Audioboxer | ||||
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EP by | ||||
Released | October 2, 2001 | |||
Genre | Pop punk | |||
Length | 24:57 | |||
Label | Drive-Thru | |||
Producer | Jim Wirt | |||
Something Corporate chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Audioboxer is the debut EP by American rock band Something Corporate, released on October 2, 2001 by Drive-Thru Records. "Punk Rock Princess" was released as a single the following day. [2]
All lyrics written by Andrew McMahon, except "(Hurricane) The Formal Weather Pattern", written by Josh Partington, all music composed by Something Corporate.
No. | Title | Length |
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1. | "(Hurricane) The Formal Weather Pattern" | 3:52 |
2. | "iF yoU C Jordan" | 4:16 |
3. | "Punk Rock Princess" | 3:49 |
4. | "Bad Days" | 3:38 |
5. | "Little" | 4:52 |
6. | "Walking By" | 4:30 |
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Sticks and Stones is the third studio album by American rock band New Found Glory.
Zen Arcade is the second studio album by American punk rock band Hüsker Dü, released in July 1984 on SST Records. Originally released as a double album on two vinyl LPs, Zen Arcade tells the story of a young boy who runs away from an unfulfilling home life, only to find the world outside is even worse. Zen Arcade and subsequent Hüsker Dü albums were instrumental in the creation of the alternative rock genre, and it is considered by some to be one of the greatest rock albums of all time.
Something Corporate was an American rock band from Orange County, California, formed in 1998. Their last line-up included vocalist and pianist Andrew McMahon, guitarists Josh Partington and Bobby Anderson, bassist Kevin Page and drummer Brian Ireland.
North is the third and final studio album by American rock band Something Corporate. Near the beginning of the writing process for the album, vocalist and pianist Andrew McMahon and guitarist Josh Partington wanted it to "sound like a winter album", in contrast to their second album Leaving Through the Window (2002) which they viewed as a "summer album". After losing focus through constant touring, the group decided to record an album in Seattle, Washington. Recording took place at Robert Lang Studios in Seattle with producer Jim Wirt in May 2003. After relocating to Los Angeles, California, further tracking was done at 4th Street Recording in Santa Monica.
Leaving Through the Window is the second studio album and major-label debut by American rock band Something Corporate. Following the success of the Drive-Thru Records-released Audioboxer (2001) EP, the band signed to their label distributor MCA Records in late 2001 after the EP caught their attention. The three-month recording process for Leaving Through the Window took place in studios across California and Florida, with Jim Wirt acting as producer. A few songs from previous releases were re-recorded for inclusion on the album; the material was anywhere from three months to three years old. A music video was made for "If You C Jordan" in early 2002; the group then embarked on a three-month long US tour.
Drive-Thru Records was a California-based independent record label owned by siblings Richard and Stefanie Reines. The label was partially responsible for popularizing the pop-punk/emo merger sound of the early to mid-2000s. After facing financial obstacles in getting their bands' music into stores, Drive-Thru entered into a distribution deal with MCA/Universal. In 2003 MCA was dissolved and folded into Geffen Records. One of the clauses of that agreement was MCA/Geffen being able to sign any band of their choosing from Drive-Thru's roster.
Catalyst is the fourth studio album by American rock band New Found Glory, released on May 18, 2004 through Drive-Thru and Geffen Records. It was the band's last album to be produced by Neal Avron until 2011's Radiosurgery.
Static Prevails is the second studio album by American rock band Jimmy Eat World, released on July 23, 1996, through Capitol Records. Following the release of the band's self-titled debut album (1994), they signed to Capitol in mid-1995 for further releases. Carrier member Rick Burch replaced bassist Mitch Porter, who left to become a Mormon missionary. Recorded at Sound City in Los Angeles, California, and at Big Fish, in Encinitas, California, Wes Kidd, Mark Trombino, and Jimmy Eat World acted as producers for the album.
From the Depths of Dreams is the debut EP by American rock band Senses Fail. It was recorded at Nada Engineering Studio in New Windsor, New York, with John Naclerio and the band acting as producers. Naclerio served as engineer and mixed the EP, before it was mastered by Steven Marcussen at Marcussen Mastering in Hollywood, California. Only 300 copies were originally released by ECA Records on August 16, 2002, and so it was released with new artwork and two bonus tracks on April 29, 2003 on Drive-Thru Records.
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Say It Like You Mean It is the debut studio album by American rock band the Starting Line, following their debut EP With Hopes of Starting Over.... It was released on July 16, 2002.
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Everything in Transit is the debut studio album by American rock band Jack's Mannequin. Amid rising tensions within Something Corporate, the band went on a break; returning to his home in Orange County, California, frontman Andrew McMahon began working on a new project with producer Jim Wirt. Tracking commenced at 4th Street Studios in California, with additional recording done at other studios. Towards the end of the sessions, McMahon signed with major label Maverick Records; tracking was presumed finished in late 2004. McMahon began playing shows with Jack's Mannequin in early 2005; the group embarked on six-week tour, which coincided with the single release of "Holiday from Real".
"Fat Lip" is a song by Canadian rock band Sum 41. It is the fourth track on their debut album, All Killer No Filler (2001), and was released as the lead single in April 2001. It is the band's most successful single to date, topping the Billboard Modern Rock Tracks chart. It peaked at number 66 on the Billboard Hot 100 chart and at number eight on the UK Singles Chart.
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"Garageland" is a song by English punk rock band The Clash featured as the final track for their 1977 debut album The Clash.
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