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"Mary, Mary" is a song written by Michael Nesmith and first recorded by the Paul Butterfield Blues Band for their 1966 album East-West. Nesmith's band, the Monkees, later recorded it for More of the Monkees (1967). Hip hop group Run–D.M.C. revived the song in the late 1980s, with an adaptation that appeared in the U.S. record charts.
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"Making Love" is a 1982 song written by Burt Bacharach, Bruce Roberts, and Carole Bayer Sager to serve as the theme song for the film of the same name in which, as recorded by Roberta Flack with Bacharach and Bayer Sager producing, it played under the closing credits: a Top 20 hit single for Flack, "Making Love" was included on the singer's 1982 album release I'm the One.
"Don't Let Me Be Lonely Tonight" is a song written and performed by American singer-songwriter James Taylor, from his 1972 album One Man Dog. The song has been included on three of Taylor's greatest-hits collection albums: Greatest Hits (1976), Classic Songs (1987) and The Best of James Taylor (2003). Taylor re-recorded the song for the 2001 Michael Brecker album Nearness of You: The Ballad Book; this rendition won Taylor the Grammy Award for Best Male Pop Vocal Performance in 2002.
"Standing on the Top" is a funk song recorded by the Motown group The Temptations, written and produced by musician Rick James.
"Hey Love" is a 1966 song by Stevie Wonder, from his album Down to Earth. It was released as a B-side to "Travelin' Man," but it also reached the charts in its own right, peaking at number 90 on the Billboard Hot 100 and number nine on the R&B Singles chart in the spring of 1967. It has been covered by other artists, including Bettye LaVette and R. Kelly.
References
- ↑ "Come Get It! Rick James". December 4, 2007.
- ↑ Bienstock, Richard; Reeves, Mosi; Garber-Paul, Elizabeth; Epstein, Dan (April 20, 2021). "Pot Sounds: The 20 Greatest Weed-Themed Songs of All Time". Rolling Stone Australia . Retrieved February 26, 2022.
"Mary Jane" is sensimilla-infused soul of the highest order. James would often perform the song onstage flanked by two gigantic fake joints, and punctuate the lyrics by taking exaggerated hits off a real one.
- ↑ Whitburn, Joel (2013). Joel Whitburn's Top Pop Singles, 14th Edition: 1955-2012. Record Research. p. 422.
- ↑ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 291.