Appliance | |
---|---|
Origin | Exeter, England |
Genres | Post-rock |
Years active | 1995–2003 |
Labels | Mute |
Past members |
|
Website | Appliance's Facebook page. https://soundcloud.com/applianceband Soundcloud page |
Appliance were a British experimental post-rock three piece band, who released four albums between 1999 and 2003 on Mute Records.
Formed in Exeter in 1995, the band originally comprised James Brooks (guitar), David Ireland (percussion) and Stuart Christie (bass). [1] Christie left in 1995 to form Harmony 400, and was replaced by Michael Parker. [1]
They released three 10-inch vinyl EPs on various independent record labels, including their own self-financed Surveillance Records, before signing with Daniel Miller's Mute Records in 1999. [1]
The band's first album for mute was Manual (1999), and was positively received by critics. [2] [3] [4]
The mini-album Six Modular Pieces followed in 2000, an album of "droning, atmospheric" tracks, [5] described by Allmusic as "lo-fi garage numbers with layers of textured guitars, bleep effects, and vintage synthesizers", [6] and regarded by the NME as "a creative breakthrough". [7]
Imperial Metric (2002) was seen as more diverse, with Allmusic's Tim DiGravina identifying Neu!, Joy Division and The Velvet Underground as influences, describing the album as "deceptively complex, melodic, and timeless mood music". [8] Pitchfork's Paul Cooper saw it as an improvement on their previous work, calling it "a fascinating blend of post-punk dub, primitive electronics, and Soviet-menace nostalgia". [9] Noel Gardner, reviewing for the NME was less impressed, viewing the music as dated, and calling the band "just another troupe of high-minded post-rock paranoiacs". [10]
The band's fourth album, Are You Earthed? (2003) had what Billboard described as "a more organic sound". [11] It was well-received by Allmusic, with Ned Raggett giving it a four-star review, [12] while CMJ New Music Monthly's Richard M. Juzwiak was less impressed. [13] Both Mojo and Uncut gave it 7/10 ratings. [14] [15]
Championed by John Peel, the band recorded five Peel Sessions during their career, also making the 1999 Festive Fifty with "Food Music", [16] and one in 2003 for Jeff Cooper's radio2XS.
They toured live in Europe and the UK with, amongst others, Add N to X, Goldfrapp, Snow Patrol, Six By Seven, Hefner and Wire. The band have not performed or recorded since the Montreux Jazz Festival in 2003.
In October 2010, the RROOPP label released Appliance, Reconditioned, a retrospective 3-CD boxed set of early recordings, unreleased material and Peel sessions. [17]
In 2011, guitarist James Brooks, as Land Observations, released the EP Roman Roads on Enraptured Records. [18] He has since released the albums Roman Roads IV–XI (2012) and The Grand Tour (2014) on Mute Records.
Their music was inspired by Krautrock, a 1970s Germanic experimental movement involving minimalist song structures, mantra-like rhythms, drones and repetition. [2] [19] Often described as "post-rock", [7] they used home-made guitar effects extensively, including their own creation, the 'Tritone'. [3] [19] They also used a huge array of instruments, with more than 50 listed as being used on Manual. [2]
Critics drew comparisons with Kraftwerk, Neu!, Stereolab, and Spacemen 3. [2] [20]
The Fall were an English post-punk group, formed in 1976 in Prestwich, Greater Manchester. They underwent many line-up changes, with vocalist and founder Mark E. Smith as the only constant member. The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Marc Riley, Craig Scanlon and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as Hex Enduction Hour to the late 1990s.
Jacob's Mouse were a three-piece indie rock band from Bury St Edmunds, Suffolk, England, consisting of identical twins Hugo and Jebb Boothby on guitar and bass respectively, and singing drummer Sam Marsh.
The Creatures were an English band formed in 1981 by vocalist Siouxsie Sioux and drummer Budgie of the group Siouxsie and the Banshees. The Creatures released their first EP Wild Things in 1981. They recorded four studio albums: Feast in 1983, Boomerang in 1989, Anima Animus in 1999 and Hái! in 2003.
Slowdive are a British rock band that formed in Reading, Berkshire, in 1989. The band consists of Rachel Goswell on vocals and guitar, Neil Halstead on vocals and guitar, Christian Savill on guitar, Nick Chaplin on bass and Simon Scott on drums, all of whom have played on the band's debut Just for a Day in 1991. Halstead is the band's primary songwriter.
Swingin' Utters is a Californian punk rock band that formed in the late 1980s. After a seven-year hiatus, the band reformed in 2010 and have since released four more records.
Haujobb is a German electronic musical project whose output has ranged drastically within the electronic music spectrum, from electro-industrial to ambient and techno. They have become a staple crossover act, bringing several forms of electro into the mainstream industrial music world.
Rollerskate Skinny were an Irish band formed in 1992 by singer and guitarist Ken Griffin, guitarist Ger Griffin and bassist Stephen Murray, and were later joined by Jimmy Shields. They released two critically acclaimed albums, Shoulder Voices (1993) and Horsedrawn Wishes (1996).
Renegade Soundwave were an electronic music group. Formed in London in 1986, the group originally consisted of Gary Asquith, Carl Bonnie and Danny Briottet. Their debut LP Soundclash was released in 1990 on Mute Records. It featured the UK Top 40 hit "Probably a Robbery" and dancefloor favourite "Biting My Nails".
Blue Orchids are an English post-punk band formed in Manchester in 1979, when Martin Bramah left the Fall, after playing on the band's debut album Live at the Witch Trials. Christened by Salford-based punk poet John Cooper Clarke the band recorded for Rough Trade and acted as backing band for the Velvet Underground's Nico before a 25-year period of intermittent activity and fluctuating line-ups.
And Also the Trees are an English rock band, formed in 1979 in Inkberrow, Worcestershire. They are characterised by their poetic lyrics and evocative music which are strongly influenced by the native English countryside.
Brassy were an English rock/hip hop band, formed in 1994 in Manchester by American singer Muffin Spencer, younger sister of Jon Spencer. The band split up in 2003 after releasing 2 studio albums.
Miss Modular is a 1997 EP by the post-rock band Stereolab. The title track served as the lead single from their album Dots and Loops. It was produced in collaboration with the group Mouse on Mars. Dan the Automator remixed the title track.
Bows were a British-based band, who have released two albums on the Too Pure label.
New Mother is the debut studio album by American folk music act Angels of Light. It was released on April 5, 1999 via frontman Michael Gira's own record label Young God Records, immediately after Michael Gira disbanded his previous band, Swans. The album features contributions from various musicians, including violinist Hahn Rowe, Rasputina band cellist Julia Kent, drummer Thor Harris, composer Joe McGinty and ex-Swans members Bill Rieflin, Phil Puleo and Bill Bronson.
Zabrinski were an alternative rock band from Carmarthen and Cardiff, Wales. They formed in the late 1990s and released four albums before splitting up in 2007.
Flowchart was an American band from Philadelphia. The group originally consisted of Sean O'Neal, Craig Bottel, and Brodie Budd in 1994. Their first album, Multi-Personality Tabletop Vacation, was released in 1995 on Carrot Top Records, garnering negative reviews from critics who found their music to be too similar to the group Stereolab. They followed the album with several EPs that moved away from the Stereolab-styled sound.
Cinnamon was a Swedish indie pop band active from 1994 to 2000 and often compared to The Cardigans and Saint Etienne.
The Body Lovers and The Body Haters were experimental music projects led by composer Michael Gira between 1998 and 1999 following the breakup of Swans in 1997. Both projects served as an outlet for Gira's loop experimentation within the drone and dark ambient genres and were compared to the compositions comprising Swans' final pre-breakup album Soundtracks for the Blind. The music was built around samples and found sounds, some of which dated as having been recorded as far back as 1980.
"Rowche Rumble" is a 1979 song by British post-punk band the Fall, written by Mark E. Smith, Craig Scanlon and Marc Riley. Released as the band's third single, it was the first record by the Fall to reach a recognised national chart when it reached number 31 on the indie chart in January 1980, the first month of that chart's existence.
Forever Alien is the third studio album by British space rock band Spectrum, a project led by Peter Kember under the pseudonym Sonic Boom. It was released in August 1997 by Space Age Records. After the band's preceding EP Songs for Owsley (1996) moved them away from guitar-oriented music and towards electronic music, Forever Alien furthered this approach considerably, as Kember aimed to create a predominately electronic album that sounded organic and analogue in style. The record is dominated by vintage analogue synthesizers, including the EMS VCS 3 and EMS Synthi AKS. Kember had become fascinated by the synths as he felt they presented him with more musical possibilities than guitars.