![]() | The examples and perspective in this article may not represent a full view of the subject.(November 2021) |
Artificial plants are imitations of natural plants used for commercial or residential decoration. They are sometimes made for scientific purposes (the collection of glass flowers at Harvard University, for example, illustrates the flora of the United States). [1] Artificial plants vary widely from mass-produced varieties that are distinguishable from real plants by casual observation to highly detailed botanical or artistic specimens.
Materials used in their manufacture have included painted linen and shavings of stained horn in ancient Egypt, gold and silver in ancient Rome, rice-paper in China, silkworm cocoons in Italy, colored feathers in South America, and wax and tinted shells. [1] [2] Modern techniques involve carved or formed soap, nylon netting stretched over wire frames, ground clay, and mass-produced injection plastic mouldings. Polyester has been the main material for manufacturing artificial flowers since the 1970s. Most artificial flowers in the market nowadays are made of polyester fabric and plastic. [3]
The industry is now highly specialized with several different manufacturing processes. Hundreds of artificial flower factories in the Pearl River delta area of Guangdong province in China have been built since the early 1980s. Thousands of 40-foot containers of polyester flowers and plants are exported to many countries every year.[ citation needed ]
Five main processes may be distinguished:
While the material most often used to make artificial flowers is polyester fabric, both paper and cloth flowers are also made with origami. [4]
The art of nylon flower making is an easy to learn craft which uses simple tools and inexpensive material to achieve stunning results. Nylon flower making enjoyed a brief popularity in the United States in the 1970s and soon became very popular in Japan. In recent years, the craft's popularity has spread Asia, Europe and Australia. With the advent of new colors and materials, the art has expanded to infinite new possibilities of nylon flower making. [5]
The basic materials needed to make nylon flowers include: wire, stem wire, nylon stocking, nylon threading, floral tape and stamen. Some flowers require cotton balls or sheets (or batting), white glue, acrylic paint and paint brushes. [5]
Silk flowers are crafted from a protein fibre spun by the silk worm, producing lifelike flowers. Flowers described as being made of silk with a "real touch technique" are not made of silk, but rather are made of polyester, polymers and plastics. [6] Moreover, textile items made of polyester but marketed as "silk" violate the US federal law – specifically the 1959 Textile Fiber Products Identification Act. [7]
There are two methods:
Clay flowers are made by hand from special air-dry polymer clay or cold porcelain, steel wire, paint, glue, tape and sometimes paper and foam as a filler. With the help of cutters, where each flower has its own cutter set, the parts are cut from the still soft clay and then formed with specially designed tools. After drying, these parts are, when needed, painted with precision and then very precisely assembled into a whole flower. When made by a skilful artisan, clay flowers can be very realistic. From Thailand, where this art is very popular, it has spread to Europe, Russia and the US.
Glass is melted and blown by hand into flower shapes. Working with glass at high temperatures to form a flower is very difficult, which is why glass flowers are much more expensive than typical artificial flowers.
Injection moulding is used for mass manufacture of plastic flowers. Plastic is injected into a preformed metal die.
The journal Ethnobotany Research and Applications published a tongue-in-cheek paper that claims to be the culmination of a six-year project in the exhaustive taxonomy of artificial plants, and lumped the group into a single family called the Simulacraceae ("the family of simulated plants"). [8]
Floral wreaths made by the ancient Egyptians were formed from thin plates of horn stained in different colors. They also sometimes consisted of leaves of copper, gilt or were silvered over. The ancient Romans excelled in the art of imitating flowers in wax and in this branch of the art attained a degree of perfection which has not been approached in modern times. Crassus, renowned for his wealth, gave to the victors in the games he celebrated at Rome crowns of artificial leaves made of gold and silver. [2]
In more recent times, Italians were the first to acquire celebrity for the skill and taste they displayed in this manufacture. Later English, American, and especially French manufactures were celebrated. The Chinese and Japanese show great dexterity in this work. These early artificial flowers were made out of many-coloured ribbons which were twisted together and attached to small pieces of wire. But these first attempts were decidedly crude. [2]
In the first half of the 19th century, the Swedish artist Emma Fürstenhoff became internationally renowned in Europe for her artificial flower arrangements of wax in a technique regarded as a novelty in contemporary Europe. [9] Wax flower sculptures were popular in the 1840s and 1850s in Britain, with noted sculptors including the London-based Emma Peachey and the Mintorn family. [10]
In the 1910s, Beat-Sofi Granqvist studied the manufacture of artificial flowers in Germany. After returning to Finland, she founded Finland's first artificial flower factory, next to her apartment at Pieni Roobertinkatu 4-6. [11] [12] [13]
In the course of time feathers were substituted for ribbons, a more delicate material, but one to which it was not so easy to give the requisite shades of color. The plumage of the birds of South America was adapted for artificial flowers on account of the brilliancy and permanence of the tints, and the natives of that continent long practised with success the making of feather flowers. The London Zoo contains a collection of artificial flowers made out of the feathers of hummingbirds. [2]
Textile is an umbrella term that includes various fiber-based materials, including fibers, yarns, filaments, threads, different fabric types, etc. At first, the word "textiles" only referred to woven fabrics. However, weaving is not the only manufacturing method, and many other methods were later developed to form textile structures based on their intended use. Knitting and non-woven are other popular types of fabric manufacturing. In the contemporary world, textiles satisfy the material needs for versatile applications, from simple daily clothing to bulletproof jackets, spacesuits, and doctor's gowns.
Yarn is a long continuous length of interlocked fibres, used in sewing, crocheting, knitting, weaving, embroidery, ropemaking, and the production of textiles. Thread is a type of yarn intended for sewing by hand or machine. Modern manufactured sewing threads may be finished with wax or other lubricants to withstand the stresses involved in sewing. Embroidery threads are yarns specifically designed for needlework. Yarn can be made of a number of natural or synthetic materials, and comes in a variety of colors and thicknesses. Although yarn may be dyed different colours, most yarns are solid coloured with a uniform hue.
Fiber is a natural or artificial substance that is significantly longer than it is wide. Fibers are often used in the manufacture of other materials. The strongest engineering materials often incorporate fibers, for example carbon fiber and ultra-high-molecular-weight polyethylene.
Velvet is a type of woven fabric with a dense, even pile that gives it a distinctive soft feel. Historically, velvet was typically made from silk. Modern velvet can be made from silk, linen, cotton, wool, synthetic fibers, silk-cotton blends, or synthetic-natural fiber blends.
Synthetic fibers or synthetic fibres are fibers made by humans through chemical synthesis, as opposed to natural fibers that are directly derived from living organisms, such as plants or fur from animals. They are the result of extensive research by scientists to replicate naturally occurring animal and plant fibers. In general, synthetic fibers are created by extruding fiber-forming materials through spinnerets, forming a fiber. These are called synthetic or artificial fibers. The word polymer comes from a Greek prefix "poly" which means "many" and suffix "mer" which means "single units"..
A raincoat is a waterproof or water-resistant garment worn on the upper body to shield the wearer from rain. The term rain jacket is sometimes used to refer to raincoats with long sleeves that are waist-length. A rain jacket may be combined with a pair of rain pants to make a rainsuit. Rain clothing may also be in one piece, like a boilersuit. Raincoats, like rain ponchos, offer the wearer hands-free protection from the rain and elements; unlike the umbrella.
Microfibre is synthetic fibre finer than one denier or decitex/thread, having a diameter of less than ten micrometers.
Zari is an even thread traditionally made of fine gold or silver used in traditional Indian, Bangladeshi and Pakistani garments, especially as brocade in saris etc. This thread is woven into fabrics, primarily silk, to make intricate patterns and elaborate designs of embroidery called zardozi. Zari was popularised during the Moghul era; the port of Surat was linked to the Meccan pilgrimage route which served as a major factor for re-introducing this ancient craft in India.
Metallic fibers are manufactured fibers composed of metal, metallic alloys, plastic-coated metal, metal-coated plastic, or a core completely covered by metal.
Artificial leather, also called synthetic leather, is a material intended to substitute for leather in upholstery, clothing, footwear, and other uses where a leather-like finish is desired but the actual material is cost prohibitive or unsuitable due to practical or ethical concerns. Artificial leather is known under many names, including leatherette, imitation leather, faux leather, vegan leather, PU leather (polyurethane), and pleather.
Morada Limited is a textile company based in Altham, Lancashire. Morada specializes in curtains.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, with color and patterns, which turns it into cloth. The machine used for weaving is the loom. For decoration, the process of coloring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
Transfer paper is used in textiles and arts and crafts projects. Transfer paper is a thin piece of paper coated with wax and pigment. Often, an ink-jet or other printer is used to print the image on the transfer paper. A heat press can transfer the image onto clothing, canvas, or other surface. Transfer paper is used in creating iron-ons. Transfer papers can also be used for the application of rhinestones to clothing and other arts and crafts projects.
Novelty yarns include a wide variety of yarns made with unusual features, structure or fiber composition such as slubs, inclusions, metallic or synthetic fibers, laddering and varying thickness introduced during production. Some linens, wools to be woven into tweed, and the uneven filaments of some types of silk are allowed to retain their normal irregularities, producing the characteristic uneven surface of the finished fabric. Man-made fibres, which can be modified during production, are especially adaptable for special effects such as crimping and texturizing.
Artificial silk or art silk is any synthetic fiber which resembles silk, but typically costs less to produce. Frequently, the term artificial silk is just a synonym for rayon. When made out of bamboo viscose it is also sometimes called bamboo silk.
Bhutanese art is similar to Tibetan art. Both are based upon Vajrayana Buddhism and its pantheon of teachers and divine beings.
The crafts of India are diverse, rich in history, culture and religion. The craft of each state in India reflect the influence of different empires. Throughout centuries, crafts have been embedded as a culture and tradition within rural communities.
The Surat Zari / Jari Craft is a textile product of Surat district in Gujarat, India, which is made from yarns of silk and cotton mixed with gold, silver or copper. The zari threads are used to make intricate designs by weaving into generally silk fabrics. Its use is extensive in textile industries and handicrafts. The Surat Zari is either woven on cloth or hand embroidered to form fabric borders or used as part on the body of the cloth. The zaris are used in fabrics made in Varanasi and a few other places in Uttar Pradesh, Tamil Nadu, Karnataka and Andhra Pradesh. Banarasi saris made in Varanasi and Kanjivaram Saris of South India use Surat Zari extensively.
Manus x Machina: Fashion in an Age of Technology was an exhibition at the Metropolitan Museum of Art that showcased the dichotomy between Manus, also known as haute couture, and Machina, also known as prêt-à-porter. The Metropolitan Museum of Art debuted this exhibition during the 2016 Met Gala and ran it from May 5, 2016 to September 5, 2016. It included over 120 pieces from designers like Chanel and Christian Dior, varying from the 20th Century to present day.
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