Company type | Film distribution and film production company |
---|---|
Founded | 1913 |
Defunct | Merged in Greater Union |
Key people | Directors William Gibson, Cosens Spencer, Stuart F. Doyle |
Australasian Films, full name Union Theatres and Australasian Films, was an Australian film distribution and production company formed in 1913 that was wound up in the 1930s to merge into Greater Union. The Union Theatres and Australasian Films dominated cinema in Australia in the 1910s and 1920s. [1]
In 1912, West's Pictures merged into Amalgamated Pictures, and then Amalgamated Pictures merged with Spencer's Pictures Ltd to create the General Film Company of Australasia. The following year this company combined with the Greater J. D. Williams Amusement Co, a large exhibition and film supply outfit, to create Union Theatres and Australasian Films. [2] The company had a capital of £300,000; its first directors included William Gibson and Cosens Spencer. [3] [4]
Spencer encouraged Australasian to enter feature production with the 1914 silent film The Shepherd of the Southern Cross but the film was not a success at the box office and Spencer was forced out of the company. [5] Thereafter Australasian only produced movies sporadically until the mid-1920s when the company came under the stewardship of Stuart F. Doyle. In 1925 they purchased the Centennial Roller Skating Rink site at 65 Ebley St, Bondi Junction and converted it into a £60,000 film studio. [6] They used it as a skating rink during the night and a studio during the day. [7]
Starting with Painted Daughters in 1925, Australasian produced a number of features, including works from director Raymond Longford. They made five in 12 months, none of which made much impact internationally, so they decided to embark on two major productions, For the Term of His Natural Life (1927) and The Adorable Outcast (1928), both of which featured American stars and director, Norman Dawn [8] Together these movies lost an estimated £30,000. [9] The company soon withdrew from production but in June 1932 it re-emerged as Cinesound Productions.
In 1928, Greater Union is selling off certain assets of Australasian Films to a First National Pictures executive John C. Jones, who formed the new company to Greater Australasian Films. [10] The company entered a contract with major American firm Columbia Pictures later on, [11] and absorbed British Dominions Films. [12] In 1935, Greater Australasian Films was sold off to Columbia Pictures, effectively folding the company. [13]
Kenneth George Hall was an Australian film producer and director, considered one of the most important figures in the history of the Australian film industry. He was the first Australian to win an Academy Award.
Greater Union Organisation Pty Ltd, trading as Event Cinemas, Greater Union, GU Film House, Moonlight Cinema and Birch Carroll & Coyle, is the largest movie exhibitor in Australia and New Zealand, with over 140 cinema complexes currently operating worldwide.
Cinesound Productions Pty Ltd was an Australian feature film production company. Established in June 1931, Cinesound developed out of a group of companies centred on Greater Union Theatres that covered all facets of the film process, from production to distribution and exhibition. Cinesound Productions established a film studio as a subsidiary of Greater Union Theatres Pty Ltd based on the Hollywood model. The first production was On Our Selection (1932), which was an enormous financial success.
Louise Lovely was an Australian film actress of Swiss-Italian descent. She is credited by film historians as being the first Australian actress to have a successful career in Hollywood, signing a contract with Universal Pictures in the United States in 1914. Lovely appeared in 50 American films and ten Australian films before retiring from acting in 1925.
Edith Roberts was an American silent film actress from New York City.
For the Term of His Natural Life is a 1927 Australian film based on the 1874 novel by Marcus Clarke, directed, produced and co-written by Norman Dawn. It was the most expensive Australian silent film ever made and remains one of the most famous Australian films of the silent era.
Raymond Longford was a prolific Australian film director, writer, producer, and actor during the silent era. Longford was a major director of the silent film era of the Australian cinema. He formed a production team with Lottie Lyell. His contributions to Australian cinema with his ongoing collaborations with Lyell, including The Sentimental Bloke (1919) and The Blue Mountains Mystery (1921), prompted the Australian Film Institute's AFI Raymond Longford Award, inaugurated in 1968, to be named in his honour.
Arthur Embery Higgins was a pioneering Australian cinematographer known for his use of trick photography during the silent era. His ongoing collaborations with director Raymond Longford include The Sentimental Bloke (1919) and The Blue Mountains Mystery (1921). He briefly turned to directing with Odds On (1928) however returned to cinematography in 1931 for the remainder of his career.
The Pioneers is a 1926 Australian silent film directed by Raymond Longford. The script had been written by Lottie Lyell but she had died by the time filming started. It was considered a lost film but some surviving footage from it has recently emerged.
Sunrise is a 1926 Australian silent film co-directed by Raymond Longford, who took over during filming.
The Adorable Outcast is a 1928 Australian silent film directed by Norman Dawn about an adventurer who romances an island girl. The script was based on Beatrice Grimshaw's novel Conn of the Coral Seas. It was one of the most expensive films made in Australia until that time, and was Dawn's follow up to For the Term of His Natural Life (1927). It did not perform as well at the box office and helped cause Australasian Films to abandon feature film production.
Those Who Love is a 1926 silent film, produced in Australia, about the son of a knight who falls in love with a dancer. Only part of the film survives today and it is held by the National Film and Sound Archive.
Tall Timber is a 1926 Australian silent film about a rich man who flees the city and works in a timber mill. It is considered a lost film.
Spencer Cosens better known as Cosens Spencer or Charles Cozens Spencer, was a British-born Canadian film exhibitor and producer, a significant figure in the early years of the Australian film industry. His company Spencer's Pictures was an early backer of Raymond Longford before it was absorbed into the conglomerate which became known as "The Combine".
The Life of Rufus Dawes is a 1911 Australian silent film based on Alfred Dampier's stage adaptation of the 1874 novel For the Term of His Natural Life produced by Cosens Spencer.
Lacey Percival was an Australian cinematographer who worked on many early Australian silent films. He worked for the Australian Photo-Play Company then joined West's Pictures. When that company merged with Australasian Films he ran their weekly newsreel, Australasian Gazette until 1925.
Amalgamated Pictures Ltd was a film exchange company in Australia.
Rushcutters Bay Studio was an Australian film studio built by Cosens Spencer in 1912 at Rushcutters Bay, Sydney.
The Combine was the name given to the association between exhibitor Union Theatres and the production and distribution company Australasian Films on 6 January 1913. The Combine had a powerful influence on the Australian film industry of the 1910s and 1920s and was frequently the subject of criticism for hampering Australian production, including by filmmakers such as Raymond Longford.
EVT Limited is an Australian company which operates cinemas, hotels, restaurants and resorts in Australia, New Zealand and Germany.