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Lanford Wilson was an American playwright. His work, as described by The New York Times, was "earthy, realist, greatly admired [and] widely performed." Wilson helped to advance the Off-Off-Broadway theater movement with his earliest plays, which were first produced at the Caffe Cino beginning in 1964. He was one of the first playwrights to move from Off-Off-Broadway to Off-Broadway, then Broadway and beyond.
The American Repertory Theater (A.R.T.) is a professional not-for-profit theater in Cambridge, Massachusetts. Founded in 1979 by Robert Brustein, the A.R.T. is known for its commitment to new American plays and music–theater explorations; to neglected works of the past; and to established classical texts reinterpreted in refreshing new ways. Over the past forty years it has garnered many of the nation's most distinguished awards, including a Pulitzer Prize (1982), a Tony Award (1986), and a Jujamcyn Award (1985). In 2002, the A.R.T. was the recipient of the National Theatre Conference's Outstanding Achievement Award, and it was named one of the top three theaters in the country by Time magazine in 2003. The A.R.T. is housed in the Loeb Drama Center at Harvard University, a building it shares with the Harvard-Radcliffe Dramatic Club. The A.R.T. operates the Institute for Advanced Theater Training.
Yiddish theatre consists of plays written and performed primarily by Jews in Yiddish, the language of the Central European Ashkenazi Jewish community. The range of Yiddish theatre is broad: operetta, musical comedy, and satiric or nostalgic revues; melodrama; naturalist drama; expressionist and modernist plays. At its height, its geographical scope was comparably broad: from the late 19th century until just before World War II, professional Yiddish theatre could be found throughout the heavily Jewish areas of Eastern and East Central Europe, but also in Berlin, London, Paris, Buenos Aires and New York City.
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Robert Sanford Brustein was an American theatrical critic, producer, playwright, writer, and educator. He founded the Yale Repertory Theatre while serving as dean of the Yale School of Drama in New Haven, Connecticut, as well as the American Repertory Theater and Institute for Advanced Theater Training at Harvard University in Cambridge, Massachusetts, where he was a creative consultant until his death, and was the theatre critic for The New Republic. He commented on politics for the HuffPost.
Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment kyōgen; kabuki, a dance and music theatrical tradition; bunraku, puppetry; and yose, a spoken drama.
Intiman Theatre is a resident theater company in Seattle, Washington, founded in 1972 by Margaret "Megs" Booker, who named it after Strindberg's Intimate Theater in Stockholm. Through its history, the professional theatre company has been based at various venues in Seattle; since 2021, it has been located as theatre-in-residence at Seattle Central College, performing in two venues on that campus.
The Shakespeare Theatre Company is a regional theatre company located in Washington, D.C. The theatre company focuses primarily on plays from the Shakespeare canon, but its seasons include works by other classic playwrights such as Euripides, Ibsen, Wilde, Shaw, Schiller, Coward and Tennessee Williams. The company manages and performs in two spaces: The Michael R. Klein Theatre and Sidney Harman Hall. In cooperation with George Washington University, they run the STC Academy.
Thousands of performances of William Shakespeare's plays have been staged since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage, Richard Cowley, and William Kempe.
Cyberformance refers to live theatrical performances in which remote participants are enabled to work together in real time through the medium of the internet, employing technologies such as chat applications or purpose-built, multiuser, real-time collaborative software. Cyberformance is also known as online performance, networked performance, telematic performance, and digital theatre; there is as yet no consensus on which term should be preferred, but cyberformance has the advantage of compactness. For example, it is commonly employed by users of the UpStage platform to designate a special type of Performance art activity taking place in a cyber-artistic environment.
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The Kyiv National Academic Molodyy Theatre is a theatre in Kyiv in Ukraine. It was founded in 1979 and first played on 26 April 1980, with a focus on progressive productions. It is also known simply as Molodyy Theatre, and addresses people "young in mind". It is a member of the European Theatre Convention, and became a national institution in 2019.
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The Armenian Theater dates to before Roman times and is one of the oldest Eurasian theatrical traditions. Alongside Greek and Roman theatres, it stands as one of the world's most ancient theatres. The ancient and beloved form of theatrical art is lyrical (profound) drama, which exerted its influence on the folklore of the Near East, Balkan, and Apennine peoples. Within this cultural context, Armenian folk and mystical drama, characterized by its dance elements, also took shape. Although the ancient theatre system hasn't been preserved, it has left its linguistic marks.
Birmingham Repertory Theatre, commonly called Birmingham Rep or just The Rep, is a producing theatre based on Centenary Square in Birmingham, England. Founded by Billie Lester, it is the longest-established of Britain's building-based theatre companies and one of its most consistently innovative.
Theater in Pittsburgh has existed professionally since the early 1800s and has continued to expand, having emerged as an important cultural force in the city over the past several decades.
A number of theatre companies are associated with the Harlem Renaissance.
The Avatar Orchestra Metaverse (AOM) is a large collaborative group of performers spread across three continents, who incorporate the use of online avatars alongside virtual instruments, to create a variety of audio-visual performances within Second Life.
The Plaintext Players were an online performance group founded by Antoinette LaFarge in 1994. Consisting mainly of artists and writers, they engaged in improvisational cyberformance on MOOs and later branched out into mixed reality performance, working with stage actors. Their performances form a "hybrid of theatre, fiction and poetry".
References
- ↑ "Ensemble". Avatar Repertory Theater. Retrieved 16 June 2021.
- ↑ A.R.T. About Us Page Archived November 29, 2011, at the Wayback Machine
- ↑ Theatre in virtual World - A Look at Avatar Reperatory Theater Archived October 28, 2012, at the Wayback Machine Breaking character
- ↑ "Avitar Repertory Theater". Archived from the original on 2015-12-23. Retrieved 2014-01-07.
- ↑ Productions Archived September 5, 2013, at the Wayback Machine