Section 108 Study Group

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The Section 108 Study Group was a select committee of copyright experts and library and archives professionals, convened by the Copyright Office and the Library of Congress's National Digital Information Infrastructure and Preservation Program (NDIIPP). The Study Group was charged with updating Section 108 of the United States Copyright Act—relating to libraries and archives' ability to make copies of copyrighted works available under certain circumstances—for the digital age. The Study Group issued a final report in March 2008, outlining proposed changes and updates to Section 108.

Contents

Background

Section 108 of Title 17 of the United States Copyright Act, initially enacted in 1976, allows libraries and archives to "make certain uses of copyrighted materials in order to serve the public and ensure the availability of works over time". [1] These uses include making copies of materials under copyright in order to ensure accessibility to patrons, and to replace or preserve at-risk materials. The principle behind Section 108 dates back to the 1930s, when an informal "Gentleman's Agreement" allowed researchers to obtain a single copy of a specific work from a library or archive if they stated in writing that they would only use the copy for research purposes. [2] This was further enshrined in professional guidelines issued by the American Library Association in 1941 and 1952. The introduction of high-speed copying in the 1960s changed the nature of the conversation around availability of copies, as it suddenly became possible to produce many more copies much more quickly; this led to a reevaluation of reproductions of copyrighted materials, and ultimately the adoption of Section 108 in 1976. [3]

The rise of digital technologies has provoked a similar revolution in how copyrighted works are reproduced and distributed. However, despite minor changes made as a result of the Digital Millennium Copyright Act (1998), Section 108 has not been updated to reflect the challenges that digital technology poses to both libraries and archives and copyright holders. [4]

The Study Group

The Copyright Office and the NDIIPP convened the Section 108 Study Group in 2005. The group was tasked with deciding how best to update Section 108 in light of the emergence of digital technologies, and to present its findings to the Librarian of Congress by mid-2006. The group was composed of nineteen members, with membership split close to evenly between copyright experts and library and archives professionals, and was co-chaired by Laura N. Gasaway, a former president of the American Association of Law Libraries, and Richard S. Rudick, the vice-president of the International Publishers Association. [5] The Study Group held three public roundtables for people in fields related to libraries or copyright law to weigh in on proposed changes. These took place on March 8, 2006, in Los Angeles; March 16, 2006, in Washington, D.C.; and January 31, 2007, in Chicago. Additionally, the group held nineteen closed-door meetings between April 2005 and January 2008. [6] The Study Group released their report in March 2008. The report provided a series of recommendations for updating Section 108. These included:

However, the Study Group failed to reach a consensus on other issues related to Section 108, including whether to eliminate the exclusion on non-text materials such as audiovisual, pictorial, or graphic works.

Outcomes

Following the publication of the Study Group's report, the Copyright Office continued to review the issues associated with Section 108. On April 2, 2014, the House Subcommittee on Courts, Intellectual Property, and the Internet held a hearing on preservation and reuse of copyright, including Section 108; witnesses at the hearing disagreed over whether updating Section 108 was practical or even necessary. [7]

A new review of Section 108 began in the summer of 2016. In response to a draft revision to Section 108, the Society of American Archivists (SAA) issued a statement to the effect that the SAA did not consider Section 108 to need reform, and that the Study Group's report, now over eight years old, had become obsolete in light of legal and technological changes since its publication. [8]

In September 2017, the Copyright Office published a discussion document on Section 108 in "an effort to facilitate a final resolution of this topic". [9] The discussion document restated the belief that Section 108 should be updated to reflect changes in technology, outlined the current proposals for updates, and laid out model statutory language for future discussions of the subject.

Related Research Articles

A copyright is a type of intellectual property that gives its owner the exclusive right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.

Congressional Research Service Public think tank

The Congressional Research Service (CRS) is a public policy research institute of the United States Congress. Operating within the Library of Congress, it works primarily and directly for members of Congress and their committees and staff on a confidential, nonpartisan basis. CRS is sometimes known as Congress' think tank due to its broad mandate of providing research and analysis on all matters relevant to national policymaking.

A work of the United States government, is defined by the United States copyright law, as "a work prepared by an officer or employee of the United States Government as part of that person's official duties." Under section 105 of US copyright law, such works are not entitled to domestic copyright protection under U.S. law and are therefore in the public domain.

Legal deposit is a legal requirement that a person or group submit copies of their publications to a repository, usually a library. The number of copies required varies from country to country. Typically, the national library is the primary repository of these copies. In some countries there is also a legal deposit requirement placed on the government, and it is required to send copies of documents to publicly accessible libraries.

In library and archival science, digital preservation is a formal endeavor to ensure that digital information of continuing value remains accessible and usable. It involves planning, resource allocation, and application of preservation methods and technologies, and it combines policies, strategies and actions to ensure access to reformatted and "born-digital" content, regardless of the challenges of media failure and technological change. The goal of digital preservation is the accurate rendering of authenticated content over time. The Association for Library Collections and Technical Services Preservation and Reformatting Section of the American Library Association, defined digital preservation as combination of "policies, strategies and actions that ensure access to digital content over time." According to the Harrod's Librarian Glossary, digital preservation is the method of keeping digital material alive so that they remain usable as technological advances render original hardware and software specification obsolete.

An orphan work is a copyright-protected work for which rightsholders are positively indeterminate or uncontactable. Sometimes the names of the originators or rightsholders are known, yet it is impossible to contact them because additional details cannot be found. A work can become orphaned through rightsholders being unaware of their holding, or by their demise and establishing inheritance has proved impracticable. In other cases, comprehensively diligent research fails to determine any authors, creators or originators for a work. Since 1989, the amount of orphan works in the United States has increased dramatically since some works are published anonymously, assignments of rights are not required to be disclosed publicly, and registration is optional and, thus, many works' statuses with respect to who holds which rights remain unknown to the public even when those rights are being actively exploited by authors or other rightsholders.

The National Digital Information Infrastructure and Preservation Program (NDIIPP) of the United States was an archival program led by the Library of Congress to archive and provide access to digital resources. The program convened several working groups, administered grant projects, and disseminated information about digital preservation issues. The U.S. Congress established the program in 2000, and official activity specific to NDIIPP itself wound down between 2016 and 2018. The Library was chosen because of its role as one of the leading providers of high-quality content on the Internet. The Library of Congress has formed a national network of partners dedicated to preserving specific types of digital content that is at risk of loss.

Copyfraud False copyright claims to public-domain content

A copyfraud is a false copyright claim by an individual or institution with respect to content that is in the public domain. Such claims are wrongful, at least under US and Australian copyright law, because material that is not copyrighted is free for all to use, modify and reproduce. Copyfraud also includes overreaching claims by publishers, museums and others, as where a legitimate copyright owner knowingly, or with constructive knowledge, claims rights beyond what the law allows.

Oral history preservation is the field that deals with the care and upkeep of oral history materials, whatever format they may be in. Oral history is a method of historical documentation, using interviews with living survivors of the time being investigated. Oral history often touches on topics scarcely touched on by written documents, and by doing so, fills in the gaps of records that make up early historical documents.

The term born-digital refers to materials that originate in a digital form. This is in contrast to digital reformatting, through which analog materials become digital, as in the case of files created by scanning physical paper records. It is most often used in relation to digital libraries and the issues that go along with said organizations, such as digital preservation and intellectual property. However, as technologies have advanced and spread, the concept of being born-digital has also been discussed in relation to personal consumer-based sectors, with the rise of e-books and evolving digital music. Other terms that might be encountered as synonymous include "natively digital", "digital-first", and "digital-exclusive".

Music librarianship is the area of librarianship that pertains to music collections and their development, cataloging, preservation and maintenance, as well as reference issues connected with musical works and music literature. Music librarians usually have degrees in both music and librarianship. Music librarians deal with standard librarianship duties such as cataloging and reference, but the addition of music scores and recordings to collections complicates these tasks. Therefore, music librarians generally read music and have at least a basic understanding of both music theory and music history to aid in their duties.

Crown copyright is a type of copyright protection. It subsists in works of the governments of some Commonwealth realms and provides special copyright rules for the Crown, i.e. government departments and (generally) state entities. Each Commonwealth realm has its own Crown copyright regulations. There are therefore no common regulations that apply to all or a number of those countries. There are some considerations being made in Canada, UK, Australia and New Zealand regarding the "reuse of Crown-copyrighted material, through new licences".

A digital library, also called an online library, an internet library, a digital repository, or a digital collection is an online database of digital objects that can include text, still images, audio, video, digital documents, or other digital media formats or a library accessible through the internet. Objects can consist of digitized content like print or photographs, as well as originally produced digital content like word processor files or social media posts. In addition to storing content, digital libraries provide means for organizing, searching, and retrieving the content contained in the collection. Digital libraries can vary immensely in size and scope, and can be maintained by individuals or organizations. The digital content may be stored locally, or accessed remotely via computer networks. These information retrieval systems are able to exchange information with each other through interoperability and sustainability.

Copyright Act of 1976 United States law

The Copyright Act of 1976 is a United States copyright law and remains the primary basis of copyright law in the United States, as amended by several later enacted copyright provisions. The Act spells out the basic rights of copyright holders, codified the doctrine of "fair use", and for most new copyrights adopted a unitary term based on the date of the author's death rather than the prior scheme of fixed initial and renewal terms. It became Public Law number 94-553 on October 19, 1976 and went into effect on January 1, 1978.

The Copyright Law of the United States grants monopoly protection for "original works of authorship". With the stated purpose to promote art and culture, copyright law assigns a set of exclusive rights to authors: to make and sell copies of their works, to create derivative works, and to perform or display their works publicly. These exclusive rights are subject to a time limit, and generally expire 70 years after the author's death or 95 years after publication. In the United States, works published before January 1, 1927, are in the public domain.

GNU Free Documentation License Copyleft license primarily for free software documentation

The GNU Free Documentation License is a copyleft license for free documentation, designed by the Free Software Foundation (FSF) for the GNU Project. It is similar to the GNU General Public License, giving readers the rights to copy, redistribute, and modify a work and requires all copies and derivatives to be available under the same license. Copies may also be sold commercially, but, if produced in larger quantities, the original document or source code must be made available to the work's recipient.

Digital Millennium Copyright Act Copyright law in the United States of America

The Digital Millennium Copyright Act (DMCA) is a 1998 United States copyright law that implements two 1996 treaties of the World Intellectual Property Organization (WIPO). It criminalizes production and dissemination of technology, devices, or services intended to circumvent measures that control access to copyrighted works. It also criminalizes the act of circumventing an access control, whether or not there is actual infringement of copyright itself. In addition, the DMCA heightens the penalties for copyright infringement on the Internet. Passed on October 12, 1998, by a unanimous vote in the United States Senate and signed into law by President Bill Clinton on October 28, 1998, the DMCA amended Title 17 of the United States Code to extend the reach of copyright, while limiting the liability of the providers of online services for copyright infringement by their users.

<i>Authors Guild, Inc. v. HathiTrust</i> American legal case

Authors Guild v. HathiTrust, 755 F.3d 87, is a United States copyright decision finding search and accessibility uses of digitized books to be fair use.

National Recording Preservation Plan

The National Recording Preservation Plan is a strategic guide for the preservation of sound recordings in the United States. It was published in December 2012 by the Council on Library and Information Resources (CLIR) and the National Recording Preservation Board of the Library of Congress. The plan was written by a community of specialists, but is prominently credited to Brenda Nelson-Strauss, Alan Gevinson and Sam Brylawski

Video game preservation Form of preservation in video gaming

Video game preservation is a form of preservation applied to the video game industry that includes, but is not limited to, digital preservation. Such preservation efforts include archiving development source code and art assets, digital copies of video games, emulation of video game hardware, maintenance and preservation of specialized video game hardware such as arcade games and video game consoles, and digitization of print video game magazines and books prior to the Digital Revolution.

References

  1. "About Section 108" . Retrieved 25 April 2019.
  2. "Section 108 of Title 17 – A Discussion Document of the Register of Copyrights" (PDF). Retrieved 25 April 2019.
  3. "Section 108 of Title 17 – A Discussion Document of the Register of Copyrights" (PDF). Retrieved 25 April 2019.
  4. "About the Section 108 Study Group" . Retrieved 25 April 2019.
  5. "Members of the Section 108 Study Group" . Retrieved 25 April 2019.
  6. "Schedule" . Retrieved 25 April 2019.
  7. "Section 108: Draft Revision of the Library and Archives Exceptions in U.S. Copyright Law". Federal Register. Retrieved 25 April 2019.
  8. "Statement on U.S. Copyright Office Draft Revision of Section 108: Library and Archives Exceptions in U.S. Copyright Law [Docket No. 2016-4]" (PDF). Society of American Archivists. Retrieved 25 April 2019.
  9. "Section 108 of Title 17 – A Discussion Document of the Register of Copyrights" (PDF). Retrieved 25 April 2019.