BMG Music v. Gonzalez | |
---|---|
Court | United States Court of Appeals for the Seventh Circuit |
Full case name | BMG Music, et al. v. Cecelia Gonzalez |
Decided | December 9, 2005 |
Citation(s) | 430 F.3d 888 |
Case history | |
Prior action(s) | 2005 WL 106592 (N.D. Ill. Jan. 7, 2005 ) (granting summary judgment for plaintiffs) |
Subsequent action(s) | cert. denied, ___ U.S. ___, 126 S. Ct. 2032, 164 L. Ed. 2d 782 (2006) |
Holding | |
A user of file-sharing software who downloads unauthorized copies of copyrighted songs cannot claim that they were merely "sampling" the works for possible future purchase, and that claim does not qualify for the fair use defense. | |
Court membership | |
Judge(s) sitting | Frank H. Easterbrook, Terence T. Evans, and Ann Claire Williams |
BMG Music v. Gonzalez, 430 F.3d 888 (7th Cir. 2005), was a court decision in which the United States Court of Appeals for the Seventh Circuit ruled that a record company could sue a person who engaged in online sharing of music files for copyright infringement. [1] The decision is noteworthy for rejecting the defendant's fair use defense, which had rested upon her contention that she was merely "sampling" songs with the intention of possibly purchasing the downloaded songs in the future, a practice known informally as "try before you buy".
Over a period of several weeks, defendant Cecelia Gonzalez downloaded an estimated 1,370 copyrighted songs onto her computer using the KaZaA peer-to-peer file sharing service, without authorization from the holders of the copyrights of the underlying compositions and sound recordings. Gonzalez owned compact discs containing some fraction of the songs that she downloaded. The parties disagreed on precisely how many of Gonzalez's downloads represented songs that she already owned on CD, but it was undisputed that she had never owned authorized copies of 30 of the songs that she downloaded. Gonzalez retained at least these 30 songs on her computer's hard drive even after deciding not to purchase them on CD. [1]
Four recording companies who owned the copyrights for the songs that Gonzalez downloaded filed a lawsuit accusing her of copyright infringement. The United States District Court for the Northern District of Illinois ruled in favor of the plaintiff record companies. The district court rejected Gonzalez's fair use defense against the infringement claim. The court awarded the companies $22,500 in statutory damages (representing the statutory minimum of $750 per song multiplied by the defendant's 30 infringing downloads), and issued a permanent injunction forbidding Gonzalez from downloading copyrighted recordings owned by the plaintiffs in the future. [2] Gonzalez appealed to the Seventh Circuit Court of Appeals.
The Seventh Circuit affirmed the district court's decision in its entirety. The circuit court first reasoned that the songs that Gonzalez had downloaded were infringing copies of the copyrighted originals, rejecting her analogy to the time shifting doctrine handed down in the Supreme Court's landmark Sony Corp. of America v. Universal City Studios, Inc. precedent. [3]
In its analysis of the fair use argument, the circuit court considered the four factors of that defense that may or may not have worked in Gonzalez's favor. The court found that her unauthorized downloading of copyright songs did not qualify for the fair use defense, stating: "Gonzalez was not engaged in a nonprofit use; she downloaded (and kept) whole copyrighted songs [...]; and she did this despite the fact that these works often are sold per song as well as per album.." [1]
Gonzalez argued that downloading songs for the purpose of "sampling" would have a positive effect on the market for those songs, spurring sales of the songs that she enjoyed enough to purchase legitimately. The circuit court declared that this argument was both factually unsupported and inconsistent with the Supreme Court's then-recent decision about file sharing in MGM Studios, Inc. v. Grokster, Ltd. [4] and related cases on modern Internet-enabled copyright infringement:
As she tells the tale, downloading on a try-before-you-buy basis is good advertising for copyright proprietors, expanding the value of their inventory. The Supreme Court thought otherwise in Grokster, with considerable empirical support. As file sharing has increased over the last four years, the sales of recorded music have dropped by approximately 30%. Perhaps other economic factors contributed, but the events likely are related. Music downloaded for free from the Internet is a close substitute for purchased music; many people are bound to keep the downloaded files without buying originals. That is exactly what Gonzalez did for at least 30 songs. It is no surprise, therefore, that the only appellate decision on point has held that downloading copyrighted songs cannot be defended as fair use, whether or not the recipient plans to buy songs she likes well enough to spring for. [1]
The circuit court also upheld the award of $22,500 in statutory damages against Gonzalez, recognizing that this amount represented the then-current minimum award provided under the 1976 Copyright Act for per-song infringement claims. Finally, the circuit court upheld the district court's permanent injunction prohibiting Gonzalez from downloading copyrighted works without authorization in the future. [1]
Gonzalez appealed again to the Supreme Court of the United States, but her request for certiorari was denied. [5]
The circuit court's ruling in BMG Music v. Gonzalez was praised in some quarters for clarifying the ability of copyright holders to initiate suits against people who engaged in unauthorized file sharing on the Internet, [6] and for influencing the development of paid music services like iTunes as a solution to unauthorized copying. [7] Conversely, some scholars described the ruling as enabling the persecution of individuals like Gonzalez by record companies to make a point about widespread file sharing, most of which remained uncontrolled and unprosecuted, [8] [9] thus leaving unsettled questions about the appropriate legal responses to new consumer behaviors. [10]
Kazaa Media Desktop. was a peer-to-peer file sharing application using the FastTrack protocol licensed by Joltid Ltd. and operated as Kazaa by Sharman Networks. Kazaa was subsequently under license as a legal music subscription service by Atrinsic, Inc., which lasted until August 2012.
Grokster Ltd. was a privately owned software company based in Nevis, West Indies that created the Grokster peer-to-peer file-sharing client in 2001 that used the FastTrack protocol. Grokster Ltd. was rendered extinct in late 2005 by the United States Supreme Court's decision in MGM Studios, Inc. v. Grokster, Ltd. The court ruled against Grokster's peer-to-peer file sharing program for computers running the Microsoft Windows operating system, effectively forcing the company to cease operations.
In computer networks, download means to receive data from a remote system, typically a server such as a web server, an FTP server, an email server, or other similar systems. This contrasts with uploading, where data is sent to a remote server. A download is a file offered for downloading or that has been downloaded, or the process of receiving such a file.
Copyright misuse is an equitable defence to copyright infringement in the United States based upon the doctrine of unclean hands. The misuse doctrine provides that the copyright holder engaged in abusive or improper conduct in exploiting or enforcing the copyright will be precluded from enforcing his rights against the infringer. Copyright misuse is often comparable to and draws from the older and more established doctrine of patent misuse, which bars a patentee from obtaining relief for infringement when he extends his patent rights beyond the limited monopoly conferred by the law.
UMG Recordings, Inc. v. MP3.com, Inc., 92 F. Supp. 2d 349 was a landmark case of the U.S. District Court for the Southern District of New York concerning the unauthorized copying of copyrighted materials on the Internet. The case concerned unauthorized duplication by the company MP3.com of songs from a wide selection of compact discs for the purposes of launching a service that allowed users to access their private music collections online from anywhere in the world. This business model was ruled to be a violation of American copyright law.
MGM Studios, Inc. v. Grokster, Ltd., 545 U.S. 913 (2005), is a United States Supreme Court decision in which the Court ruled unanimously that the defendants, peer-to-peer file sharing companies Grokster and Streamcast, could be held liable for inducing copyright infringement by users of their file sharing software. The plaintiffs were a consortium of 28 entertainment companies, led by Metro-Goldwyn-Mayer studios.
A&M Records, Inc. v. Napster, Inc., 239 F.3d 1004 was a landmark intellectual property case in which the United States Court of Appeals for the Ninth Circuit affirmed a district court ruling that the defendant, peer-to-peer file sharing service Napster, could be held liable for contributory infringement and vicarious infringement of copyright. This was the first major case to address the application of copyright laws to peer-to-peer file sharing.
In re Aimster Copyright Litigation, 334 F.3d 643, was a case in which the United States Court of Appeals for the Seventh Circuit addressed copyright infringement claims brought against Aimster, concluding that a preliminary injunction against the file-sharing service was appropriate because the copyright owners were likely to prevail on their claims of contributory infringement, and that the services could have non-infringing users was insufficient reason to reverse the district court's decision. The appellate court also noted that the defendant could have limited the quantity of the infringements if it had eliminated an encryption system feature, and if it had monitored the use of its systems. This made it so that the defense did not fall within the safe harbor of 17 U.S.C. § 512(i). and could not be used as an excuse to not know about the infringement. In addition, the court decided that the harm done to the plaintiff was irreparable and outweighed any harm to the defendant created by the injunction.
File sharing in Canada relates to the distribution of digital media in that country. Canada had the greatest number of file sharers by percentage of population in the world according to a 2004 report by the OECD. In 2009 however it was found that Canada had only the tenth greatest number of copyright infringements in the world according to a report by BayTSP, a U.S. anti-piracy company.
The inducement rule is a test a United States court can use to determine whether liability for copyright infringement committed by third parties could be assigned to the distributor of the device used to commit infringement.
Arts and media industry trade groups, such as the International Federation of the Phonographic Industry (IFPI) and Motion Picture Association of America (MPAA), strongly oppose and attempt to prevent copyright infringement through file sharing. The organizations particularly target the distribution of files via the Internet using peer-to-peer software. Efforts by trade groups to curb such infringement have been unsuccessful with chronic, widespread and rampant infringement continuing largely unabated.
File sharing is the practice of distributing or providing access to digital media, such as computer programs, multimedia, program files, documents or electronic books/magazines. It involves various legal aspects as it is often used to exchange data that is copyrighted or licensed.
Capitol Records, Inc. v. Thomas-Rasset was the first file-sharing copyright infringement lawsuit in the United States brought by major record labels to be tried before a jury. The defendant, Jammie Thomas-Rasset, was found liable to the plaintiff record company for making 24 songs available to the public for free on the Kazaa file sharing service and ordered to pay $220,000.
Copyright infringement is the use of works protected by copyright without permission for a usage where such permission is required, thereby infringing certain exclusive rights granted to the copyright holder, such as the right to reproduce, distribute, display or perform the protected work, or to make derivative works. The copyright holder is typically the work's creator, or a publisher or other business to whom copyright has been assigned. Copyright holders routinely invoke legal and technological measures to prevent and penalize copyright infringement.
In the case of Sony BMG Music Entertainment et al. v. Tenenbaum, record label Sony BMG, along with Warner Bros. Records, Atlantic Records, Arista Records, and UMG Recordings, accused Joel Tenenbaum of illegally downloading and sharing files in violation of U.S. copyright law. It was only the second file-sharing case to go to verdict in the Recording Industry Association of America's (RIAA) anti-downloading litigation campaign. After the judge entered a finding of liability, a jury assessed damages of $675,000, which the judge reduced to $67,500 on constitutional grounds, rather than through remittitur.
Lenz v. Universal Music Corp., 801 F.3d 1126, is a decision by the United States Court of Appeals for the Ninth Circuit, holding that copyright owners must consider fair use defenses and good faith activities by alleged copyright infringers before issuing takedown notices for content posted on the Internet.
Arista Records LLC v. Lime Group LLC, 715 F. Supp. 2d 481, is a United States district court case in which the Southern District of New York held that Lime Group LLC, the defendant, induced copyright infringement with its peer-to-peer file sharing software, LimeWire. The court issued a permanent injunction to shut it down. The lawsuit is a part of a larger campaign against piracy by the Recording Industry Association of America (RIAA).
Sony BMG Music Entertainment v. Tenenbaum is the appeals lawsuit which followed the U.S. District Court case Sony BMG v. Tenenbaum, No. 07cv11446-NG.
Columbia Pictures Industries, Inc. v. Fung 710 F.3d 1020 No. 10-55946, was a United States Court of Appeals for the Ninth Circuit case in which seven film studios including Columbia Pictures Industries, Inc., Disney and Twentieth Century Fox sued Gary Fung, the owner of isoHunt Web Technologies, Inc., for contributory infringement of their copyrighted works. The panel affirmed in part and vacated in part the decision of United States District Court for the Central District of California that the services and websites offered by isoHunt Web Technologies allowed third parties to download infringing copies of Columbia's works. Ultimately, Fung had "red flag knowledge" of the infringing activity on his systems, and therefore IsoHunt was held ineligible for the Digital Millennium Copyright Act § 512(c) safe harbor.
Contributory copyright infringement is a way of imposing secondary liability for infringement of a copyright. It is a means by which a person may be held liable for copyright infringement even though he or she did not directly engage in the infringing activity. In the United States, the Copyright Act does not itself impose liability for contributory infringement expressly. It is one of the two forms of secondary liability apart from vicarious liability. Contributory infringement is understood to be a form of infringement in which a person is not directly violating a copyright but induces or authorises another person to directly infringe the copyright.