A happening is a performance, event, or situation art, usually as performance art. The term was first used by Allan Kaprow during the 1950s to describe a range of art-related events.
Michael Landy is one of the Young British Artists (YBAs). He is best known for the performance piece installation Break Down (2001), in which he destroyed all his possessions, and for the Art Bin project (2010) at the South London Gallery. On 29 May 2008, Landy was elected a member of the Royal Academy of Arts in London.
Gustav Metzger was a German artist and political activist who developed the concept of Auto-Destructive Art and the Art Strike. Together with John Sharkey, he initiated the Destruction in Art Symposium in 1966.
Survival Research Laboratories (SRL) is an American performance art group that pioneered the genre of large-scale machine performance. Founded in 1978 by Mark Pauline in San Francisco, the group is known in particular for their performances where custom-built machines, often robotic, compete to destroy each other. The performances, described by one critic as "noisy, violent and destructive", are noted for the visual and aural cacophony created by the often dangerous interactions of the machinery. SRL's work is also related to process art and generative art.
Alfred Earl "Al" Hansen was an American artist. He was a member of Fluxus, a movement that originated on an artists' collective around George Maciunas.
Kristine Stiles is the France Family Distinguished Professor of Art, Art History and Visual Studies at Duke University. She is an art historian, curator, and artist specializing in global contemporary art and trauma. Her most recent book is Concerning Consequences: Studies in Art, Destruction, and Trauma, University of Chicago Press, 2016. She is best known for her scholarship on artists’ writings, performance art, feminism, destruction and violence in art, and trauma in art. Stiles joined the faculty of Duke in 1988, and she has taught at the University of Bucharest and Venice International University. She received the Richard K. Lublin Distinguished Award for Undergraduate Teaching Excellence in 1994, and the Dean's Award for Excellence in Graduate Mentoring in 2011, both at Duke University. Among other fellowships and awards include a J. William Fulbright Fellowship in 1995, a Solomon R. Guggenheim Fellowship in 2000, and an Honorary Doctorate from Dartington College of Arts in Totnes, Devon, England in 2005.
Art destruction is the decay or material destruction of original works of art. This can happen willfully, accidentally, or through natural processes.
John Aubrey Clarendon Latham, was a Northern Rhodesian-born British conceptual artist.
Günter Brus was an Austrian painter, performance artist, graphic artist, experimental filmmaker, and writer.
Lee Scrivner is an American writer and cultural theorist known for his book Becoming Insomniac (2014) and for his satirical avant-garde art manifestos. He writes on the literature, history, and culture of the Victorian and Modernist periods, as well as on contemporary issues.
Art intervention is an interaction with a previously existing artwork, audience, venue/space or situation. It is in the category of conceptual art and is commonly a form of performance art. It is associated with Letterist International, Situationist International, Viennese Actionists, the Dada movement and Neo-Dadaists. More latterly, intervention art has delivered Guerrilla art, street art plus the Stuckists have made extensive use of it to affect perceptions of artworks they oppose and as a protest against existing interventions.
The destruction of musical instruments is an act performed by a few pop, rock and other musicians during live performances, particularly at the end of the gig.
The Destruction in Art Symposium was a gathering of a diverse group of international artists, poets, and scientists to London from 9–12 September, 1966. Included in this number were representatives of Fluxus and other counter-cultural artistic undergrounds who were there to speak out on the theme of destruction in art.
Jean Tinguely was a Swiss sculptor best known for his kinetic art sculptural machines that extended the Dada tradition into the later part of the 20th century. Tinguely's art satirized automation and the technological overproduction of material goods.
Raphael Montañez Ortiz is an American artist, educator, and founder of El Museo del Barrio, in East Harlem, New York City.
Peter Liversidge is a British contemporary artist notable for his diverse artistic practice and use of proposals.
Rhodri Davies is a harp player working within the field of free improvisation. He was one of the most prominent members of the London reductionist school of improvised music that was active in the late 1990s and early 2000s and which has been described as being "extremely influential over the last decade".
Millie Brown is an English performance artist known for her work involving vomiting. She rose to prominence after a series of collaborations with musician Lady Gaga. She is also a founding member of the !WOWOW! Collective of London, England. She began her career at age 17 on a Berlin stage where she vomited onto a canvas after drinking glasses of dyed milk, a performance that lasted for two hours. In an interview with The Guardian, she states, “I wanted to use my body to create art. I wanted to come from within, to create something beautiful that was raw and uncontrollable.”
Arcangelo Sassolino is an Italian artist known for his sculptures that uses technology.
Homage to New York was a 1960 kinetic artwork and performance by Jean Tinguely.
