Austin High School Gang | |
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Origin | Chicago, Illinois |
Genres | |
Years active | 1920–30 |
Past members |
The Austin High School Gang was the name given to a group of young, white musicians from the West Side of Chicago, who all attended Austin High School during the early 1920s. They rose to prominence as pioneers of the Chicago Style in the 1920s, which was modeled on a hurried version of New Orleans Jazz. [1]
In 1922, five kids from Austin High School in Chicago, Illinois formed a little band which consisted of Jim Lanigan on piano, Jimmy McPartland on cornet, his older brother Dick McPartland on banjo and guitar, Frank Teschemacher on alto saxophone, and Bud Freeman on C-melody tenor saxophone. Bud was the greenhorn of the group and the only one who did not also play the violin. At the time, their ages ranged from Jimmy McPartland, who was fourteen, to Jim Lanigan and Dick McPartland, seventeen. Teschemacher was sixteen and Freeman was slightly younger. They were so keen on music that they practiced in school and in their homes. [2]
Coming from comfortable middle-class homes they could, at the outset, pursue their common musical ambitions as a hobby, a circumstance that allowed them much more freedom of choice. Their initial inspiration was a local ensemble called the Al Johnson Orchestra, which gave them the motivation they needed to improve rapidly. Soon, they were playing at the afternoon high school dances, which were then becoming popular in Chicago. The band continued to play – at high school fraternity dances and any other opportunity that presented itself. [2]
Jazz was a relatively novel style of music in the early 1920s, and it took root largely in New Orleans and New York. However, the spread of culture at the day was hampered by limited technology, so the Austin High School Gang grew up in an environment where jazz music was not yet thriving.
The boys, like many other students from their high school, frequented an ice cream parlor across the street known as “The SPOON and the Straw.” Usually, one of them would feed a nickel to the automatic phonograph. One day, they discovered a record by the New Orleans Rhythm Kings, and were so enthralled by the sound of such authentic jazz that they played the record over and over. [3] Then and there, they named their band "The Blue Friars," after The Friar's Inn on the Chicago Loop where the Rhythm Kings played. [4]
The Austin High Gang came definitely and immediately under the influence of the Rhythm Kings, and tried to emulate the same steady, compelling rhythm, contrapuntal improvisations, tone color, a similar economy of notes and ease of melodic interpretation. Their pre-professional training was almost complete when they heard Gennett records made by Bix Beiderbecke and the Wolverines, and they drew further inspiration from their style of New Orleans music. Having heard records, they went out to hear the bands themselves and discovered King Oliver’s Creole Jazz Band, rounding off their identity with New Orleans jazz. [3]
Sometimes the Austin High Gang played at Lewis Institute, which Dave Tough attended, and he added his drums to the little band. Later, Jim Lanigan picked up the bass through Chink Martin’s playing and soon became the band’s bassist; Teschemacher also began practicing the clarinet, his style showing traces of the glissandi from violin playing. Dave found Floyd O'Brien playing trombone at a University of Chicago jam session. Then, recruiting him and pianist Dave North, they named themselves Husk O’Hare’s Wolverines and were ready to play professionally. They got a job at White City, a large dance hall of Chicago’s south side amusement park, where they played until their disbandment at the end of the White City engagement. [3]
In 1927, Eddie Condon recorded the Austin High Gang as the "Mackenzie-Condon Chicagoans". These recordings catapulted the young musicians into the spotlight and they all subsequently developed acclaimed careers in New York, playing and recording with established musicians like Jack Teagarden, Pee Wee Russell, Benny Goodman and Tommy Dorsey. Of the original Austin High Gang, Jimmy McPartland and Bud Freeman sustained the longest careers in jazz. [4]
"Bud Freeman – Chicago / Austin High School Jazz In Hi-Fi" [5]
Albert Edwin Condon was an American jazz banjoist, guitarist, and bandleader. A leading figure in Chicago jazz, he also played piano and sang.
Frank Teschemacher was an American jazz clarinetist and alto-saxophonist, associated with the "Austin High" gang.
Ben Pollack was an American drummer and bandleader from the mid-1920s through the swing era. His eye for talent led him to employ musicians such as Benny Goodman, Jack Teagarden, Glenn Miller, Jimmy McPartland, and Harry James. This ability earned him the nickname the "Father of Swing".
Lawrence "Bud" Freeman was an American jazz musician, bandleader, and composer, known mainly for playing tenor saxophone, but also the clarinet.
Robert Sage Wilber was an American jazz clarinetist, saxophonist, and band leader. Although his scope covers a wide range of jazz, Wilber was a dedicated advocate of classic styles, working throughout his career to present traditional jazz pieces in a contemporary manner. He played with many distinguished jazz leaders in the 1950s and 1960s, including Bobby Hackett, Benny Goodman, Sidney Bechet, Jack Teagarden and Eddie Condon. In the late 1960s, he was an original member of the World's Greatest Jazz Band, and in the early 70s of Soprano Summit, a band which gained wide attention. In the late 1970s, he formed the Bechet Legacy Band.
Michael Andrew "Peanuts" Hucko was an American big band musician. His primary instrument was the clarinet, but he sometimes played saxophone.
Friar's Inn was a nightclub and speakeasy in Chicago, Illinois, a famed jazz music venue in the 1920s.
James Dugald "Jimmy" McPartland was an American cornetist. He worked with Eddie Condon, Art Hodes, Gene Krupa, Benny Goodman, Jack Teagarden, and Tommy Dorsey, often leading his own bands. He was married to pianist Marian McPartland.
Dave Tough was an American jazz drummer associated with Dixieland and swing jazz in the 1930s and 1940s.
Michael Joseph O'Sullivan was an American jazz pianist.
Dick McPartland was a jazz guitarist during the 1920s and the older brother of Jimmy McPartland. He was part of the Austin High School Gang of musicians in Chicago.
Elmer "Mousey" Alexander was an American jazz drummer.
Leonard Gaskin was an American jazz bassist born in New York City.
Jim Lanigan was an American jazz bassist and tubist.
Charles Coleridge "Red" Richards was an American jazz pianist.
McKenzie and Condon's Chicagoans was an American jazz band from Chicago, led by banjo player Eddie Condon and sponsored by singer and comb player Red McKenzie. Their four recordings in December 1927 were important influences on early Chicago style jazz.
Austin College and Career Academy High School is a public four-year high school located in the Austin neighborhood in Chicago, Illinois, United States. Operated by the Chicago Public Schools, Austin opened in 1876 and was named in honor of Henry W. Austin, a Chicago real estate developer. Austin shared its campus with two smaller schools; Austin Business & Entrepreneurship Academy High and V.O.I.S.E. Academy High School. After the 2015–2016 school year, the small schools converted into one school and was renamed Austin College and Career Academy High School.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
This is a timeline documenting events of Jazz in the year 1922.
The Chicago Rhythm Kings was the name under which the recordings of several different jazz ensembles were issued. The earliest of these was a jazz octet consisting of vocalist Red McKenzie, cornetist Muggsy Spanier, saxophonist Frank Teschemacher, guitarist Eddie Condon, clarinetist Mezz Mezzrow, pianist Joe Sullivan, drummer Gene Krupa, and bassist and tubist Jim Lanigan. This group, who also recorded under the name the Jungle Kings, released a 1928 record for Brunswick Records as the Chicago Rhythm Kings performing Benton Overstreet's "There'll Be Some Changes Made" and Jack Palmer and Spencer Williams's "I Found a New Baby".