Archaeological area of Poggio Sommavilla

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Archaeological area of Poggio Sommavilla
Carta archeologica Poggio Sommavilla arcaica Flaminia Verga.jpg
Archaeological map of the archaic center of Poggio Sommavilla
LocationComune di Collevecchio
RegionLazio
TypeSettlement
History
Periods Prehistory, Bronze age, Iron Age, Archaic
Site notes
Excavation datesyes
Public accessyes

The archaeological area of ​​Poggio Sommavilla is an archaeological site located in Poggio Sommavilla, a Frazione of the Comune of Collevecchio in the Tiber valley.

Contents

History

Kylix, red-figure pottery 370 BC depicts the Rape of Europa (Ratto d'Europa), tomb 32 Poggio Sommavilla necropolis, archivio SBALazio Etruria Meridionale. Kylix figure rosse 370 ac tomba 32 necropoli Poggio Sommavilla archivio SBALazio.png
Kylix, red-figure pottery 370 BC depicts the Rape of Europa (Ratto d'Europa), tomb 32 Poggio Sommavilla necropolis, archivio SBALazio Etruria Meridionale.

In the archaeological area of ​​​​Poggio Sommavilla, archaeological finds from prehistory, the Bronze Age and the Iron Age have been found on the Tiber river terraces. Of greater consistency is the archaic period settlement whose name is not known [1] , according to the studies of the data collected it had life and development at least from the prehistoric age up to the Hellenistic age, probably up to the time of its destruction by of the Roman republican army led by the consular tribune Marcus Furius Camillus of Veii, Capena and Falerii Veteres, cities with which it had intense continuity of relations throughout its cultural history. [2]


Museum

Poggio Sommavilla archaic and the possible steps of the Tiber, (Quaderni di archeologia etrusco italica) Stefania Q. Gigli Poggio Sommavilla arcaica possibili passi del tevere Stefania Q Gigli.jpg
Poggio Sommavilla archaic and the possible steps of the Tiber, (Quaderni di archeologia etrusco italica) Stefania Q. Gigli

Most of the finds are preserved in Civic archaeological museum of Magliano Sabina, at the National Etruscan Museum of Villa Giulia in Rome and at the National Archaeological Museum of Florence in Rieti and in many parts of the world, some are preserved in the Museum of Fine Arts in Boston including the Fiaschetta di Poggio Sommavilla [3] and at the Ny Carlsberg Glyptotek Museum in Copenhagen [4] . Two red-figure chalice kraters are on display at the Archaeological Museum of Parma.

Fiaschetta di Poggio Sommavilla

Fiaschetta pendaglio amuleto [5] [6] of Poggio Sommavilla is a small brown body vase with an inscription [7] from the 7th century BC. belonged to a woman, and found in 1895 in the funerary objects of Tomb III in the Necropolis of the archaic center of Poggio Sommavilla.

Fantastic Bestiary

From the fantastic animals engraved in the finds of the necropolis of the archaic center of Poggio Sommavilla, very close analogies emerge with the materials from the Capenate and Faliscan areas. With these we discuss clear contacts with Etruscan ceramics, geometric ceramics - dating back to an older phase - and contemporary Etruscan-Corinthian ceramics: common elements appear both in the choice of subjects and in the rendering of the zoomorphic friezes. Tomb 3 of Poggio Sommavilla released a grave goods characterized by decorative plant units and attributable to a single local workshop, equiniform figures prevail, similar ones were found on ollas in the Giglio necropolis of Magliano. [8]

See also

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References

  1. Centro arcaico
  2. Paola Santoro, Rilettura critica della necropoli di Poggio Sommavilla, Roma, 1977, p. 20
  3. "Small canteen-shaped vase with inscription". Museum of Fine Arts, Boston. Archived from the original on 2018-09-17. Retrieved 19 January 2019.
  4. [ dead link ]
  5. The amulet pendant flask
  6. "it".
  7. Nel quadro molto articolato delle scritture attestate nella seconda metà del VII secolo a.C. nell'Etruria meridionale e nel Lazio, l'iscrizione di Poggio Sommavilla mostra affinità con l'area falisco-veiente-capenate, sigma a quattro tratti e forma della ypsilon (Mauro Cristofani), Santoro, p. 104
  8. M. Cristina Biella, Lucio G. Perego, Enrico Giovanelli, Il bestiario fantastico di età orientalizzante nella penisola italiana p, 147-153
  9. "Museo Civico Archeologico di Magliano Sabina". Archived from the original on 29 August 2019.
  10. Flaminia Verga, Ager Foronovanus I, Forma Italiae 44, pp. 50, 75, 77
  11. Massimo Ernesto Santucci, archeologo paleontologo, locale, ha consegnato dopo ricognizioni archeologiche in loco, materiali paleoarcheologici e preistorici al Museo Civico Archeologico di Magliano Sabina
  12. Trafugata nel 1994 a Tivoli nei magazzini della Sovraintendenza archeologica del Lazio e dell'Etruria meridionale, apparse nel 1995 sulla copertina del catalogo d'asta inglese Sotheby's, fu acquistata da un certo Zimmermann e trovata nel 2000 nella collezione privata della propria abitazione in Germania, dove non è stato possibile verificare il possesso e la provenienza di altri reperti archeologici.
  13. Tra il n. 63 e il n. 64 sulla Carta Archeologica di Flaminia Verga.
  14. Fitzwilliam Museum GR.12.1927 - John D. Beazley, , Oxford 1963, 468, 144 - Norbert Kunisch, Makron, Mainz 1997, cat. 143, scena A.
  15. Fitzwilliam Museum GR.12.1927 - John D. Beazley, , Oxford 1963, 468, 144 - Norbert Kunisch, Makron, Mainz 1997, cat. 143, scena b.
  16. 1 2 Umberto Mattei, La Sabina tiberina dalla preistoria alla fine dell'impero romano, 2004 p, 102
  17. 1 2 CIL IX 4827 4828 Corpus Inscriptionum Latinarum - volume XI, Mommsen Theodor - 1883 https://www.trismegistos.org/text/553299
  18. Chronicon 33 di Benedetto del Soratte p. 46, https://archive.org/stream/fonti per la storia d'italia
  19. Umberto Mattei, Storia di Collevecchio sede della diocesi e della provincia di Sabina, 2004
  20. foto tratta da Flaminia Verga, Ager Foronovanus I Forma Italiae, vol. 44. 2006
  21. Umberto Mattei, La Sabina tiberina dalla preistoria alla fine dell'impero romano, 2004 p, 70
  22. Pasqui descrive la Torre Romana e dei resti di Emplèkton Opus Ceamenticium ora non più visibili, a circa m 1 dal suolo a basa quadrata di circa 3,80 che si trovava tra la Torre e la strada a fianco di un avvallamento, Pasqui Carta Archeologica pp. 347-348
  23. Si suppone sia stato parte di un insediamento a pianta militare romana poi sede di un Foro Romano di epoca repubblicana, dopo la distruzione del centro arcaico di Poggio Sommavilla. Umberto Mattei, La Sabina tiberina dalla preistoria alla fine dell'impero romano, 2004 p, 56
  24. Reggiani considera la Torre un resto di mausoleo romano di tipo a Torre sul tracciato viario che dalla Flaminia attraverso la valle del Tevere seguendo la valle del torrente Aia va a Forum Novum a circa 10 km, in Reggiani 180b, p 10, fig 10
  25. Prende il nome dall'omonima via del Barcone o Balcone, luogo che fino alla meta' del 1900 era utilizzato come aia collettiva dove veniva stipato il grano in così detti Barconi
  26. Le statue di Gordiano III e altre provenienti da Poggio Sommavilla, probabilmente furono collezionate dal gesuita tedesco Athanasius Kircher nel 1600 e tramite la collezione Khircheriana sono patrimonio oggi del Museo Nazionale Romano. Umberto Mattei, La Sabina tiberina dalla preistoria alla fine dell'impero romano, 2004 p, 103
  27. Notizie degli scavi di antichità (1876-1891) p, 282 https://archive.org/stream/notiziedegliscav13realrich/notiziedegliscav13realrich_djvu.txt
  28. "Accademia dei Lincei, 1916, Serie quinta, Notizie degli Scavi di Antichita', Volume XIII, Poggio Sommavilla, pag 281, F. Fornari" (PDF).
  29. «Fundum Antiscanis, vinealis petite sex, toti in massa de Tocie petite de tera hubi dicutur a Saline, tres petite de terra a fundum Antiscanu a Monumento usque ad ripam castri Summa villa, fundum Antiquum cum aliis nominibus integro, fundum Casali hubi est ecclesia Sancti Valentini, cum fundu Carpiniano, fundum Musiniano cum omnia sua adiacentia»

Bibliography