Long title | An Act for the encouragement of learning, by securing the copies of maps, Charts, And books, to the authors and proprietors of such copies, during the times therein mentioned |
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Enacted by | the 1st United States Congress |
Citations | |
Public law | Pub. L. 1–15 |
Statutes at Large | 1 Stat. 124 |
Legislative history | |
| |
Major amendments | |
1802 Amendment, [1] Supplemental Copyright Act of 1819 [2] | |
United States Supreme Court cases | |
Wheaton v. Peters |
The Copyright Act of 1790 was the first federal copyright act to be instituted in the United States, though most of the states had passed various legislation securing copyrights in the years immediately following the Revolutionary War. The stated object of the act was the "encouragement of learning," and it achieved this by securing authors the "sole right and liberty of printing, reprinting, publishing and vending" the copies of their "maps, charts, and books" for a term of 14 years, with the right to renew for one additional 14-year term should the copyright holder still be alive.
The 1710 British Statute of Anne did not apply to the American colonies. [3] The colonies' economy was largely agrarian, hence copyright law was not a priority, resulting in only three private copyright acts being passed in America prior to 1783. [4] Two of the acts were limited to seven years, the other was limited to a term of five years. [4] In 1783 a committee of the Continental Congress concluded "that nothing is more properly a man's own an the fruit of his study, and that the protection and security of literary property would greatly tends to encourage genius and to promote useful discoveries." [5] But under the Articles of Confederation, the Continental Congress had no authority to issue copyright; [5] instead it passed a resolution encouraging the states to "secure to the authors or publishers of any new book not hitherto printed... the copy right of such books for a certain time not less than fourteen years from the first publication; and to secure to the said authors, if they shall survive the term first mentioned,... the copy right of such books for another term of time no less than fourteen years". [4] [6] Three states had already enacted copyright statutes in 1783 prior to the Continental Congress resolution, [4] and in the subsequent three years all of the remaining states except Delaware passed a copyright statute. [7] Seven of the states followed the Statute of Anne and the Continental Congress' resolution by providing two fourteen-year terms. The five remaining states granted copyright for single terms of fourteen, twenty and twenty-one years, with no right of renewal. [7]
At the Constitutional Convention 1787 both James Madison of Virginia and Charles C. Pinckney of South Carolina submitted proposals that would allow Congress the power to grant copyright for a limited time. [8] These proposals are the origin of the Copyright Clause in the United States Constitution, which allows the granting of copyright and patents for a limited time to serve a utilitarian function, namely "to promote the progress of science and useful arts". [7]
During the first session of the 1st United States Congress in 1789, the House of Representatives considered enacting a copyright law. The historian Davit Ramsay petitioned Congress seeking to restrict the publication of his History of the American Revolution on April 15. Congressmen Thomas Tudor Tucker, Alexander White, and Benjamin Huntington examined his claims and a copyright committee consisting of Huntington, Lambert Cadwalader, and Benjamin Contee began drafting the legislation on April 20. Jedidiah Morse, Nicholas Pike, and Hannah Adams each also petitioned Congress with their interests in restricting the printing of texts. Their bill moved to the Committee of the Whole House in June, but the matter was postponed in anticipation of the first recess, to be taken up again when the House reconvened. [9]
Both houses of Congress pursued a copyright law more pointedly during 1790's second session. They responded to President George Washington's 1790 State of the Union Address, [10] [11] in which he urged Congress to pass legislation designed for "the promotion of Science and Literature" so as to better educate the public. [12] [13] This led to the Patent Act of 1790 and, shortly thereafter, the Copyright Act of 1790.
The scope of what works would be covered by the law's exclusivity was contended in the House. When he reintroduced the matter, Aedanus Burke wanted to establish a first law about copyright regarding "literary property", but Alexander White called for the expansion of copyright beyond writings on the behalf of Jedidiah Morse, who believed unauthorized copying of his American Geography would hurt his business. [14]
The need to re-raise the copyright issue, among other items left unresolved at the end of the first session, required the House to clarify some order of business problems over whether or not they could reopen unfinished business from a previous session. [15] That settled, the House established a drafting committee for the law on February 1, chaired by Abraham Baldwin. [16]
The bill was signed into law on May 31, 1790 by George Washington and published in its entirety throughout the country shortly after. The act granted copyright for a term of "fourteen years from the time of recording the title thereof", with a right of renewal for another fourteen years if the author survived to the end of the first term. [7] It restricted books, maps, and charts. [17] Although musical compositions were not mentioned in the text of the act, and would not be expressly covered by copyright until the Copyright Act of 1831, they were routinely registered under the 1790 Act as "books". [17] The act also did not mention paintings or drawings, which were not covered until the enactment of the Copyright Act of 1870. [18]
The act was copied almost verbatim from the 1709 British Statute of Anne. [7] The first sentences of the two laws are almost identical. Both require registration in order for a work to receive copyright protection; similarly, both require that copies of the work be deposited in officially designated repositories such as the Library of Congress in the United States, and the Oxford and Cambridge universities in the United Kingdom. The Statute of Anne and the Copyright Act of 1790 both provided for an initial term of 14 years, renewable once by living authors for an additional 14 years, for works not yet published. The Statute of Anne differed from the 1790 Act, however, in providing a 21-year term of restriction, with no option for renewal, for works already published at the time the law went into effect (1710). [19] The 1790 Act only offered a 14-year term for previously published works.[ citation needed ]
The Copyright Act of 1790 applied exclusively to citizens of the United States; [17] works created outside the United States or by people who were not U.S. citizens were not copyrightable in the U.S. until the International Copyright Act of 1891. [18] Consequently, various foreign authors, such as Charles Dickens, complained about not receiving royalty payments for copies of their work sold in the U.S. [20]
At the time, works only received protection under federal statutory copyright if the statutory formalities, such as a proper copyright notice, were satisfied. If this was not the case, the work immediately entered into the public domain. In 1834 the Supreme Court ruled in Wheaton v. Peters , [21] a case similar to the British Donaldson v Beckett of 1774, that although the author of an unpublished work had a common law right to control the first publication of that work, the author did not have a common law right to control reproduction following the first publication of the work. [7]
The act was first amended on April 29, 1802, [22] extending copyright restriction to etchings and, for the first time, requiring notice of copyright registration on copies of the works. The act did not specify a consequence of failing to include that notice; however, the federal case Ewer v. Coxe established that the failure to include notice invalidated a copyright. [18] [23]
The act was also amended on February 15, 1819, to expand the jurisdiction of circuit courts (analogous to today's district courts) to allow them to hear cases on patents and copyrights. [24]
A copyright is a type of intellectual property that gives its owner the exclusive legal right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States and fair dealings doctrine in the United Kingdom.
The Statute of Anne, also known as the Copyright Act 1709 or the Copyright Act 1710, was an act of the Parliament of Great Britain passed in 1710, which was the first statute to provide for copyright regulated by the government and courts, rather than by private parties.
The United States Copyright Office (USCO), a part of the Library of Congress, is a United States government body that registers copyright claims, records information about copyright ownership, provides information to the public, and assists Congress and other parts of the government on a wide range of copyright issues. It maintains online records of copyright registration and recorded documents within the copyright catalog, which is used by copyright title researchers who are attempting to clear a chain of title for copyrighted works.
The history of copyright starts with early privileges and monopolies granted to printers of books. The British Statute of Anne 1710, full title "An Act for the Encouragement of Learning, by vesting the Copies of Printed Books in the Authors or purchasers of such Copies, during the Times therein mentioned", was the first copyright statute. Initially copyright law only applied to the copying of books. Over time other uses such as translations and derivative works were made subject to copyright and copyright now covers a wide range of works, including maps, performances, paintings, photographs, sound recordings, motion pictures and computer programs.
Perpetual copyright, also known as indefinite copyright, is copyright that lasts indefinitely. Perpetual copyright arises either when a copyright has no finite term from outset, or when a copyright's original finite term is perpetually extended. The first of these two scenarios is highly uncommon, as the current laws of all countries with copyright statutes set a standard limit on the duration, based either on the date of creation/publication, or on the date of the creator's death. Exceptions have sometimes been made, however, for unpublished works. Usually, special legislation is required, granting a perpetual copyright to a specific work.
The International Copyright Act of 1891 is the first U.S. congressional act that extended limited protection to foreign copyright holders from select nations. Formally known as the "International Copyright Act of 1891", but more commonly referred to as the "Chace Act" after Sen. Jonathan Chace of Rhode Island.
The Uruguay Round Agreements Act is an Act of Congress in the United States that implemented in U.S. law the Marrakesh Agreement of 1994. The Marrakesh Agreement was part of the Uruguay Round of negotiations which transformed the General Agreement on Tariffs and Trade (GATT) into the World Trade Organization (WTO). One of its effects is to give United States copyright protection to foreign works that had previously been in the public domain in the United States.
The Copyright Act of 1909 was a landmark statute in United States statutory copyright law. It went into effect on July 1, 1909. The 1909 Act was repealed and superseded by the Copyright Act of 1976, which went into effect on January 1, 1978; but some of 1909 Act's provisions continue to apply to copyrighted works created before 1978. It allowed for works to be copyrighted for a period of 28 years from the date of publication and extended the renewal term from 14 years to 28 years, for a maximum of 56 years.
The rule of the shorter term, also called the comparison of terms, is a provision in international copyright treaties. The provision allows that signatory countries can limit the duration of copyright they grant to foreign works under national treatment to no more than the copyright term granted in the country of origin of the work.
The Sonny Bono Copyright Term Extension Act – also known as the Copyright Term Extension Act, Sonny Bono Act, or (derisively) the Mickey Mouse Protection Act – extended copyright terms in the United States in 1998. It is one of several acts extending the terms of copyright.
The Copyright Act of 1976 is a United States copyright law and remains the primary basis of copyright law in the United States, as amended by several later enacted copyright provisions. The Act spells out the basic rights of copyright holders, codified the doctrine of "fair use", and for most new copyrights adopted a unitary term based on the date of the author's death rather than the prior scheme of fixed initial and renewal terms. It became Public Law number 94-553 on October 19, 1976, and went into effect on January 1, 1978.
Thorvald Solberg was the first Register of Copyrights (1897–1930) in the United States Copyright Office. He was a noted authority on copyright and played an instrumental role in shaping the Copyright Act of 1909.
American Piracy of British literature refers to the practice of printing and distributing copies of books of British authorship in the United States without the permission of the original author or publisher before international copyright treaties were established between the nations.
Barbara Ringer was one of the lead architects of the 1976 Copyright Act. She spent much of her career lobbying Congress and drafting legislation that overhauled the 1909 Copyright Act. Ringer was also the first woman to serve as the Register of Copyrights in the United States Copyright Office. During her three decades with the United States Copyright Office, Ringer gained a reputation as an authority on copyright law.
Works are in the public domain if they are not covered by the intellectual property right known as copyright, or if the intellectual property rights to the works have expired. Works automatically enter the public domain when their copyright has expired. The United States Copyright Office is a federal agency tasked with maintaining copyright records.
The Copyright Act of 1831 was the first major revision to the U.S. Copyright Law. The bill is largely the result of lobbying efforts by American lexicographer Noah Webster.
The copyright law of the United States has a long and complicated history, dating back to colonial times. It was established as federal law with the Copyright Act of 1790. This act was updated many times, including a major revision in 1976.
The Copyright Act of 1870, also called the Patent Act of 1870 and the Trade Mark Act of 1870, was a revision to United States intellectual property law, covering copyrights and patents. Eight sections of the bill, sometimes called the Trade Mark Act of 1870, introduced trademarks to United States federal law, although that portion was later deemed unconstitutional after the Trade-Mark Cases.
"The Kentucky Volunteer" is a song published in the United States on January 6, 1794. Its music was composed by Raynor Taylor and its lyrics by "a Lady of Philadelphia". It is noteworthy for being the first musical composition copyrighted under the new United States Constitution. It was also the first work published by Benjamin Carr, an English musician who had just immigrated to Philadelphia from England, to become the country's most prolific printer of music in that decade. The actual identity of the lyricist remains a mystery.
Paige v. Banks, 80 U.S. 608 (1872), was a United States Supreme Court case in which the Court held an agreement that transfers a copyright from the original author to a second party for perpetuity does not end with the statutory limit of copyright at the time the parties made the deal. If a later act of Congress extends copyright and the extension is available to the work, the second party still controls the copyright or perpetual license to that copyright.
Works related to Copyright Act of 1790 at Wikisource