Barbara Frietchie | |
---|---|
Directed by | Lambert Hillyer |
Written by | Lambert Hillyer Agnes Christine Johnston |
Based on | Barbara Frietchie by Clyde Fitch |
Produced by | Regal Pictures ??and/or W. W. Hodkinson |
Starring | Florence Vidor Edmund Lowe |
Cinematography | Henry Sharp (*French, German) |
Distributed by | Producers Distributing Corporation |
Release date |
|
Running time | 85 minutes |
Country | United States |
Language | Silent (English intertitles) |
Barbara Frietchie is a 1924 American silent war drama film about an old woman who helps out soldiers during the American Civil War. It is based on the play of the same name by Clyde Fitch that had starred Julia Marlowe at the turn of the century which in turn was taken from the real-life story of Barbara Fritchie. There were two silent film versions, a 1915 version and 1924 version. The 1915 version, directed by Herbert Blaché, starred Mary Miles Minter and Anna Q. Nilsson. The 1924 version, directed by Lambert Hillyer, starred Florence Vidor and Edmund Lowe. [1] [2]
Lydia Knott, mother of director Hillyer and a well known character actress in her own right, appears quite prominently in this film as a member of the Frietchie family but for some reason she is uncredited.
Copies of Barbara Frietchie are held by Library and Archives Canada, UCLA Film and Television Archive, and George Eastman Museum Motion Picture Collection. [3]
Barbara Fritchie, also known as Barbara Frietchie, and sometimes spelled Frietschie, was a Unionist during the Civil War. She became part of American folklore in part from a popular poem by John Greenleaf Whittier.
Anna Quirentia Nilsson was a Swedish-American actress who achieved success in American silent movies.
Florence Vidor was an American silent film actress.
Edmund Sherbourne Lowe was an American actor. His formative experience began in vaudeville and silent film.
The Marriage Circle is a 1924 American silent comedy film produced and directed by Ernst Lubitsch and distributed by Warner Bros. Based on the play Only a Dream by Lothar Schmidt, the screenplay was written by Paul Bern. The "circle" of the title refers to the ring of infidelities central to the plot.
Lydia Knott was an American actress of the silent film era. She appeared in more than 90 films between 1914 and 1937.
Three Women, also known as Die Frau, die Freundin und die Dirne, is a 1924 American silent drama film starring May McAvoy, Pauline Frederick, and Marie Prevost, directed by Ernst Lubitsch, and based on the novel Lillis Ehe by Yolande Maree.
In the Palace of the King is a 1923 American silent historical romantic drama film based on the novel of the same name by F. Marion Crawford. Directed by Emmett J. Flynn, the film stars Blanche Sweet, Pauline Starke, and Edmund Lowe.
East Lynne is a 1931 American pre-Code film version of Ellen Wood's eponymous 1861 novel, which was adapted by Tom Barry and Bradley King and directed by Frank Lloyd. The film received an Academy Award nomination for Best Picture but lost to RKO-Radio's Cimarron. East Lynne is a melodrama starring Ann Harding, Clive Brook, Conrad Nagel and Cecilia Loftus.
The Perfect Flapper is a 1924 American romantic comedy film directed by Earl Hudson and starring Colleen Moore. This was Moore's second "flapper film" after Flaming Youth. It was released after Through the Dark and Painted People.
The Spreading Dawn is a 1917 American silent drama film produced by Samuel Goldwyn in his first year of producing independently in his own studio and starring Broadway stage star Jane Cowl in her second and final silent film. It was directed by Laurence Trimble. The film is lost with a fragment, apparently only part of reel 3, surviving at the Library of Congress.
Dressed to Kill is a 1928 silent film drama produced and distributed by Fox Film Corporation and starring Mary Astor and Edmund Lowe. Astor was loaned from Warner Bros., for the film.
East Lynne is a 1925 American silent drama film directed by Emmett J. Flynn and starring Alma Rubens, Edmund Lowe, and Lou Tellegen. The film is based on the bestselling 1861 Victorian novel of the same name by Ellen Wood. The scenario was written by Lenore Coffee and the film's director, Emmett J. Flynn.
East of Suez is a 1925 American silent drama film directed by Raoul Walsh and starring Pola Negri. It is based on a play, East of Suez (1922), by W. Somerset Maugham. The film was produced by Famous Players–Lasky and distributed by Paramount Pictures.
Skin Deep is a 1922 silent film crime drama directed by Lambert Hillyer and starring Milton Sills and Florence Vidor. It was based on a novel, Lucky Damage, by Marc Edmund Jones.
The Devil is a surviving 1921 silent drama film directed by James Young and starring stage actor George Arliss in a film version of his 1908 Broadway success of Ferenc Molnár's play, The Devil [1]. Long thought to be a lost film, a print was discovered in the 1990s and restored by the Library of Congress.
Husbands and Lovers is a 1924 American silent comedy film directed by John M. Stahl and starring Florence Vidor and Lewis Stone. It was produced by Louis B. Mayer and released by First National Pictures.
Gerald Cranston's Lady is a 1924 American silent drama film directed by Emmett J. Flynn and starring James Kirkwood, Alma Rubens, and Walter McGrail. It is based on the novel of the same title by Gilbert Frankau published the same year as the film was released.
The Unfoldment is a lost 1922 silent film feature directed by George Kern and starring Florence Lawrence. It was produced by an independent company.
Barbara Frietchie is a 1915 silent drama film directed by Herbert Blaché and starring Mary Miles Minter. It is based upon the 1899 play Barbara Frietchie by Clyde Fitch, which was in turn inspired by the John Greenleaf Whittier poem of the same name. As with many of Minter's movies, the film is thought to be a lost film.