![]() Archaeological map of the archaic center of Poggio Sommavilla | |
Location | Comune di Collevecchio |
---|---|
Region | Lazio |
Type | Settlement |
History | |
Periods | Prehistory, Bronze age, Iron Age, Archaic |
Site notes | |
Excavation dates | yes |
Public access | yes |
The archaeological area of Poggio Sommavilla is an archaeological site located in Poggio Sommavilla, a Frazione of the Comune of Collevecchio in the Tiber valley.
In the archaeological area of Poggio Sommavilla, archaeological finds from prehistory, the Bronze Age and the Iron Age have been found on the Tiber river terraces. Of greater consistency is the archaic period settlement whose name is not known [1] , according to the studies of the data collected it had life and development at least from the prehistoric age up to the Hellenistic age, probably up to the time of its destruction by of the Roman republican army led by the consular tribune Marcus Furius Camillus of Veii, Capena and Falerii Veteres, cities with which it had intense continuity of relations throughout its cultural history. [2]
Most of the finds are preserved in Civic archaeological museum of Magliano Sabina, at the National Etruscan Museum of Villa Giulia in Rome and at the National Archaeological Museum of Florence in Rieti and in many parts of the world, some are preserved in the Museum of Fine Arts in Boston including the Fiaschetta di Poggio Sommavilla [3] and at the Ny Carlsberg Glyptotek Museum in Copenhagen [4] . Two red-figure chalice kraters are on display at the Archaeological Museum of Parma.
Fiaschetta pendaglio amuleto [5] [6] of Poggio Sommavilla is a small brown body vase with an inscription [7] from the 7th century BC. belonged to a woman, and found in 1895 in the funerary objects of Tomb III in the Necropolis of the archaic center of Poggio Sommavilla.
From the fantastic animals engraved in the finds of the necropolis of the archaic center of Poggio Sommavilla, very close analogies emerge with the materials from the Capenate and Faliscan areas. With these we discuss clear contacts with Etruscan ceramics, geometric ceramics - dating back to an older phase - and contemporary Etruscan-Corinthian ceramics: common elements appear both in the choice of subjects and in the rendering of the zoomorphic friezes. Tomb 3 of Poggio Sommavilla released a grave goods characterized by decorative plant units and attributable to a single local workshop, equiniform figures prevail, similar ones were found on ollas in the Giglio necropolis of Magliano. [8]
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