Arhoolie Records | |
---|---|
Parent company | Smithsonian Institution |
Founded | 1960 |
Founder | Chris Strachwitz |
Genre | Various |
Country of origin | United States |
Location | El Cerrito, California |
Official website | www |
Arhoolie Records is an American small independent record label that was run by Chris Strachwitz [1] and is based in El Cerrito, California, United States (it is actually located in Richmond Annex but has an El Cerrito postal address.) The label was founded by Strachwitz in 1960 as a way for him to record and produce music by previously obscure "down-home blues" artists such as Lightnin' Hopkins, Snooks Eaglin, and Bill Gaither. [2] Strachwitz despised most commercial music as mouse music. [3] Arhoolie still publishes blues and folk music, Tejano music including Lydia Mendoza, Los Alegres de Terán, Flaco Jiménez, regional Mexican music, cajun, zydeco, and bluegrass.
Chris Strachwitz immigrated with his family from Silesia in 1947, [4] and became enamored with American regional music after seeing the film New Orleans . He eventually settled in the San Francisco bay area, and in 1960 he headed to Texas to record bluesman Lightnin' Hopkins, but it turned out that Hopkins was in Berkeley for a performance engagement. He met up with historian Mack McCormick, and together they traveled to Navasota, Texas where Strachwitz recorded Mance Lipscomb for what would become the first Arhoolie LP, Texas Sharecropper and Songster. [5] The name "Arhoolie" was suggested by McCormick, deriving from a word for a field holler. [6] Strachwitz also recorded "Black Ace" Turner, "Li'l Son" Jackson and Whistlin' Alex Moore on the same trip, and later in the year recorded Big Joe Williams and Mercy Dee Walton in California. [7]
He also began reissuing archive material, both of R&B singers such as Big Joe Turner and Lowell Fulson who had recorded for the defunct Swingtime label, and old country and western recordings on his Old Timey label, started in 1962. Strachwitz continued traveling to make field recordings of blues musicians, notably Mississippi Fred McDowell - whom he first recorded in 1964 - Juke Boy Bonner, K. C. Douglas, and Clifton Chenier. From 1965, he also hosted a Sunday afternoon music program on Pacifica Radio's KPFA-FM in Berkeley, California, which ran until 1995. [7]
In 1966, his friend Ed Denson introduced him to a local band, Country Joe and the Fish, who were active in anti-Vietnam war protests at Berkeley. Strachwitz recorded the band singing "I Feel Like I'm Fixin' To Die", and gained a share of the song's publishing rights. Eventually, royalties from the song - particularly its appearance in the Woodstock Festival movie and soundtrack album - helped subsidize the Arhoolie label, and enabled Strachwitz to buy a building in San Pablo Avenue, El Cerrito, California as the label's headquarters. [5] Strachwitz also won royalties for Fred McDowell from the Rolling Stones' performance of his song "You Gotta Move" on their Sticky Fingers album. [7]
During the 1970s, Strachwitz continued to record blues musicians, including Big Joe Duskin, Charlie Musselwhite, Big Mama Thornton, Elizabeth Cotten, and Robben Ford, as well as Cajun and zydeco performers such as Clifton Chenier, Lawrence Ardoin and John Delafose. He also continued to secure the rights to release archive blues material such as that by Snooks Eaglin and Robert Pete Williams. In the 1980s and 1990s, he continued to develop Arhoolie as a distributor of smaller independent blues labels, and an importer of jazz and blues releases on European labels. [7]
Strachwitz increasingly focused attention on Mexican and, specifically, norteño music, which he had long admired, amassing what is believed to be the largest private collection of Mexican-American and Mexican music. He donated this collection, known as the Strachwitz Frontera Collection of Mexican and Mexican-American Music, to the nonprofit organization Arhoolie Foundation. The first norteño album on Arhoolie was Conjuntos Norteños, by Los Pinguinos del Norte, released in 1970, but one of his biggest successes came with Flaco Jiménez, whose album Ay Te Dejo en San Antonio won a Grammy Award in 1986. [8] With cinematographer Les Blank, he also made two documentaries about the music in the mid 1970s, Chulas Fronteras and Del Mero Corazon. He discovered and released the first two albums of seminal klezmer revival band The Klezmorim. Another of Strachwitz's discoveries, and one of his biggest commercial successes, was Cajun musician Michael Doucet and his group BeauSoleil. [7]
Artists who have recorded for the Arhoolie label include Black Ace, Juke Boy Bonner, Big Mama Thornton, Big Walter Horton, Lightnin' Hopkins, George 'Bongo Joe' Coleman, [9] Snooks Eaglin, Dave Alexander, Nathan Beauregard, Clifton Chenier, Elizabeth Cotten, Sue Draheim, Jesse Fuller, Earl Hooker, John Jackson, Mance Lipscomb, Guitar Slim, Robert Shaw, Mississippi Fred McDowell, Whistlin' Alex Moore, Charlie Musselwhite, Doctor Ross, Bukka White, Big Joe Williams, Silas Hogan, Mercy Dee Walton, The Campbell Brothers, BeauSoleil, Jerry Hahn, the Pine Leaf Boys, Los Cenzontles, The Klezmorim, Rose Maddox, Rebirth Brass Band, and HowellDevine.
In 2014, filmmakers Maureen Gosling and Chris Simon released a documentary film about Arhoolie Records entitled This Ain't No Mouse Music, [10] which is distributed by Argot Pictures.
In May 2016, the Smithsonian Institution announced it had acquired Arhoolie Records from founder Chris Strachwitz and his business partner Tom Diamant for the Smithsonian Folkways Recordings. [11]
In late 2023, the Arhoolie Foundation published the book Down Home Music: The Stories and Photographs of Chris Strachwitz, by Joel Selvin with Chris Strachwitz. According to Selvin, he was a longtime friend and disciple of Strachwitz, and when Strachwitz suggested publishing a book from his huge collection of digitized photographs, Selvin enthusiastically offered to help. They worked on the book in the last 18 months of Strachwitz's life, and Selvin finished it shortly after Strachwitz's death. [12] [13]
Samuel John "Lightnin" Hopkins was an American country blues singer, songwriter, guitarist and occasional pianist from Centerville, Texas. In 2010, Rolling Stone magazine ranked him No. 71 on its list of the 100 greatest guitarists of all time.
Clifton Chenier, was an American musician known as a pioneer of zydeco, a style of music which arose from Creole music, with R&B, blues, and Cajun influences. He sang and played the accordion and won a Grammy Award in 1983.
Leonardo "Flaco" Jiménez is an American singer, songwriter and accordionist from San Antonio, Texas. He is known for playing Norteño, Tex Mex and Tejano music. Jiménez has been a solo performer and session musician, as well as a member of the Texas Tornados and Los Super Seven.
Christian Alexander Maria Graf Strachwitz von Groß-Zauche und Camminetz was a German-born American record label executive and record producer. He was the founder and president of Arhoolie Records, which he established in 1960 and which became one of the leading labels recording and issuing blues, Cajun, norteño, and other forms of roots music from the United States and elsewhere in the world. Strachwitz despised most commercial music as mouse music.
Fird Eaglin Jr., known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, "Lil" Snook, Ford Eaglin, Blind Guitar Ferd.
Weldon H. Philip Bonner, better known as Juke Boy Bonner was an American blues singer, harmonica player, and guitarist. He was influenced by Lightnin' Hopkins, Jimmy Reed, and Slim Harpo. He accompanied himself on guitar, harmonica, and drums in songs such as "Going Back to the Country", "Life Is a Nightmare", and "Struggle Here in Houston".
Huey Purvis Meaux was an American record producer and the owner of various record labels and recording studios including Crazy Cajun Records, Tribe Records, Tear Drop Records, Capri Records, and SugarHill Recording Studios (1971).
Elijah Wald is an American folk blues guitarist, music journalist, and a blues, pop, and cultural music historian. He is a 2002 Grammy Award winner for his liner notes to The Arhoolie Records 40th Anniversary Box: The Journey of Chris Strachwitz.
"Bon Ton Roula" is a zydeco-influenced blues song first recorded by Clarence Garlow in 1949. The following year, it became a hit, reaching number seven in Billboard magazine's Rhythm & Blues chart and introduced the style to a national audience.
Lightnin' Sam Hopkins is an album by blues musician Lightnin' Hopkins recorded in California in late 1961 and Texas in early 1962 and released on the Arhoolie label.
Lightnin' Hopkins is an album by blues musician Lightnin' Hopkins, recorded in 1959 and released on the Folkways label. The album was first released around the time that the book The Country Blues came out and was an instant success. It gave Hopkin's career a new lease on life.
Texas Blues Man is an album by the blues musician Lightnin' Hopkins, recorded in Texas in late 1967 and released on the Arhoolie label.
Lightning Hopkins in Berkeley is an album by blues musician Lightnin' Hopkins recorded in California in 1969 and originally released on the Arhoolie label in 1972. The original LP featured one side of previously unreleased recordings and the other six track which were originally released on Lightnin'!.
Lightnin'! is an album by the blues musician Lightnin' Hopkins recorded in California in 1969 and released on the Poppy label as a double LP.
Po' Lightnin' is an album by blues musician Lightnin' Hopkins recorded in California in 1969 and originally released on the Arhoolie label in 1983.
Early Recordings is an album by the blues musician Lightnin' Hopkins featuring tracks recorded at Gold Star Recording Studios between 1946 and 1950, eight of which were originally released as 10-inch 78rpm records on the Gold Star and Jax labels, along with eight others that were previously unissued. Arhoolie reissued The Gold Star Sessions on two CDs through Smithsonian Folkways in 1990.
Early Recordings Vol. 2 is an album by blues musician Lightnin' Hopkins featuring tracks recorded at Gold Star Recording Studios between 1946 and 1950, thirteen of which were originally released as 10-inch 78rpm records on the Gold Star and Dart labels, along with three others that were previously unissued. Arhoolie reissued The Gold Star Sessions on two CDs through Smithsonian Folkways in 1990.
Lightning Hopkins with His Brothers Joel and John Henry / with Barbara Dane is an album by blues musician Lightnin' Hopkins recorded in Texas and California in 1964 and released on the Arhoolie label. The original album was split with one side featuring tracks with Hopkins and His Brothers and the other performances with Barbara Dane. In 1991 through Smithsonian Folkways, Arhoolie released the Hopkins Brothers tracks on CD as The Hopkins Brothers: Joel, Lightning & John Henry with additional unreleased recordings, then in 1994 the tracks with Barbara Dane were released as Sometimes I Believe She Loves Me with unreleased tracks.
Bogalusa Boogie is a studio album by the American zydeco musician Clifton Chenier. It was released in 1975 via Arhoolie Records. The album was inducted into the Grammy Hall of Fame in 2011. In 2016, the album was inducted into the Library of Congress' National Recording Registry.
Elmore Nixon was an American jump blues pianist and singer. His piano playing accompanied several artists on their recordings, including Peppermint Harris, Clifton Chenier and Lightnin' Hopkins, as well as releasing a number of singles under his own name. Details of his life outside of his recording career are sketchy.