World for Ransom | |
---|---|
Directed by | Robert Aldrich (uncredited) |
Screenplay by | Lindsay Hardy Hugo Butler (uncredited) |
Produced by | Bernard Tabakin Robert Aldrich |
Starring | Dan Duryea Gene Lockhart Patric Knowles |
Cinematography | Joseph Biroc |
Edited by | Michael Luciano |
Music by | Frank De Vol |
Production company | Plaza Production |
Distributed by | Allied Artists Pictures |
Release dates |
|
Running time | 82 minutes |
Country | United States |
Language | English |
Budget | $100,000 [1] |
Box office | 441,946 admissions (France) [2] |
World for Ransom is a 1954 American film noir drama directed by Robert Aldrich and starring Dan Duryea, Patric Knowles, Gene Lockhart, Reginald Denny, and Nigel Bruce (in his final film role). [3] [4]
Many of the actors and sets used in the film were from the Dan Duryea television show China Smith . Aldrich and cinematographer Joseph Biroc also worked on the series.
Aldrich later said the film "first embedded what I wanted to say in films. It was mainly about two men with good and bad points. Both men believed in individual liberty but the belief of one man was weaker than the other because he had no respect for humanity." [5]
Mike Callahan (Duryea) is an Irish émigré and war veteran working in Singapore as a private detective. He takes on a case from a former flame, now a nightclub singer. She thinks her husband Julian March (Knowles) is involved in criminal activities and asks him to help out.
Callahan learns that a man named Alexis Pederas (Lockhart) has involved Julian in a plot to kidnap a prominent nuclear scientist Sean O'Connor and hold him for ransom to the highest bidder. O'Connor is one of the only four men in the world that knows how to detonate the H-Bomb.
Aldrich said he got the idea to make the film while directing episodes of China Smith. When production was on hiatus he wrote a story with a colleague. [6] Bernard Tabakin, who produced China Smith, agreed to produce the film along with Aldrich. [7]
Aldrich says the script was almost entirely written by Hugo Butler but Butler does not get credit due to being blacklisted. Aldrich said "There are optimists in the society, not many left, who thought that someday those guys [on the Hollywood Blacklist] would get post-mortem credits for their work. So he wrote World for Ransom and I put my name on it to try and get him the credit. And it went into arbitration with the Writer's Guild, and another guy Lindsay Hardy got total screen credit on it. It was a joke. He no more wrote that script than walk on the water. Butler made that total screenplay." [8]
Filming started 13 April 1953 at the Motion Picture Center Studio. [9]
The film was shot in 11 days, on a budget that has been reported between $90,000 and $100,000. It was shot over 6 days, then Aldrich halted production to shoot TV commercials in order to raise money for the film's post-production. Then there was a five-day shoot to finish it. [10] [6]
"It was a strange and very enjoyable experience and – except for the end result – a marvellous collaboration", said Aldrich. "It really had no sets and thanks to Joe Biroc we had reflections in the water where there was no water and all sorts of silly things. I've always looked back on World for Ransom with a kind of wistful happy feeling.." [6]
The film is similar to another film noir with a nuclear theme by Aldrich, Kiss Me Deadly , the difference being that Callahan is trying to get an old girlfriend back, while Mike Hammer in Kiss Me Deadly was in it for the money.
The film had a considerable impact on Aldrich's career – in July 1953 Harold Hecht hired him to direct Burt Lancaster in Apache. [11]
When the film was released, film critic Bosley Crowther was negative about the film but appreciated the actors, writing, "Nothing gives it distinction, save possibly the people in its cast ... Robert Aldrich produced and directed. He was trying. Some day he may learn how." [12]
More recently, film critic Dennis Schwartz was positive about the film, and wrote, "This is a marvelously understated film noir that parodies all those big-budget spy/adventure films and in my opinion does a better job than most in getting to the underbelly of that genre. Aldrich was upset with censors for lifting the scene where Duryea learns his love interest is a lesbian. He could forgive her love for other men, but not with other women. The 1950s wasn't ready for such relationships, at least not in films. Nevertheless, this was a compelling film doing a fantastic job exploring the uncertainty of partnerships and the indeterminate nature of trust." [13]
Bwana Devil is a 1952 American adventure B movie written, directed, and produced by Arch Oboler, and starring Robert Stack, Barbara Britton, and Nigel Bruce. Bwana Devil is based on the true story of the Tsavo maneaters and filmed with the Natural Vision 3D system. The film is notable for sparking the first 3D film craze in the motion picture industry, as well as for being the first feature-length 3D film in color and the first 3D sound feature in English.
Robert Burgess Aldrich was an American film director, producer, and screenwriter. An iconoclastic and maverick auteur working in many genres during the Golden Age of Hollywood, he directed mainly films noir, war movies, westerns and dark melodramas with Gothic overtones. His most notable credits include Vera Cruz (1954), Kiss Me Deadly (1955), The Big Knife (1955), Autumn Leaves (1956), Attack (1956), What Ever Happened to Baby Jane? (1962), Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).
Vera Cruz is a 1954 American Western film directed by Robert Aldrich and starring Gary Cooper and Burt Lancaster, featuring Denise Darcel, Sara Montiel, Cesar Romero, Ernest Borgnine, Charles Bronson and Jack Elam. Set during the Franco-Mexican War, the film centers on a group of American mercenaries tasked with transporting a large shipment of Imperial gold to the port of Veracruz, but begin to have second thoughts about their allegiances. It was produced by Hecht-Lancaster Productions and released by United Artists on 25 December 1954.
Autumn Leaves is a 1956 American psychological drama film directed by Robert Aldrich and starring Joan Crawford in an older woman/younger man tale of mental illness. The film was distributed by Columbia Pictures. The screenplay was written by Jean Rouverol and Hugo Butler, though it was credited to Jack Jevne, since Rouverol and Butler were blacklisted at the time of the film's release.
Hugo Dansey Butler was a Canadian-born screenwriter working in Hollywood who was blacklisted by the film studios in the 1950s.
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The Underworld Story is a 1950 American film noir crime film directed by Cy Endfield and starring Dan Duryea, Herbert Marshall, Gale Storm, Howard Da Silva and Michael O'Shea. Da Silva plays the loud-mouthed gangster Carl Durham, one of his last roles before becoming blacklisted.
Joseph Francis Biroc, ASC was an American cinematographer. He was born in New York City and began working in films at the Paragon Studios in Fort Lee, New Jersey. After working there for approximately six years, he moved to Los Angeles. Once in Southern California, Biroc worked at the RKO Pictures movie studio. During World War II, he served in the U.S. Army Signal Corps and filmed the Liberation of Paris in August 1944. In 1950, Biroc left RKO Pictures and freelanced on projects at various studios. In addition to his film work, which included It's a Wonderful Life (1946) and The Flight of the Phoenix (1965), Biroc worked on various television series, including the Adventures of Superman and Wonder Woman. He frequently collaborated with film director Robert Aldrich.
The Prowler is a 1951 American film noir thriller film directed by Joseph Losey that stars Van Heflin and Evelyn Keyes. The film was produced by Sam Spiegel and was written by Dalton Trumbo. Because Trumbo was blacklisted at the time, the screenplay was credited to his friend, screenwriter Hugo Butler, as a front.
Patric Knowles was an English film actor. Born in Horsforth, West Riding of Yorkshire, he later changed his name to reflect his Irish heritage. He made his film debut in 1932, and played either first or second film leads throughout his career. He appeared in films from the 1930s to the 1970s.
China Smith is a 30-minute American syndicated television adventure series starring Dan Duryea. It is set in Singapore. It was released in the fall of 1952. The program's alternate title was The Affairs of China Smith, and the last 26 episodes were syndicated with the title The New Adventures of China Smith.
He Ran All the Way is a 1951 American crime drama and film noir directed by John Berry and starring John Garfield and Shelley Winters. Distributed by United Artists, it was produced independently by Roberts Pictures, a company named for Garfield's manager and business partner, Bob Roberts, and bankrolled by Garfield. It would be Garfield's last film before his death in 1952 at the age of 39.
The Las Vegas Story is a 1952 American suspense film noir starring Jane Russell and Victor Mature, directed by Robert Stevenson and produced by Robert Sparks and Howard Hughes with Samuel Bischoff as the executive producer.
The Big Night is a 1951 American film noir directed by Joseph Losey, that features John Drew Barrymore, Preston Foster and Joan Lorring. The feature is based on a script written by Joseph Losey and Stanley Ellin, based on Ellin's 1948 novel Dreadful Summit. Hugo Butler and Ring Lardner, Jr. also contributed to the screenplay, but were uncredited when the film was first released owing to his Hollywood Ten conviction.
Apache is a 1954 American Western film directed by Robert Aldrich and starring Burt Lancaster, Jean Peters and John McIntire. The film was based on the novel Broncho Apache by Paul Wellman, which was published in 1936. It was Aldrich's first color film.
The Boy with Green Hair is a 1948 American fantasy-drama film in Technicolor directed by Joseph Losey in his feature film directorial debut. It stars Dean Stockwell as Peter, a young war orphan who is subject to ridicule after his hair mysteriously turns green, and is based on the 1946 short story of the same name by Betsy Beaton. Co-stars include Pat O'Brien, Robert Ryan, and Barbara Hale.
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Michael Luciano was an American film and television editor with about forty feature film credits and many additional credits for television programs. From 1954 to 1977, Luciano edited 20 of the films directed, and often produced, by Robert Aldrich. Aldrich was a prolific and independent maker of popular films "who depicted corruption and evil unflinchingly, and pushed limits on violence throughout his career." Their early collaboration, the film noir Kiss Me Deadly (1955), was entered into the US National Film Registry in 1999; the unusual editing of the film has been noted by several critics. Luciano's work with Aldrich was recognized by four Academy Award nominations, for Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).