Related Research Articles
Claudio Giovanni Antonio Monteverdi was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history.
A madrigal is a form of secular vocal music most typical of the Renaissance and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but the form usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung.
Salamone Rossi or Salomone Rossi was an Italian Jewish violinist and composer. He was a transitional figure between the late Italian Renaissance period and early Baroque.
Giovanni Giacomo Gastoldi was an Italian composer of the late Renaissance and early Baroque periods. He is known for his 1591 publication of balletti for five voices.
Ruggiero Giovannelli was an Italian composer of the late Renaissance and early Baroque eras. He was a member of the Roman School, and succeeded Palestrina at St. Peter's.
Federico Borromeo was an Italian cardinal and Archbishop of Milan, a prominent figure of Counter-Reformation in Italy. Federico was a hero of the plague of 1630, described in Alessandro Manzoni's historical novel, The Betrothed. He was a great patron of the arts and founded the Biblioteca Ambrosiana, one of the first free public libraries in Europe. In 1618 he added a picture gallery, donating his own considerable collection of paintings. His published works, mainly in Latin, number over 100. They show his interest in ecclesiastical archaeology, sacred painting, and collecting.
The year 1619 in music involved some significant events.
The year 1614 in music involved some significant musical events.
The year 1605 in music involved some significant events.
The year 1603 in music involved some significant events.
L'Arianna is the lost second opera by Italian composer Claudio Monteverdi. One of the earliest operas in general, it was composed in 1607–1608 and first performed on 28 May 1608, as part of the musical festivities for a royal wedding at the court of Duke Vincenzo Gonzaga in Mantua. All the music is lost apart from the extended recitative known as "Lamento d'Arianna". The libretto, which survives complete, was written in eight scenes by Ottavio Rinuccini, who used Ovid's Heroides and other classical sources to relate the story of Ariadne's abandonment by Theseus on the island of Naxos and her subsequent elevation as bride to the god Bacchus.
Alessandro Orologio (1551–1633) was an Italian composer and instrumentalist, who lived in German lands.
Stefano de Maza Gatto also known as Stefano Felis, was a Neapolitan Italian composer of the Renaissance, and the collaborator and probable teacher of composer Pomponio Nenna. He composed madrigals, sacred motets, and choral settings of the Mass.
Camillo Cortellini was an Italian composer, singer, and violinist.
Antonio Il Verso was an Italian composer.
Agostino Agresta was a Neapolitan composer working at the beginning of the 17th century, who can be seen as having been strongly influenced by Carlo Gesualdo. Agresta's only known surviving works are unaccompanied madrigals, including a complete book of six-voice pieces.
La Venexiana is an Italian early music ensemble founded and led by Claudio Cavina, an Italian countertenor and conductor.
Selva morale e spirituale is the short title of a collection of sacred music by the Italian composer Claudio Monteverdi, published in Venice in 1640 and 1641. The title translates to "Moral and Spiritual Forest". The full title is: "Selva / Morale e Spirituale / di Clavdio Monteverde / Maestro di Capella della Serenissima / Republica Di Venetia / Dedicata / alla Sacra Cesarea Maesta dell' Imperatrice / Eleonora / Gonzaga / Con Licenza de Superiori & Priuilegio. / In Venetia M DC X X X X / Appresso Bartolomeo Magni".
References
- ↑ Grove Music Online: Coppini, Aquilino, by Antonio Delfino
- ↑ STEVENS, Denis: Monteverdi in Venice, page 114
