This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
An arts district or cultural district is a demarcated urban area, usually on the periphery of a city centre, intended to create a 'critical mass' of places of cultural consumption - such as art galleries, theatres, art cinemas, music venues, and public squares for performances. Such an area is usually encouraged by public policy-making and planning, but sometimes occurs spontaneously. It is associated with allied service-industry jobs like cafes, printers, fashion outlets, restaurants, and a variety of 'discreet services' (see the back-page small-ads of almost any cultural events-listings magazine).[ citation needed ]
Such artistic districts can sometimes spontaneously occur in deprived areas where housing and artistic spaces are at enhanced economic level of affordability, due to a perceived low quality of housing or location. A classic example of this is the famous Kreuzberg area in Berlin which from the 1960s became home to artists and squatters and people seeking an alternative lifestyle. Another example is the Shoreditch area in London, which had a large number of old commercial spaces which artists could use. Rather than town planners deciding that a particular area should have theatres and galleries, these spontaneous artists centres are driven by affordability of space and a concentration of mutual interests.[ citation needed ]
There may also be some artists' studios located in nearby back-streets. But, as Richard Florida has found from his research, cultural production facilities are often better sited some miles away from cultural consumption facilities - except in some very tolerant cities and in countries where a boisterous alcohol-based nightlife scene does not lead to aggressive and anti-social behaviour.[ citation needed ]
In the UK the term sometimes used is "Cultural quarter" or "Arts quarter".
Americans for the Arts defines the following types of cultural districts: [1]
Steiner and Butler outline five types of arts districts commonly found in the United States. [2]
The creation of a cultural district implies collaboration between the arts and the local community. Cultural districts may be seen by local authorities as a way to revitalize the “brownfields” of the urban core: areas of abandoned buildings that encourage businesses and residents to leave the cities. [3] [4]
The developing theory of cultural districts increasingly conceives them as development models for local systems, where the term ‘district’ refers to supra-urban area. [5] [6] [7] At supra-urban or regional level the complexity of a cultural district is even more marked than at urban level, due to potential interdependencies among a greater multitude of actors. [8] A useful approach towards a deeper understanding can be to conceive cultural districts as complex adaptive systems. [5] Indeed, complexity is definitely not a management fad and fashion, a mere metaphor or methodology, but a deeper perception of reality. [9] Organizations are classically seen as purpose-driven entities with a structural form, exhibiting a certain degree of order and determinism. Such a linear top-down approach to analysis and design, however, exhibits many limitations when used for organizational settings characterized by a complex web of interdependencies. [7] The view of a cultural district as a complex adaptive system suggests new ideas and approaches for policy-makers, designers and managers. It also opens up debate on issues of organizational design and change.
All cultural districts are unique, reflecting their cities’ unique environment, including history of land use, urban growth and cultural development. There is no standard model. Most cultural districts are built to take advantage of other city attractions such as historic features, convention spaces and parks and other natural amenities.
Structural considerations within or near the district, community leadership and social forces all influence the development of a cultural district and the type of district that results. Factors influencing the siting of cultural districts include: perceived need for urban revitalization, existing investment, property value and preexisting cultural facilities.
Unlike a cultural center or a shopping mall, a cultural district comprises a large number of property owners, both public and private, who control the various properties involved, hence a structural complexity. The effectiveness of the coordinating agency in guiding the direction of the cultural district varies according to its size, budget, mandated functions and degree of authority, resulting in widespread variation in the coordinated cultural programming and administration services offered by cultural districts. The coordinated agency appointed for the district must work carefully to ensure inclusiveness of concerns and to balance potentially conflicting interests.
Cultural districts offer two major types of services: one targets the arts community, providing marketing /promotion, box office services and property management; the other targets the district's business and property owners, offering urban design and development services or administrative support.
The excitement and attraction of a cultural district is a high mixture of interesting things to do, places to see, and places to visit (both cultural and noncultural), across the day and evening.
Some artist-activists are promoting the concept of a "Naturally Occurring Cultural District," or NOCD, patterned after the demographic concept of a naturally occurring retirement community. A NOCD "supports existing neighborhood cultural assets rather than imposing arts institutions somewhere new," according to Tamara Greenfield, co-director of NOCD-New York. Co-director Caron Atlas explained: "If a cultural district has emerged 'naturally,' then it grows from, builds on and validates existing community assets rather than importing assets from outside a community." [10] Indeed, different conceptions of cultural districts include self-organization and emergence in different degrees (e.g. Lazzeretti, 2003; Le Blanc, 2010; Sacco et al., 2013; Stern & Seifert, 2007). Many authors argue that districtualization is essentially spontaneous and that the conditions for formation can be recognized and sustained, not created from the top. [11] [12] If the conception of a cultural district as a complex adaptive system were accepted, the design process would be conceived as something more flexible, dynamic and in evolution. Complexity theory and complex adaptive systems should move understanding of supra-urban cultural districts towards a more holistic and bottom-up approach [11] [13] rather than a linear top-down approach to analysis and design. This does not suggest inhibiting any attempt at prediction or planning. The use of qualitative analysis and rough estimations or agent-based modelling can represent a fertile ground for both future research, policy-making and managerial implications. [5]
Notable arts districts in the United States (alphabetical by city):
Art districts in London include:
A neighbourhood or neighborhood is a geographically localized community within a larger city, town, suburb or rural area, sometimes consisting of a single street and the buildings lining it. Neighbourhoods are often social communities with considerable face-to-face interaction among members. Researchers have not agreed on an exact definition, but the following may serve as a starting point: "Neighbourhood is generally defined spatially as a specific geographic area and functionally as a set of social networks. Neighbourhoods, then, are the spatial units in which face-to-face social interactions occur—the personal settings and situations where residents seek to realise common values, socialise youth, and maintain effective social control."
Public art is art in any media whose form, function and meaning are created for the general public through a public process. It is a specific art genre with its own professional and critical discourse. Public art is visually and physically accessible to the public; it is installed in public space in both outdoor and indoor settings. Public art seeks to embody public or universal concepts rather than commercial, partisan, or personal concepts or interests. Notably, public art is also the direct or indirect product of a public process of creation, procurement, and/or maintenance.
A city centre is the commercial, cultural and often the historical, political, and geographic heart of a city. The term "city centre" is primarily used in British English, and closely equivalent terms that exist in other languages, such as "centre-ville" in French, Stadtzentrum in German, or shìzhōngxīn (市中心) in Chinese. In the United States, the term "downtown" is generally used, though a few cities, like Philadelphia, use the term "Center City" or "City Center".
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material, towards a deeper relationship to systems, processes and phenomena in relationship to social concerns. Integrated social and ecological approaches developed as an ethical, restorative stance emerged in the 1990s. Over the past ten years environmental art has become a focal point of exhibitions around the world as the social and cultural aspects of climate change come to the forefront.
Community art, also known as social art, community-engaged art, community-based art, and, rarely, dialogical art, is the practice of art based in—and generated in—a community setting. It is closely related to social practice and social turn. Works in this form can be of any media and are characterized by interaction or dialogue with the community. Professional artists may collaborate with communities which may not normally engage in the arts. The term was defined in the late 1960s as the practice grew in the United States, Canada, the Netherlands, the United Kingdom, Ireland, and Australia. In Scandinavia, the term "community art" more often refers to contemporary art projects.
Mixed use is a type of urban development, urban design, urban planning and/or a zoning classification that blends multiple uses, such as residential, commercial, cultural, institutional, or entertainment, into one space, where those functions are to some degree physically and functionally integrated, and that provides pedestrian connections. Mixed-use development may be applied to a single building, a block or neighborhood, or in zoning policy across an entire city or other administrative unit. These projects may be completed by a private developer, (quasi-)governmental agency, or a combination thereof. A mixed-use development may be a new construction, reuse of an existing building or brownfield site, or a combination.
Placemaking is a multi-faceted approach to the planning, design and management of public spaces. Placemaking capitalizes on a local community's assets, inspiration, and potential, with the intention of creating public spaces that improve urban vitality and promote people's health, happiness, and well-being. It is political due to the nature of place identity. Placemaking is both a process and a philosophy that makes use of urban design principles. It can be either official and government led, or community driven grassroots tactical urbanism, such as extending sidewalks with chalk, paint, and planters, or open streets events such as Bogotá, Colombia's Ciclovía. Good placemaking makes use of underutilized space to enhance the urban experience at the pedestrian scale to build habits of locals.
The Pittsburgh Cultural Trust (PCT) is an American, nonprofit, arts organization that was formed in 1984 to promote economic and cultural development in Downtown Pittsburgh, Pennsylvania. The "Trust" has focused its work on a fourteen-square block section known as the Cultural District, which encompasses numerous entertainment and cultural venues, restaurants, and residential buildings.
The City of Oklahoma City uses Special Zoning Districts as a tool to maintain the character of many neighborhood communities.
A contemporary art gallery is normally a commercial art gallery operated by an art dealer which specializes in displaying for sale contemporary art, usually new works of art by living artists. This approach has been called the "Castelli Method" after Leo Castelli, whose success was attributed to his active involvement in discovering and promoting emerging artists beginning in the late 1950s with Jasper Johns and Robert Rauschenberg.
AS220 is a non-profit community arts center located in Downtown, Providence, Rhode Island, United States. AS220 maintains four dozen artist live/work studios, around a dozen individual work studios, six rotating exhibition spaces, a main stage, a black box theater, a dance studio, a print shop, a community darkroom, a digital media lab, a fabrication lab, an organization-run bar and restaurant, a youth recording studio, and a youth program. AS220 is an unjuried and uncensored forum for the arts, open to all ages.
Minneapolis is the largest city in the US state of Minnesota, and the county seat of Hennepin County.
Discovery Green is an 11.78-acre (47,700 m2) public urban park in Downtown Houston, Texas, bounded by La Branch Street to the west, McKinney Street to the north, Avenida de las Americas to the east, and Lamar Street to the south. The park is adjacent to the George R. Brown Convention Center and Avenida Houston entertainment district. Discovery Green features a lake, bandstands and venues for public performances, two dog runs, a playground, and multiple recreational lawns.
The culture of San Antonio reflects the history and culture of one of the state's oldest and largest cities straddling the regional and cultural divide between South and Central Texas. Historically, San Antonio culture comes from a blend of Central Texas and South Texas (Southwestern) culture. Founded as a Spanish outpost and the first civil settlement in Texas, San Antonio is heavily influenced by Mexican American culture due to Texas formerly being part of Mexico and, previously, the Spanish Empire. The city also has significant German, Anglo, and African American cultural influences. San Antonio offers a host of cultural institutions, events, restaurants and nightlife in South Texas for both residents and visitors alike.
Downtown Tulsa is an area of approximately 1.4 square miles (3.6 km2) surrounded by an inner-dispersal loop created by Interstate 244, US 64 and US 75. The area serves as Tulsa's financial and business district; it is the focus of a large initiative to draw tourism, which includes plans to capitalize on the area's historic architecture. Much of Tulsa's convention space is located in downtown, such as the Tulsa Performing Arts Center and the Tulsa Convention Center, as well as the BOK Center. Prominent downtown sub-districts include the Blue Dome District, the Tulsa Arts District, and the Greenwood Historical District, which includes the site of ONEOK Field, a baseball stadium for the Tulsa Drillers opened in 2010.
The culture of Augusta, Georgia is influenced by the many different perspectives and histories of its community members, as well as its own history. The large military population of the area as well as the city's rural surroundings have affected the types of festivals and culture produced within the city. Another major influence on the culture of the city is the annual Masters golf tournament held in April of each year. The most prolific cultural medium produced by the city is its musicians, as evidenced by James Brown, Jessye Norman, and Wycliffe Gordon. Though notably, the writer Frank Yerby and visual artist Jasper Johns were Augusta natives as well.
Fourth Arts Block (FAB) is the leadership organization for the East Village, Manhattan cultural district in New York City, United States, building a permanent home for the arts and preserving the neighborhood's creative character. FAB advocates for the District, directs marketing and outreach efforts, leads projects that contribute to sustainable development, and supports the development and capacity of its members.
Matadero Madrid is the site of a former slaughterhouse, the El Matadero y Mercado Municipal de Ganados in the Arganzuela district of Madrid. Today, it is a contemporary arts centre.
Main Street is a metonym used to denote a primary retail street of a village, town or small city in many parts of the world. It is usually a focal point for shops and retailers in the central business district, and is most often used in reference to retailing, socializing, and the place to go to find "common" concerns.
The Discovery District is a special improvement district in downtown Columbus, Ohio, the home of Columbus State Community College, Columbus College of Art and Design, Columbus Museum of Art, and Columbus Metropolitan Library. It is considered a cultural district because of its close proximity to higher educational campuses and art destinations. It was named to imply that the area is full of possibility due to the number of learning and creative campuses in this small area. "Culture, art, and academia converge and present the Discovery District." While not typically viewed as the most prominent Columbus neighborhood, the density of academic and arts-based institutions in this area are what make this creative campus unique.