Gustav Metzger was a German artist and political activist who developed the concept of Auto-Destructive Art and the Art Strike. Together with John Sharkey, he initiated the Destruction in Art Symposium in 1966.
The Whitney Biennial is a biennial exhibition of contemporary American art organized by the Whitney Museum of American Art in New York City, United States. The event began as an annual exhibition in 1932; the first biennial was in 1973. It is considered the longest-running and most important survey of contemporary art in the United States. The Biennial helped bring artists like Georgia O'Keeffe, Jackson Pollock, and Jeff Koons, among others, to prominence.
Alison Saar is a Los Angeles-based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion." Saar credits her parents, collagist and assemblage artist Betye Saar and painter and art conservator Richard Saar, for her early exposure to are and to these metaphysical and spiritual practices. Saar followed in her parents footsteps along with her sisters, Lezley Saar and Tracye Saar-Cavanaugh who are also artists. Saar has been a practicing artist for many years, exhibiting in galleries around the world as well as installing public art works in New York City. She has received achievement awards from institutions including the New York City Art Commission as well as the Institute of Contemporary Art in Boston.
Lucy Rowland Lippard is an American writer, art critic, activist, and curator. Lippard was among the first writers to argue for the "dematerialization" at work in conceptual art and was an early champion of feminist art. She is the author of 26 books on contemporary art and has received numerous awards and accolades from literary critics and art associations.
Yellow Swans are an American experimental music band from Portland, Oregon. The duo were renowned for their improvisational approach to noise music, creating a unique experience for each live performance. They described their music as "a constantly evolving mass of psychedelic noise that is both physically arresting and psychically liberating". The band consisted of Pete Swanson and Gabriel Mindel Saloman. The band announced their split in April 2008. A live show by Yellow Swans at the festival Oblivion Access was announced in 2023.
The Art Workers' Coalition (AWC) was an open coalition of artists, filmmakers, writers, critics, and museum staff that formed in New York City in January 1969. Its principal aim was to pressure the city's museums – notably the Museum of Modern Art – into implementing economic and political reforms. These included a more open and less exclusive exhibition policy concerning the artists they exhibited and promoted: the absence of women artists and artists of color was a principal issue of contention, which led to the formation of Women Artists in Revolution (WAR) in 1969. The coalition successfully pressured the MoMA and other museums into implementing a free admission day that still exists in certain museums to this day. It also pressured and picketed museums into taking a moral stance on the Vietnam War which resulted in its famous My Lai poster And babies, one of the most important works of political art of the early 1970s. The poster was displayed during demonstrations in front of Pablo Picasso′s Guernica at the MoMA in 1970.
Norman Wilfred Lewis was an American painter, scholar, and teacher. Lewis, who was African-American and of Bermudian descent, was associated with abstract expressionism, and used representational strategies to focus on black urban life and his community's struggles.
Thelma Golden is an American art curator, who is the Director and Chief Curator of The Studio Museum in Harlem, New York City, United States. She is noted as one of the originators of the term post-blackness. From 2017 to 2020, ArtReview chose her annually as one of the 10 most influential people in the contemporary art world.
And babies is an iconic anti-Vietnam War poster. It is a famous example of "propaganda art" from the Vietnam War, that uses a color photograph of the My Lai Massacre taken by U.S. combat photographer Ronald L. Haeberle on March 16, 1968. It shows about a dozen dead and partly naked South Vietnamese women and babies in contorted positions stacked together on a dirt road, killed by U.S. forces. The picture is overlaid in semi-transparent blood-red lettering that asks along the top "Q. And babies?", and at the bottom answers "A. And babies." The quote is from a Mike Wallace CBS News television interview with U.S. soldier Paul Meadlo, who participated in the massacre. The lettering was sourced from The New York Times, which printed a transcript of the Meadlo interview the day after.
Simone Leigh is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. Leigh has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. She was named one of the 100 most influential people in the world by Time magazine in 2023.
Felix Reda is a German researcher, politician, and former Member of the European Parliament (MEP) from Germany. He was a member of the Pirate Party Germany until 27 March 2019, part of The Greens–European Free Alliance. He has been Vice-President of the Greens/EFA group since 2014. He was also previously the president of Young Pirates of Europe. After the 2019 European Parliament election, Reda was succeeded by Patrick Breyer, Marcel Kolaja, Markéta Gregorová, and Mikuláš Peksa.
A monstration is a public performance similar to a demonstration but intended as creative performance art, often parodying a serious demonstration. The term was coined by Russian artist Ivan Dyrkin in 2004, and the phenomenon has been most popular in Russia.
Vivian E. Browne was an American artist. Born in Laurel, Florida, Browne was mostly known for her painting series called Little Men and her Africa series. She is also known for linking abstraction to nature in her tree paintings and in a series of abstract works made with layers of silk that were influenced by her travels to China. She was an activist, professor, and has received multiple awards for her work. According to her mother, Browne died at age 64 from bladder cancer.
Redas Diržys is the director of the Art School of Alytus, in Alytus, Lithuania. Apart from this role, he is also known internationally for social art interventions, performance art and socially engaged artistic practices.
Women Artists in Revolution (WAR) was a New York City-based collective of American women artists and activists that formed in 1969. They seceded from the male-dominated Art Workers' Coalition (AWC), prompted by the Whitney Museum of American Art's 1969 Annual (later the Whitney Biennial), which included only eight women out of the 143 featured artists shown.
The Harlem on My Mind protests were a series of protest actions in New York, organized by the Black Emergency Cultural Coalition (BECC) in early 1969 in response to the Metropolitan Museum of Art's exhibition Harlem on My Mind: Cultural Capital of Black America. The exhibition, focused on the Harlem Renaissance and intended as the museum's first show exploring the cultural achievements and contributions of African Americans, was heavily criticized by black audiences for not actually including any art by black artists, instead presenting documentary photographs and murals of the Harlem neighborhood, and for the exhibition's inclusion of several racist and anti-Semitic statements. The BECC - a group of African-American contemporary artists and activists that formed in response to the exhibition - organized a series of boycotts and protests outside and inside the museum before and after the show opened, leading to national news coverage and a series of institutional responses from the museum.
Psychic worker is the term first used around 2010 by the DAMTP to self define as a union of Data miners and psychic workers. The term was used initially to describe their activities instead of using the term 'artist', in order to "supersede the art strike.". It has subsequently also been used by members of DAMTP to describe and develop their avant-garde activities.
Ad Hoc Committee of Women Artists or Ad Hoc Women Artists' Committee was founded in 1970 and included members from Women Artists in Revolution (WAR), the Art Workers' Coalition (AWC) and Women Students and Artists for Black Art Liberation (WSABAL). Founding members included Lucy Lippard, Poppy Johnson, Brenda Miller, Faith Ringgold and later, Nancy Spero.
Clifford Ricardo Joseph was a Panama-born American artist, art therapist and activist.
The Black Emergency Cultural Coalition (BECC) was founded by a group of artists as an art strike to protest New York museums for their exclusion of black artists and curators in major art exhibitions. For many years, the BECC and its members directed and sponsored counter-exhibitions, arts education programs, and artists-led demonstrations, including the Harlem on My Mind protest.
"Alytus Biennial 2009 Monstration - Artist United Will Never Be Divided"
"Alytus Biennial 2011 Monstration"
"Alytus Psychic Strike 2013 Monstration"
