Infernal Love is the third major label album by the rock band Therapy? It was released on 12 June 1995 on A&M Records. The album was recorded at Real World Studios in Box, Wiltshire from January to March 1995.
Sarah Louise Whatmore is an English singer-songwriter, best known for appearing in the first series of the British TV series Pop Idol. Whatmore later went on to launch her own solo career.
"Chain Reaction" is a song by American singer Diana Ross, released on November 12, 1985, as the second single from her sixteenth studio album, Eaten Alive (1985). The song was written by the Bee Gees and contains additional vocals from Barry Gibb. Sonically, "Chain Reaction" is an R&B and dance-pop song. According to the Gibbs' biography, the brothers had initial reservations about offering the song to Ross in case it was too Motown-like for her. The single became Ross's second No. 1 hit in the UK Singles Chart. It also hit No. 1 in Australia, Ireland, and Zimbabwe. In New Zealand, it peaked at No. 3 and it made the top 5 in South Africa. In 1993, the song broke the UK top 20 again when it was re-released to commemorate her 30th anniversary in show business. The song fared poorly in the US, where it initially peaked at a disappointing No. 95 on the Billboard Hot 100 late in 1985. A few months later, a remixed version of the song was issued as a single. The new version re-entered the chart and performed better, but with diminished momentum, it stalled at No. 66 on the Billboard Hot 100 and No. 77 on the Cash Box Top 100.
"Silence" is a song by Canadian electronic music group Delerium featuring Canadian singer and co-writer Sarah McLachlan, first released in 1999. Over the years, it has been hailed as one of the greatest trance songs of all time, over a decade after its initial release. The Tiësto remix of the song was voted by Mixmag readers as the 12th greatest dance record of all time.
"Sound of the Underground" is the debut single of British-Irish pop group Girls Aloud, later featured on their debut album of the same name. The song was written by Miranda Cooper, Brian Higgins, and Niara Scarlett, and produced by Higgins and his production team Xenomania. Following Girls Aloud's formation on the ITV1 reality television show Popstars: The Rivals, "Sound of the Underground" was released 16 days later, on 16 December 2002. Commercially, the song was an immediate success. It became the year's Christmas number one in the UK, spending four consecutive weeks atop of the charts in total. The song also reached number one in Ireland and peaked within the top forty in Australia, Belgium, the Netherlands, Sweden and Switzerland.
"No Good Advice" is a song by British-Irish girl group Girls Aloud, taken from their debut album, Sound of the Underground (2003). The song was written by Aqua's Lene Nystrøm Rasted, Miranda Cooper, Brian Higgins and his production team Xenomania, and produced by Higgins and Xenomania. The song has themes of rebellion, reflecting Higgins' general mood of failure after a business partnership fell through.
"Life Got Cold" is a song by British girl group Girls Aloud, taken from their debut album Sound of the Underground (2003). The song was written by Miranda Cooper, Brian Higgins and his production team Xenomania, and produced by Higgins and Xenomania. Noel Gallagher of Oasis received a writing credit due to similarities with Oasis' "Wonderwall".
"Jump " is an electro-pop song by American vocal group the Pointer Sisters, released on April 11, 1984, as the third single from their tenth studio album Break Out (1983). The song hit the Top Ten in Billboard's Hot 100, R&B and dance charts, and it was the best-selling American dance single of 1984, sold as a trio of songs including "I Need You" and "Automatic". The song scored global chart success.
"Celebration" is a 1980 song by American band Kool & the Gang. Released as the first single from their twelfth album, Celebrate! (1980), it was the band's first and only single to reach No. 1 on the US Billboard Hot 100.
"A Little Respect" is a song written and recorded by the English synth-pop duo Erasure, released in September 1988. It was written by Vince Clarke and Andy Bell. The lyrics are a plea to a lover to show compassion and respect. The heavily synthesized instrumentation is accentuated by acoustic guitar and Bell's vocal falsetto in the chorus. It was their tenth single and was taken from their third studio album, The Innocents (1988). Known as one of their signature songs, the single reached number four on the UK Singles Chart and was Erasure's second consecutive top-20 hit on the US Billboard Hot 100, where it made number 14, and reached number two on the US Hot Dance Club Songs chart.
"The Long Goodbye" is a song written by Irish singer-songwriters Paul Brady and Ronan Keating for Brady's 2000 album Oh What a World. In October 2001, it was released by American country music duo Brooks & Dunn as the third single from their album Steers & Stripes. Ronan Keating released his version in April 2003 as the last single from his album Destination (2002).
"On the Radio" is a song by American singer-songwriter Donna Summer, produced by Italian musician Giorgio Moroder, and released in late 1979 on the Casablanca record label. It was written for the soundtrack to the film Foxes and included on Summer's first international compilation album On the Radio: Greatest Hits Volumes I & II.
"Relight My Fire" is a popular disco song written and released by American musician, singer, songwriter, and record producer Dan Hartman as the title track from his 1979 album of the same name. It was also performed by Costa Anadiotis' band Café Society in 1984 and British boy band Take That in 1993, five months before Hartman died.
"Home" is a song by Canadian singer Michael Bublé, and released on January 24, 2005, as the second single from his second studio album, It's Time. The song was written by Bublé, along with co-writers Alan Chang and Amy Foster-Gillies.
"Tonight" is a song by Irish boy band Westlife. It was released together with "Miss You Nights" as a double A-side single on 24 March 2003 in the UK. It was the second and final single from their first compilation album Unbreakable – The Greatest Hits Volume 1 (2002). In other countries, "Tonight" was released without "Miss You Nights" as separately with an emphasis more on the "Tonight" release.
"I'm Already There" is a song recorded by American country music band Lonestar, written by lead singer Richie McDonald along with Gary Baker and Frank J. Myers. It was released in March 2001 as the lead-off single to their fourth studio album of the same name. It spent six weeks at the top of the Billboard Hot Country Singles & Tracks chart. The song was the band's fifth consecutive Number One, and their seventh overall.
"Cannonball" is a song written and performed by Irish folk singer Damien Rice. It was released on February 1 2002, as the second single from his debut album O. It was later re-released in 2003, 2004 and 2011.
"When I Lost You" is the debut single of English singer-songwriter Sarah Whatmore, written and produced by Richard Stannard. The song was originally due to be included on her debut album; however, her record company decided to pull the album. The song was originally written for Kylie Minogue's album Fever (2001).
"Just Another Dream" is a song by English singer-songwriter Cathy Dennis, first released in the UK & continental Europe as her solo debut single in 1989. In 1990–1991 it was remixed and included on the album Move to This and re-released as a single, becoming a top 10 Hit in the U.S. and UK.
"Invisible" is a song by Irish boy band D-Side, released as the third single from their first studio album, Stronger Together (2003). The song was written and produced by Desmond Child, Andreas Carlsson, and Chris Braide. Released on 14 July 2003, the song became a top-10 hit in Ireland and the United Kingdom, peaking at number five in the former country and number seven in the latter. The same year, American Idol second two runner-up Clay Aiken covered the song and reached number 37 on the US Billboard Hot 100 with his rendition. The song has been frequently targeted by music critics for its unsettling lyrical content, with several calling the track a "stalkers' anthem".
