985, the book continues a pattern of Wambaugh crime fiction beginning with The Choirboys that uses black humor to explore the psychological effects of prolonged stress on veteran police officers. As with all his novels, The Secrets of Harry Bright, set in November 1984, is contemporaneous with the time frame in which it was written and includes numerous allusions and references to events and personalities of the time.
Five Days from Home is a 1978 American drama film directed, produced and starring George Peppard, with Sherry Boucher, Savannah Smith, Neville Brand, Victor Campos, and Robert Donner.
Gregory Ulas Powell was an American criminal who kidnapped Karl Hettinger and Ian Campbell, two officers from the Los Angeles Police Department (LAPD), on the night of March 9, 1963. Assisted by accomplice Jimmy Lee Smith, Powell took the officers to an onion field near Bakersfield, California, where Campbell was fatally shot.
Karl Francis Hettinger was an American police officer of the Los Angeles Police Department from 1958 to 1963. Hettinger formerly served in the United States Marine Corps from 1952 to 1958 and served in the Korean War and Vietnam War. He was known for surviving the "Onion Field" incident, in which he and his partner, Officer Ian Campbell, were kidnapped on the night of March 9, 1963, by criminals Gregory Powell and Jimmy Lee Smith and taken to an onion field near Bakersfield, California where Officer Campbell was fatally shot.