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Bitches Brew is a studio double album by American jazz trumpeter Miles Davis, released on March 30, 1970 on Columbia Records. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation.
Birth of the Cool is a compilation album by American jazz musician Miles Davis, released in February or March 1957 on Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950.
Rudolph Van Gelder was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Lee Morgan, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver and Grant Green. He worked with many different record companies, and recorded almost every session on Blue Note Records from 1953 to 1967.
'Round About Midnight is an album by jazz composer and trumpet player Miles Davis that was released by Columbia Records in March 1957.
Albert Harry Schmitt was an American recording engineer and record producer. He won twenty-one Grammy Awards for his work with Henry Mancini, Steely Dan, George Benson, Toto, Natalie Cole, Quincy Jones, and others. He also won 2 Latin Grammys, and a Trustees Grammy for Lifetime Achievement.
Nefertiti is a studio album by American jazz musician Miles Davis, released in March 1968. Recorded on June 7, June 22–23 and July 19, 1967, at Columbia's 30th Street Studio, the album was Davis' last fully acoustic album. Davis himself did not contribute any compositions, which were mostly written by Herbie Hancock and Wayne Shorter.
In a Silent Way is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis, released on July 30, 1969, on Columbia Records. Produced by Teo Macero, the album was recorded in one session date on February 18, 1969, at CBS 30th Street Studio in New York City. Macero edited and arranged Davis's recordings from the session to produce the album. Marking the beginning of his "electric" period, In a Silent Way has been regarded by music writers as Davis's first fusion recording, following a stylistic shift toward the genre in his previous records and live performances.
You're Under Arrest is a 1985 album recorded by Miles Davis, presenting a mixture of pop tunes and political statements about racism, pollution and war. Among other tracks, the album features Davis' interpretations of two contemporaneous pop songs: Cyndi Lauper's "Time After Time" and Michael Jackson's "Human Nature".
Star People is a 1983 album recorded by Miles Davis and issued by Columbia Records. It is the third release after the trumpeter's six-year hiatus. Beside the members of the band of We Want Miles the recordings feature John Scofield for the first time, who worked alongside Mike Stern in Davis's band in late 1982 and early 1983 before Stern's departure later in the year. Scofield was recommended by saxophonist Bill Evans. Marcus Miller played on five of the six tracks, but was replaced by Tom Barney on the most recent track of the album, "Speak", a live recording from February 1983 in Houston. Barney would be replaced later in 1983 by Darryl Jones. Al Foster and Mino Cinelu are heard on drums and percussion. Miles Davis plays trumpet and Oberheim synthesizer often at the same time, and also on separately recorded interludes for the over-18-minute-long blues "Star People". This was the last album that Teo Macero, Miles Davis' longtime producer, was involved in working with Davis.
Amandla is an album by jazz musician Miles Davis, released in 1989. It is the third collaboration between Miles Davis and producer/bassist Marcus Miller, after Tutu (1986) and Music from Siesta (1987), and their final album together. The album mixes elements of the genres go-go, zouk, funk and jazz, combining electronic instruments with live musicians. The composition "Mr. Pastorius", featuring drummer Al Foster, is a tribute to late jazz bassist Jaco Pastorius. "Catémbe" is a Mozambican and Angolan cocktail of red wine and cola.
Decoy is a 1984 album by jazz musician Miles Davis, recorded in 1983. It features keyboardist Robert Irving III and guitarist John Scofield contributing most of the compositions and the other solos. The theme of "That's What Happened" comes from Scofield's improvised solo from the track "Speak" included on the previous album Star People. Saxophonist Branford Marsalis guested with the group on the September 1983 studio sessions.
Bob Weinstock was an American record producer best known for his label Prestige Records, established in 1949, which was responsible for many significant jazz recordings during his more than two decades operating the firm.
We Want Miles is a double album recorded by jazz trumpeter Miles Davis in 1981, produced by Teo Macero and released by Columbia Records in 1982. The album combines recordings from the first live appearances by Davis in more than five years, at Boston's Kix Club, on June 27, 1981. Other tracks were recorded at Avery Fisher Hall, New York City, on July 5, and specially prepared stage at Nishi-Shinjuku in Tokyo, October 4 of that year.
Dig is an album by Miles Davis on Prestige Records, catalogue number 7012. It features tracks from a 1951 session at Apex Studios, remastered in 1956 by Rudy Van Gelder. First released in the twelve-inch format in 1956, Dig was later reissued as a compact disc with additional tracks. The original album was later released as Diggin' with the catalogue number PR 7281 and a different cover. That later version is the one currently widely available on vinyl although the expanded version of Dig is the one available on CD.
The Van Gelder Studio is a recording studio at 445 Sylvan Avenue, Englewood Cliffs, New Jersey, USA. Following the use of his parents' home at 25 Prospect Avenue, Hackensack, New Jersey, for the original studio, Rudy Van Gelder (1924–2016) established the new location for his recording studio in 1959. It has been used to record many albums released by jazz labels such as Blue Note, Prestige, Impulse!, Verve and CTI.
CBS 30th Street Studio, also known as Columbia 30th Street Studio, and nicknamed "The Church", was an American recording studio operated by Columbia Records from 1948 to 1981 located at 207 East 30th Street, between Second and Third Avenues in Manhattan, New York City.
JAC Recording, Inc., was a small American recording studio based in New York City at 152 West 58th Street. It was founded in the 1950s by Charles Leighton, a virtuoso classical and jazz harmonica player, who, in the 1950s, took on Jack Arnold as a partner, who also was a pianist. The JAC acronym stood for "Jack and Charlie." The studio was Leighton's personal residence — apartment 8D.
Harry Smith Recording was the first independent recording studio on the east coast of the United States, founded in the 1930s by Harry Smith.The studio was located at 2 West 46th Street in New York City, and was taken over in 1944 by Fred Hall and Chuck Phillips.
Beltone Studios was a recording studio at 1650 Broadway, Manhattan, New York City. Miles Davis's album Miles Davis and Horns was partly recorded here in 1953, and The Crows 1954 hit "Gee" was also recorded here, the same year. In 1960, it established Beltone Records.
Modern Jazz Trumpets is an album released by Prestige in 1951 with music by four jazz trumpeters: Fats Navarro, Dizzy Gillespie, Miles Davis, and Kenny Dorham. The album was released on the 10" LP format and includes the first recordings by Davis.
References
- 1 2 3 4 5 6 Al, Schmitt (2018). Al Schmitt on the record : the magic behind the music. Droney, Maureen. Milwaukee, WI. ISBN 9781495061059. OCLC 1045666473.
Coordinates: 40°45′54.0″N73°58′38.4″W / 40.765000°N 73.977333°W
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