Art Stewart | |
---|---|
Nationality | American |
Occupation(s) | Audio engineer, record producer, song writer |
Years active | 1960s - ? |
Art Stewart is an American record producer, audio engineer, and composer who has worked on many Motown recordings. He worked on the Blue album by Diana Ross, and recordings by Teena Marie, including her Wild and Peaceful album, released in 1979. With Marvin Gaye, he has worked on the Let's Get It On album and Gaye's single "Got to Give It Up". He has also worked with Rick James on his Motown debut album Come Get It! , and his second Motown album, Bustin' Out of L Seven .
Stewart has been a staff engineer for Motown Records and had worked on sessions with Marvin Gaye and Diana Ross. [1] His work as a producer appears on the Motown Grammy Rhythm & Blues Performances Of The 1960s & 1970s various artists compilation album. [2] He is also a songwriter and has composed songs for the group Platypus, which appear on the Cherry album, released on Casablanca Records in 1980. [3] [4] He worked on the mixing of the Has Arrived album for The Whole Darn Family, a group that featured Tyrone Thomas. [5] In 1977, he was rated No 45 in a list of 100 pop producers by Billboard magazine in the December 1977 issue. [6]
Due to the thinning out of the staff of Motown, a downsizing plan, and after having been an engineer with the record label, Stewart later was working at a television station in the video production department. [7]
He is also the president of music publishing company Famosonda Music / A. Stewart Publications which in the 1990s was located at Canoga Park, California, [8] which has been a publisher for recordings by the Eboni Band, Jack Ashford, and Platypus. [9]
After hearing "Got To Give It Up" by Marvin Gaye and knowing that the session was produced by Stewart, Rick James was interested in him. As a producer, James found him to be modest and easy going, and with his work in the studio, he saw a flair that he had not seen before. James said that with the subtle suggestions that he made for the positioning of the horns or changes to the bass line, he was just the man he needed. [10] He co-produced Rick James's 1978 Come and Get It which was released in April 1978. [11] According to James, Suzanne de Passe said that he couldn't have made a better choice to use Stewart. [10] Jet Magazine credits Stewart with helping to put together the album that gave James overnight success. [12] He reunited with James and co-produced Bustin' Out of L Seven, [13] as well as the single "Bustin' Out" which was released in 1979. [14] He had also worked on James's other single "Spacey Love". [15]
Stewart had a working relationship with Marvin Gaye for nearly a decade. [16] According to Michael Eric Dyson, in his book Mercy, Mercy Me: The Art, Loves and Demons of Marvin Gaye, Stewart had worked on some of Gaye's finest recordings. [17] He had a significant influence on the "Bobby Scott sessions" with Gaye. [18] He was the producer and engineer on "Got To Give It Up" by Marvin Gaye. With the percussion which was played by Jack Ashford, Stewart managed to make a coke bottle sound like a cowbell by rolling off the highs. [19] [20]
During the 1970s, one of the artists he co-produced for was Jack Ashford. he co-produced Ashfords Hotel Sheet album which was released in 1977 on the Magic Disc label. [21] Other productions include the single for Jimmy Sterling, "Let's Do It", which was released in 1981 on Americom Records. [22] [23] He had previously produced "At Least I Tried" for Sterling. After Sterling left Americom Records, Stewart got him in the studio to record Marvin Gaye's "Got To Give It Up". [24] He produced the Lil' Suzy album by eight-man group, Ozone. The album which was released on Motown in 1982 also featured Mel Carter and Syreeta Wright on a couple of tracks. [25] He was engineer and producer on the Connections album by The Charades, which was released in 2010. [26] [27]
Song | Artist | Release | Year | Notes # |
---|---|---|---|---|
"Get Right On Top (Cause I Need Someone)" | Jack Ashford | Hotel Sheet (album) | 1977 | Co-written with Jack Ashford |
"Bustin' Out" | Rick James | Love Gun (single) | 1979 | Co-written with Rick James |
"Color Blind" | Platypus | Cherry (album) | 1980 | Co-written with Henry A. Hayes |
"Comin' After Your Love" | Ozone | Li'l Suzy (album) | 1982 | Co-written with David L. Stewart, Anthony Haynes, Tracy Greathouse |
"You'll Never Know How Much (I Love You)" | Ozone | Li'l Suzy (album) | 1982 | Co-written with Mel Carter |
" Li'l Suzy " | Ozone | Li'l Suzy (album) | 1982 | Co-written with Ozone |
"Shake It Down" | Ozone | Li'l Suzy (album) | 1982 | Co-written with David L. Stewart, Gregg Middleton |
"Shake It Down" | Eboni Band | Shake It Down / Get Together (single) | Sole composer | |
"Get Together" | Eboni Band | Shake It Down / Get Together (single) | Sole composer [28] | |
Song | Artist | Release | Year | Notes # |
---|---|---|---|---|
"Got To Give It Up" Pt.1 | Marvin Gaye | "Got To Give It Up" Pt.1 / "Got To Give It Up" Pt.2 (single) | 1977 | |
"Got To Give It Up" Pt.2 | Marvin Gaye | "Got To Give It Up" Pt.1 / "Got To Give It Up" Pt.2 (single) | 1977 | |
'You And I" | Rick James | "You And I" / "Hollywood" (single) | 1978 | |
"Hollywood" | Rick James | "You And I" / "Hollywood" (single) | 1978 | |
"Mary Jane" | Rick James | "Mary Jane" / "Dream Maker" (single) | 1978 | |
"Dream Maker" | Rick James | "Mary Jane" / "Dream Maker" (single) | 1978 | |
"High On Your Love Suite" | Rick James | "High On Your Love Suite" / "Stone City Band, Hi!" (single) | 1979 | |
"Stone City Band, Hi!" | Rick James | "High On Your Love Suite" / "Stone City Band, Hi!" (single) | 1979 | |
"Bustin' Out" | Rick James | "Bustin' Out" / "Sexy Lady" (single) | 1979 | |
"Sexy Lady" | Rick James | "Bustin' Out" / "Sexy Lady" (single) | 1979 | |
"Fool On The Street" | Rick James | "Fool On The Street" / "Jefferson Ball" (single) | 1979 | Co-produced with Rick James |
"Jefferson Ball" | Rick James | "Fool On The Street" / "Jefferson Ball" (single) | 1979 | Co-produced with Rick James |
"I'm A Sucker For Your Love" | Teena Marie | "I'm A Sucker For Your Love" / "De Ja Vu" (I've Been Here Before) (single) | 1979 | Co-produced with Rick James |
"De Ja Vu" (I've Been Here Before) | Teena Marie | "I'm A Sucker For Your Love" / "De Ja Vu" (I've Been Here Before) (single) | 1979 | Co-produced with Rick James |
"Don't Look Back" | Teena Marie | "Don't Look Back" / "I'm Gonna Have My Cake" (And Eat It Too) (single) | 1979 | Co-produced with Rick James |
"I'm Gonna Have My Cake" (And Eat It Too) | Teena Marie | "Don't Look Back" / "I'm Gonna Have My Cake" (And Eat It Too) (single) | 1979 | Co-produced with Rick James |
"Appreciate Your Love" | Platypus | "Appreciate Your Love" (mono) / "Appreciate Your Love" (stereo) (single) | 1980 | |
"Li'l Suzy" | Ozone | "Li'l Suzy" / "I'm Not Easy" (single) | 1982 | Co-produced with Ozone |
"I'm Not Easy" | Ozone | "Li'l Suzy" / "I'm Not Easy" (single) | 1982 | Co-produced with Ozone [29] |
"Rock House" | Sir Arthur | "Rock House" / "Rock House" (single) | 1988 | [30] |
"Shake It Down" | Eboni Band | "Shake It Down" / "Get Together" (single) | ||
"Get Together" | Eboni Band | "Shake It Down" / "Get Together" (single) | [31] | |
In the early 1970s Stewart worked on the Lady Sings The Blues album Diana Ross, [32] and the Chameleon album by Frankie Valli & the Four Seasons, both released in 1972. [33] Stewart handled the engineering and remixing chores for the soundtrack album to the 1974 Fred Williamson film Hell Up in Harlem by Edwin Starr. [34] [35] [36] In the late 1970s, he recorded Bonnie Pointer's Bonnie Pointer album which was released on Motown M7-911R1 in 1978. [37] [38] [39] In the 1980s, he worked on the Leon Ware produced Shadow album, Shadows In The Streets , which was released in 1981. [40] [41]
Marvin Pentz Gay Jr., better known as Marvin Gaye, was an American R&B and soul singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul".
What's Going On is the eleventh studio album by American soul singer Marvin Gaye. It was released on May 21, 1971, by the Motown Records subsidiary label Tamla. Recorded between 1970 and 1971 in sessions at Hitsville U.S.A., Golden World, and United Sound Studios in Detroit, and at The Sound Factory in West Hollywood, California, it was Gaye's first album to credit him as a producer and to credit Motown's in-house studio band, the session musicians known as the Funk Brothers.
The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972.
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single up to that time.
Let's Get It On is the thirteenth studio album by American soul singer, songwriter, and producer Marvin Gaye. It was released on August 28, 1973, by the Motown subsidiary label Tamla Records on LP.
Ashford & Simpson were an American husband-and-wife songwriting, production, recording duo composed of Nickolas Ashford and Valerie Simpson.
Barrett Strong Jr. was an American singer and songwriter known for his recording of "Money ", which was the first hit single for the Motown record label. He is also known for his songwriting work in association with producer Norman Whitfield; together, they penned such songs as "I Heard It Through the Grapevine", "War", "Just My Imagination ", and "Papa Was a Rollin' Stone".
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
I Want You is the fourteenth studio album by American soul singer and songwriter Marvin Gaye. It was released on March 16, 1976, by the Motown Records-subsidiary label Tamla.
Diana & Marvin is a duets album by American soul musicians Diana Ross and Marvin Gaye, released October 26, 1973 on Motown. Recording sessions for the album took place between 1971 and 1973 at Motown Recording Studios in Hollywood, California. Gaye and Ross were widely recognized at the time as two of the top pop music performers.
Frederick Earl "Shorty" Long was an American soul singer, songwriter, musician, and record producer for Motown's Soul Records imprint. He was inducted into the Alabama Jazz Hall of Fame in 1980.
In the Groove is the eighth studio album by soul musician Marvin Gaye, released on August 26, 1968 on the Motown-subsidiary label Tamla Records. It was the first solo studio album Gaye released in two years, in which during that interim, the singer had emerged as a successful duet partner with female R&B singers such as Kim Weston and Tammi Terrell. In the Groove was reissued and retitled as I Heard It Through the Grapevine after the unexpected success of Gaye's recording of the same name, which had been released as a single from the original album.
Leon Ware was an American songwriter, producer, composer, and singer. Besides a solo career as a performer, Ware was best known for producing hits for other artists including Michael Jackson, Quincy Jones, Maxwell, Minnie Riperton and Marvin Gaye, co-producing the latter's album, I Want You.
Live at the London Palladium is a live double album by soul musician Marvin Gaye, released March 15, 1977, on Tamla Records. Recording sessions took place live at several concerts at the London Palladium in London, England, in October 1976, with the exception of the hit single "Got to Give It Up", which was recorded at Gaye's Los Angeles studio Marvin's Room on January 31, 1977. Live at the London Palladium features intimate performances by Gaye of many of his career highlights, including early hits for Motown and recent material from his previous three studio albums. As with his previous live album, Marvin Gaye Live!, production of the record was handled entirely by Gaye, except for the studio portion, "Got to Give It Up", which was managed by Art Stewart.
Motown Remixed is a 2005 compilation album containing remixed versions of Motown hits, released on May 24, 2005 by Motown/Universal Records.
"California Soul" is a funk-soul tune written by Ashford & Simpson, issued originally as the B-side of the Messengers' single "Window Shopping" in 1967 under the Motown group of labels.
Donald Charles Baldwin is an American musician, arranger, and composer. He achieved significant commercial success with recordings he wrote, arranged, and performed for Motown Records and Invictus/Hot Wax Records from 1970 to 1980. His Notable works include his recordings with many widely known musical acts including: Temptations, Commodores, and Bonnie Pointer, as well as record producers Holland-Dozier-Holland and Jeffrey Bowen.
James Levine was an American R&B songwriter, multi-instrumentalist and record producer.
Musical Massage is an album by Leon Ware released in 1976. This was his second solo album and his only release for Motown's Gordy Records subsidy.
What's Going On Live is a live album recorded in 1972 by American soul singer Marvin Gaye and released posthumously in 2019 by Motown. The album documents a live performance of his album What's Going On and has received mixed feedback from critics.