Eldred v. Ashcroft, 537 U.S. 186 (2003), was a decision by the Supreme Court of the United States upholding the constitutionality of the 1998 Sonny Bono Copyright Term Extension Act (CTEA). The practical result of this was to prevent a number of works from entering the public domain in 1998 and following years, as would have occurred under the Copyright Act of 1976. Materials which the plaintiffs had worked with and were ready to republish were now unavailable due to copyright restrictions.
William "Tell" Taylor (aka TellienéTell Roberts;. Tell was born October 28, 1876 to Clarinda Jane Roberts and John Asbury Taylor, on a farm near the Village of Vanlue, Amanda Township, Hancock County, Ohio. He was an American traveling vaudeville performer, tenor vocalist, playwright, music publisher, composer, and lyricist who had written over 200 popular songs. His biggest hit was "Down by the Old Mill Stream" from 1910, one of the most commercially successful Tin Pan Alley publications of the era. The song was published by Tell Taylor, Inc., which he had co-founded in 1907. Taylor performed vaudeville theaters and founded a Chicago music publishing house bearing his name. His other notable songs include "He Sleeps Beneath the Soil of France," "I Love You Best of All," "If Dreams Come True," "Little Old Home in the Valley," "Rock Me to Sleep in the Old Rocking Chair," "Some Day," and "When the Maple Leaves Were Falling." Taylor also wrote the Broadway comedies Tiger Lillee and In New York Town.
M. Witmark & Sons was a leading publisher of sheet music for the United States "Tin Pan Alley" music industry.
"Desiderata" is an early 1920s prose poem by the American writer Max Ehrmann. The text was widely distributed in poster form in the 1960s and 1970s.
Fictitious or fake entries are deliberately incorrect entries in reference works such as dictionaries, encyclopedias, maps, and directories, added by the editors as a copyright trap to reveal subsequent plagiarism or copyright infringement. There are more specific terms for particular kinds of fictitious entry, such as Mountweazel, trap street, paper town, phantom settlement, and nihilartikel.
White-Smith Music Publishing Company v. Apollo Company, 209 U.S. 1 (1908), was a decision by the Supreme Court of the United States which ruled that manufacturers of music rolls for player pianos did not have to pay royalties to the composers. The ruling was based on a holding that the piano rolls were not copies of the plaintiffs' copyrighted sheet music, but were instead parts of the machine that reproduced the music.
Secondary liability, or indirect infringement, arises when a party materially contributes to, facilitates, induces, or is otherwise responsible for directly infringing acts carried out by another party. The US has statutorily codified secondary liability rules for trademarks and patents, but for matters relating to copyright, this has solely been a product of case law developments. In other words, courts, rather than Congress, have been the primary developers of theories and policies concerning secondary liability.
The threshold of originality is a concept in copyright law that is used to assess whether a particular work can be copyrighted. It is used to distinguish works that are sufficiently original to warrant copyright protection from those that are not. In this context, "originality" refers to "coming from someone as the originator/author", rather than "never having occurred or existed before".
Baker v. Selden, 101 U.S. 99 (1879), was a leading Supreme Court of the United States copyright case cited to explain the idea-expression dichotomy.
Don Juan is a 1926 American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. The film is inspired by Lord Byron's 1821 epic poem of the same name. The screenplay was written by Bess Meredyth with intertitles by Maude Fulton and Walter Anthony.
"The Very Thought of You" is a pop standard that was recorded and published in 1934 with music and lyrics by Ray Noble. The song was first recorded by Ray Noble and His Orchestra with Al Bowlly on vocals for HMV in England in April 1934. This record was then released in the United States by Victor, and it reached number one for five weeks on the pop music charts.
James Frederick Hanley was an American songwriter and author.
Copyright Renewal Act of 1992, Pub. L. 102–307, 106 Stat. 264, enacted June 26, 1992, is the first title of the Copyright Amendments Act of 1992, an act of the United States Congress that amended copyright renewal provisions of Title 17 of the United States Code enacted under Copyright Act of 1976. The act eliminated the previous requirements under US law that a second term of copyright protection is contingent on a renewal registration with the U.S. Copyright Office. It amended the Copyright Act of 1976.
The copyright law of the United States grants monopoly protection for "original works of authorship". With the stated purpose to promote art and culture, copyright law assigns a set of exclusive rights to authors: to make and sell copies of their works, to create derivative works, and to perform or display their works publicly. These exclusive rights are subject to a time limit and generally expire 70 years after the author's death or 95 years after publication. In the United States, works published before January 1, 1928, are in the public domain.
Works are in the public domain if they are not covered by intellectual property rights at all, or if the intellectual property rights to the works have expired.
T. B. Harms & Francis, Day, & Hunter, Inc., based in the Tin Pan Alley area of New York City, was one of the seven largest publishers of popular music in the world in 1920. T. B. Harms & Francis, Day & Hunter, Inc. was one of seven defendants named in a 1920 Sherman antitrust suit brought by the U.S. Justice Department for controlling 80% of the music publishing business. The seven defendants were:
Petrella v. Metro-Goldwyn-Mayer, Inc., 572 U.S. 663 (2014), is a United States Supreme Court copyright decision in which the Court held 6-3 that the equitable defense of laches is not available to copyright defendants in claims for damages.
Fred Fisher Music Co. v. M. Witmark & Sons, 318 U.S. 643 (1943), was a United States Supreme Court case in which the Court held the renewal of copyright for the second term is not an opportunity for an author to renegotiate terms made during the first term that extended beyond the first term's length.
Ottalie Mark was an American musicologist, copyright consultant, composer, and music editor.
