Related Research Articles
Miloš Obilić was a legendary Serbian knight who is reputed to have been in the service of Prince Lazar during the Ottoman invasion of Serbia in the late 14th century. He is not mentioned in contemporary sources, but features prominently in later accounts of the 1389 Battle of Kosovo as the assassin of Sultan Murad. Although the assassin remains anonymous in sources until the late 15th century, the dissemination of the story of Murad's assassination in Florentine, Serbian, Ottoman and Greek sources suggests that versions of it circulated widely across the Balkans within half a century of the event.
Serbian epic poetry is a form of epic poetry created by Serbs originating in today's Serbia, Bosnia and Herzegovina, Croatia, Montenegro and North Macedonia. The main cycles were composed by unknown Serb authors between the 14th and 19th centuries. They are largely concerned with historical events and personages. The instrument accompanying the epic poetry is the gusle.
The gusle or lahuta is a single-stringed musical instrument traditionally used in the Dinarides region of Southeastern Europe. The instrument is always accompanied by singing; musical folklore, specifically epic poetry. The gusle player holds the instrument vertically between his knees, with the left hand fingers on the strings. The strings are never pressed to the neck, giving a harmonic and unique sound.
Đerzelez Alija or Gjergj Elez Alia is a legendary character found in the epic poetry and literature of Bosnia and Herzegovina, Gora, Kosovo and northern Albania. The legendary character is believed to have been a popular Muslim epic hero of the Bosnian Krajina from the end of 15th century. He is one of the well known legendary heroes and a symbol of brotherly loyalty to both the Bosniaks and Albanians.
Mali Radojica is a Serbian hajduk and Serb epic poem of the same name. The poem follows his life surviving torture by the Turks in an Ottoman prison, later successfully escaping with the help of a Turkish girl who is in love with him. The song belongs to the Hajduk-Uskok cycle.
The Kângë Kreshnikësh are the traditional songs of the heroic legendary cycle of Albanian epic poetry. They are the product of Albanian culture and folklore orally transmitted down the generations by the Albanian rhapsodes (lahutarë) who perform them singing to the accompaniment of the lahutë. The Albanian traditional singing of epic verse from memory is one of the last survival of its kind in modern Europe. The poems of the cycle belong to the heroic genre, reflecting the legends that portray and glorify the heroic deeds of the warriors of indefinable old times. The epic poetry about past warriors is an Indo-European tradition shared with South Slavs, but also with other heroic cultures such as those of early Greece, classical India, early medieval England and medieval Germany.
The national symbols of Serbia are things which are emblematic, representative or otherwise characteristic of Serbia and the Serbian people or Serbian culture. Some are established, official symbols; for example, the Coat of arms of Serbia, which has been codified in heraldry. Other symbols may not have official status, for one reason or another, but are likewise recognised at a national or international level.
Avram Miletić was a merchant and writer of epic folk songs who is best known for writing the earliest collection of urban lyric poetry in Serbian between 1778 and 1781.
Musa Kesedžija, Musa Arbanas, also described as Musa the Robber, Musa the Outlaw, Musa the Highwayman or Musa the Beheader, is a popular legendary villain of Serbian epic poetry and Bulgarian and Macedonian folklore. He is most famous as a rival of Prince Marko, a hero of Serbian and South Slavic folklore.
Djemo the Mountaineer is a popular legendary hero of Serbian epic poetry who is depicted as enemy of Kraljević Marko and brother of Musa Kesedžija. His figure might be based on an actual historical person. There are (disputed) claims that he was a member of Muzaka noble family from Albania or maybe the Ottoman soldier Jegen Osman Pasha. Some authors, such as Russian folklorist Khalansky, connected him with Svyatogor, which is also disputed by some other scholars.
General Vuča or General Vuka is a popular legendary hero of Serbian epic poetry who is depicted as an enemy of Kraljević Marko.
Kučuk-Alija was a Janissary, mutesellim of Kragujevac and one of four Dahiyas who controlled the Sanjak of Smederevo in the period between 15 December 1801 and the beginning of the First Serbian Uprising in Spring 1804. He was a brother of Sali Aga, a mutesellim of Rudnik Ottoman nahiyah at the beginning of 19th century.
The Building of Skadar or The Walling of the Skadar or The Founding of Skadar is a poem of the pre-Kosovo cycle of Serbian epic poetry. It is based on the motif of human sacrifice.
Mihajlo Svilojević, sometimes crni ban Mihail, is a hero of Serbian epic poetry based on the historical figure of Michael Szilágyi.
Korun Aramija or Korun Haramija or Korun Kesedžija is a popular legendary hero of Serbian epic poetry and Bulgarian and Macedonian folklore. He is known as a rival of either Prince Marko or Nenad Jugović, other heroes of South Slavic folklore. The epic hero Korun Aramija is based on actual historical person, Theodor Corona Musachi from Muzaka family that was in conflict with Prince Marko over the town of Kastoria.
The Perast manuscript is a manuscript written around 1700 which contains the earliest records of the heroic songs in decasyllable verse.
Grujica Žeravica was a Serb hajduk commander active in the Ottoman territories of Herzegovina and southern Dalmatia during the Venetian–Ottoman war (1645–69). The hajduks, Ottoman subjects, crossed into Venetian territory from where they "jumped into" Ottoman territory. These guerilla forces closely cooperated and were recruited by the Republic of Venice to defend the Venetian–Ottoman frontier during the war. He was a comrade of acclaimed Bajo Pivljanin.
Vukosav Puhalović was a Serb hajduk commander active in the Ottoman territories of Herzegovina and southern Dalmatia during the Venetian–Ottoman war (1645–69). The hajduks, Ottoman subjects, crossed into Venetian territory from where they "jumped into" Ottoman territory. These guerilla forces closely cooperated and were recruited by the Republic of Venice to defend the Venetian–Ottoman frontier during the war. He was a comrade of acclaimed Bajo Pivljanin.
Hrnjica brothers are heroes of epic poetry in Bosnia. The names of the brothers are Mujo, Halil and Omer. The epic poetry also mentions their beautiful sister Ajkuna. Mujo is hypocorism of Mustafa. There are several toponyms in the region of Velika Kladuša named after Hrnjica brothers, i.e. Well of Hrnjica or the Tower of Hrnjica .Songs about the Hrnjica brothers can usually be put in the "Krajišnik" cycle. This cycle deals with the frequent raids and battles that happened in Bosnia, which at one time was a border province of the Ottoman Empire.
Bosniak epic poetry is a form of epic poetry originating in today's Bosnia and Herzegovina and in the Sandžak region, which is a part of modern-day Serbia and Montenegro. Bosniak epic poetry developed during the Ottoman period. Historically, they were accompanied by the Gusle.
References
- ↑ Zbornik Matice srpske za filologiju i lingvistiku. Matica. 1994. p. 280.
- ↑ Folklor. Nauchno delo. 1973. p. 63.
Од Ангелка ВуковиКа са Косова, из села Ораовца у околини Вучитрна, Вук КарациК je забележио песме: Млади MapjaH и Арнаут Осман...
- ↑ Gerhard Gesemann; Tomislav Bekić (2002). Studije o južnoslovenskoj narodnoj epici. Zavod za udžbenike i nastavna sredstva. p. 146. ISBN 978-86-17-09804-7 . Retrieved 23 February 2013.
- ↑ Folklor. Nauchno delo. 1973. p. 63.
... (у KOJOJ доминира мотив помирен>а и братишьен>а).
- ↑ Nastavni vjesnik. Društvo hrvatskih srednjoškolskih profesora. 1924. p. 291.
- ↑ Kongres, Savez udruženja folklorista Jugoslavije. (1967). Rad ... Kongresa Saveza folklorista Jugoslavije. Savez folklorista Jugoslavie.
- ↑ Rad kongresa. 1982. p. 269.
- ↑ Bulletin du Museé de la République Socialiste de Bosnie-Hercegovine à Sarajevo. Zemaljski muzej Bosne i Hercegovine u Sarajevu. 1973. p. 60.
- ↑ Wissenschaftliche Mitteilungen des Bosnisch-Herzegowinischen Landesmuseums: Volkskunde. Bosnisch-Herzegowinisches Landesmuseum. 1980. p. 65.
- ↑ Popović, Miodrag (1961). Dura Jakšić. p. 213.
- ↑ Gjurmime albanologjike: Seria e shkencave filologjike. Instituti. 1986. p. 76.
- ↑ Radosav Medenica, Belgrade, Арбанашке крешничке песме и наша народна епика [Albanian borderland songs and our epic poetry], Извор: зборник "Рад XIV конгреса Савеза фолклориста Југославије (у Призрену 1967)", Београд 1974.