Arnab Chakrabarty | |
---|---|
Born | 19 September 1980 |
Origin | Bombay, Maharashtra, India |
Genres | Indian classical music |
Occupation(s) | Sarod player, teacher |
Instrument(s) | Sarod |
Website | sarod.ca |
Arnab Chakrabarty (born 19 September 1980) is a Hindustani classical musician and sarod player based in Toronto, Canada. [1]
Arnab Chakrabarty grew up in Mumbai, where his father was a professor of chemistry at the Indian Institute of Technology. His tutelage commenced under the sarod exponent Brij Narayan, disciple of his father the sarangi Pandit Ram Narayan and also Ustad Ali Akbar Khan of the Seniya Maihar Gharana. Arnab subsequently trained under Pandit Buddhadev Das Gupta of the Shahjahanpur Gharana. [2]
Arnab studied ethnomusicology and international relations at Hampshire College as a scholarship student, graduating in 2002. [3] This experience exposed him to other traditions of music, and led him to experiment with new ideas in sarod construction and design, as well as musical idioms.
Arnab's early training followed the Maihar and Shahjahanpur schools, which both derived from the Senia idiom founded by the legendary Mian Tansen. However, he has long been influenced by the vocalism-inspired style of the Etawah Gharana, which was taken to new heights by Ustad Vilayat Khan. [4] Chakrabarty continues an extended period of part-tutelage part-collaboration with Vinayak Chittar of this Gharana. He has also studied with a number of vocalists of the Agra and Gwalior Gharanas, notably Yeshwantbua Joshi.
Chakrabarty had reverted to training under a master of the Shahjahanpur Gharana, Kalyan Mukherjea, until Mukherjea's death in March 2010. He has received several dozen traditional sarod compositions from the Lucknow-Shahjahanpur Gharana master, Ustad Irfan Muhammad Khan. [5]
Arnab has had several significant concerts. He made his solo debut in 1994, and won the National Collegiate Competition for Music and Dance three years in a row between 1995 and 1997. [6] In 1999 he performed before Dr Kofi Annan, then the United Nations Secretary General, a memorial programme for the Pakistani peace activist Eqbal Ahmed. Notable performances at home include recitals at the Saptak Festival in Ahmedabad; the Uttarpara Music Conference, Kolkata; and concerts at the Nehru Centre and the National Centre for the Performing Arts. [7]
While capable of fast and articulate playing on the sarod himself, Chakrabarty believes that a lot of current Indian instrumental music tends to sacrifice aesthetic qualities in favour of raw speed and loud amplification. For this reason, he makes a conscious effort to subjugate his virtuosity to the demands of the music he plays.
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend (glissandi), which are important in Indian music.
Ali Akbar Khan was an Indian Hindustani classical musician of the Maihar gharana, known for his virtuosity in playing the sarod. Trained as a classical musician and instrumentalist by his father, Allauddin Khan, he also composed numerous classical ragas and film scores. He established a music school in Calcutta in 1956, and the Ali Akbar College of Music in 1967, which moved with him to the United States and is now based in San Rafael, California, with a branch in Basel, Switzerland.
Shahjahanpur is a municipal corporation, town and district headquarters of Shahjahanpur District in Uttar Pradesh, India.
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Pandit Nikhil Ranjan Banerjee was an Indian classical sitarist of the Maihar Gharana. Along with Pandit Ravi Shankar and Ustad Vilayat Khan, he emerged as one of the leading exponents of the sitar. He was a recipient of the Indian civilian honour of the Padma Bhushan.
Imrat Khan was an Indian sitar and surbahar player and composer. He was the younger brother of sitar maestro Ustad Vilayat Khan.
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Pandit Biswajit Roy Chowdhury is a Hindustani classical musician and a renowned sarod player from India.
Ustad Sakhawat Hussain Khan or Sakhawat Hussain (1877–1955) was a virtuoso Indian sarod player, a contemporary of Hafiz Ali Khan and one of the major exponents of the instrument in the 20th century.
Swara Samrat festival is a four-day annual festival of Indian classical music and dance held during the winters in Kolkata, India. This festival is the brainchild of Sarod maestro Pandit Tejendra Narayan Majumdar, his vocalist wife, Manasi Majumder and their Sarod player-son Indrayuddh Majumder. The festival is dedicated to Swara Samrat Ustad Ali Akbar Khan. Indian Classical Music and Dance Legends such as Pandit Shivkumar Sharma, Pandit Birju Maharaj, Pandit Hari Prasad Chaurasia, Pandit Jasraj, Ustad Zakir Hussain, Ustad Aashish Khan, Dr. Girija Devi, Begum Parveen Sultana, Pandit Swapan Chaudhuri, Guru Karaikudi Mani, Ustad Rashid Khan, Shankar Mahadevan, Pandit Budhaditya Mukherjee, Pandit Ulhas Kashalkar, Pandit Venkatesh Kumar, Pandit Ajoy Chakraborty, Pandit Anindo Chatterjee, Pandit Sanjay Mukherjee, Ustad Shahid Parvez, Ustad Shujaat Khan, Pandit Tejendra Narayan Majumdar, Pandit Kushal Das, Pandit Rajendra Gangani, Guru Sujata Mohapatra, Pandit Subhankar Banerjee, Pandit Yogesh Samsi, Pandit Bickram Ghosh, Pandit Tanmoy Bose and Kaushiki Chakraborty are some of the artists who have previously performed in this festival.
Abhisek Lahiri is an Indian classical sarod player with training in the three major gharanas of sarod which are Shahjahanpur, Maihar gharana, and Senia Bangash (Gwalior) from his father and guru Pt. Alok Lahiri. Primarily he belongs to the Maihar gharana
Acharya Radhika Prasad Goswamy, known as Sangeet Nayak, was an Indian vocalist in the Hindustani classical tradition, based in the Bishnupur Gharana.