The Shock | |
---|---|
Directed by | Lambert Hillyer |
Written by |
|
Based on | The Pit of the Golden Dragon (magazine story) by William Dudley Pelley |
Produced by | Carl Laemmle |
Starring | Lon Chaney Virginia Valli Christine Mayo Jack Mower |
Cinematography | Dwight Warren |
Production company | |
Distributed by | Universal Pictures |
Release date |
|
Running time | 64 minutes (7 reels, 6,738 ft.) |
Country | United States |
Language | Silent (English intertitles) |
The Shock is a 1923 American silent drama film (a Universal Jewel) directed by Lambert Hillyer and starring Lon Chaney as a disabled man named Wilse Dilling. [1] The film was written by Arthur Statter and Charles Kenyon, based on a magazine story by William Dudley Pelley. This is one of the rare Lon Chaney films in which his character ends up with the female "love interest." The film is readily available on DVD. [2]
Costing only $90,000 to make, the film took in a huge profit for Universal. A lobby card from the film can be seen on the internet, [3] as well as the film's poster art. [4] The film's tagline was "You haven't seen anything yet!"
In 1906, Wilse Dilling (Lon Chaney), a crippled gangster living in Chinatown, receives a coded message to go to the home of his boss, Ann Cardington (Christine Mayo), known as "Queen Ann", a powerful crime boss feared in the underworld. When Wilse meets with her, she sends him to the suburban town of Fallbrook, where he is to establish himself and await her instructions in dealing with a former lover of hers, a banker named Micha Hadley (William Welsh), who had once betrayed her. Dilling is to pose as a telegraph operator in the local office there in order to keep watch on the banker.
Being dependent on crutches and a wheelchair has not stopped Dilling from committing a lengthy series of crimes, but to his surprise, he finds that the small town atmosphere makes him feel alive for the first time. He befriends banker Hadley's attractive daughter Gertrude (Virginia Valli). Dilling falls in love with her and she helps him believe that even he can make a fresh start. Gertrude, however, is engaged to young Jack Cooper (Jack Mower), and Chaney realizes that a pretty girl like her would never be attracted to a handicapped man like himself.
Dilling's new-found contentment is soon shattered by a series of new developments which includes trying to stop Queen Ann's plot against both Hadley and Gertrude. Years ago, Queen Ann had forced Hadley to embezzle funds from his own bank by blackmailing him. Now threatened with exposure as an embezzler, Hadley lashes out at Dilling when he confesses that he is part of Queen Ann's scheme. When Dilling attempts to blow up the bank to cover up the evidence against Hadley, it goes badly and Gertrude and her fiance Cooper are caught in the blast. With Gertrude severely injured, Cooper's father forces him to break off their engagement.
With the bank records destroyed, bank examiners are now unable to find evidence against Hadley. After surgery, his daughter is expected to make a complete recovery but Queen Anne still seeks revenge. Dilling tries to recover a document that his boss is using to blackmail Hadley, but with her henchmen, Ann kidnaps Gertrude to Dilling's despair. When asked, Cooper refuses to help Dilling to rescue Gertrude, revealing his cowardice.
Dilling confronts the criminals alone in their cafe hideout and pleads with Queen Ann to release Gertrude. Before anything can happen, the entire city is caught up in the San Francisco earthquake. Queen Ann and her gang are killed in the disaster. Dilling survives and finds that the shock of the earthquake has restored his ability to walk again. After he recuperates, he begins a new life with Gertrude.
The working title of the film was Bittersweet. [5] The screenplay was based on William Dudley Pelley's magazine story, "The Pit of the Golden Dragon". [6] Although mainly shot in the Universal studios, the climactic earthquake scenes were a mix of model work and archival film footage, mixed in with the live action. [7] Principal photography on The Shock took place in June 1922, after Chaney finished work as Fagin on Oliver Twist (1922) in late May 1922. [8]
"In affording Lon Chaney one of the spectacular characterizations for which he has shown an aptitude, Universal has achieved a striking success in THE SHOCK...For his followers the production will most likely have an intense appeal... At times his extreme physical deformity and resulting contortion are rather harrowing. He gives a vivid performance, but sometimes it is too intense to be pleasant." ---Moving Picture World
"The picture is an underworld story, with Chaney cast as a cripple, and the effort apparently was to give it some touch of the atmosphere of THE MIRACLE MAN, in which Chaney came into fame almost overnight in the part of the "Frog." The subject misses by a wide margin the high aim of the other vehicle and degenerates into a cheap shocker." --- Variety [9]
"Lon Chaney gives another of his hideously distorted, and uncannily clever, characterizations." ---Photoplay
"An uncommonly realistic, well directed story of the underworld....a melodrama of compelling interest. Lon Chaney's work in the role of the crippled crook stands out as a really astonishing performance". ---Exhibitors Trade Review
"(Chaney's) ability to handle the role of a cripple is little short of uncanny. His portrayal of Wilse Dilling is interesting and for the most part convincing." ---Film Daily [10]
A print of the film is maintained in the Film Preservation Associates, Incorporated archive. [5] The film is readily available on DVD.
Leonidas Frank "Lon" Chaney was an American actor and makeup artist. He is regarded as one of the most versatile and powerful actors of cinema, renowned for his characterizations of tortured, often grotesque and afflicted, characters and for his groundbreaking artistry with makeup. Chaney was known for his starring roles in such silent horror films as The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). His ability to transform himself using makeup techniques that he developed earned him the nickname "The Man of a Thousand Faces".
The Hunchback of Notre Dame is a 1923 American drama film starring Lon Chaney, directed by Wallace Worsley, and produced by Carl Laemmle and Irving Thalberg. The supporting cast includes Patsy Ruth Miller, Norman Kerry, Nigel de Brulier, and Brandon Hurst. Distributed by Universal Pictures, the film was the studio's "Super Jewel" of 1923 and was their most successful silent film, grossing $3.5 million. The film premiered on September 2, 1923, at the Astor Theatre in New York, New York, then went into release on September 6.
Danger, Go Slow is a 1918 American silent comedy film directed by Robert Z. Leonard, and starring Mae Murray, Jack Mulhall and Lon Chaney. Robert Z. Leonard and Mae Murray co-wrote the screenplay together. The film is today considered lost.
The Wicked Darling is a 1919 American silent crime film directed by Tod Browning, and starring Priscilla Dean, Wellington A. Playter and Lon Chaney as pickpocket "Stoop" Connors. This was the first time Lon Chaney appeared in a Tod Browning film, and many other collaborations between the two men would follow.
Outside the Law is a 1920 American pre-Code crime film produced, directed and co-written by Tod Browning and starring Priscilla Dean, Lon Chaney and Wheeler Oakman.
The Road to Mandalay is a 1926 American silent drama film directed by Tod Browning and starring Lon Chaney, Owen Moore, and Lois Moran. It was written by Elliott Clawson, based on a story idea by Tod Browning and Herman Mankiewicz. The script's original shooting title was Singapore. The film took 28 days to complete at a cost of $209,000. The worldwide box office gross was $724,000. Some stills exist showing Chaney's makeup as Singapore Joe.
The Big City is a 1928 American silent crime film directed by Tod Browning and starring Lon Chaney. Waldemar Young wrote the screenplay, based on a story by Tod Browning. The film is now lost.
Almost an Actress was a 1913 American silent short comedy film directed by Allen Curtis and starring Louise Fazenda, Max Asher, Lon Chaney and Silvion de Jardin. A surviving still from the film shows Lon Chaney as the exasperated cameraman, grimacing in frustration as chaos envelops the film set. The film is now considered lost. It is unknown when the film was lost, but if it was in Universal's vaults it would have been deliberately destroyed along with the remaining copies of Universal's silent era films in 1948.
Back to Life is a 1913 American silent short drama film directed by Allan Dwan and featuring Pauline Bush, J. Warren Kerrigan, William Worthington and Lon Chaney. This was Chaney's first film with director Allan Dwan, which was followed by a dozen more. The film is now considered lost.
Bloodhounds of the North is a 1913 American silent short drama film directed by Allan Dwan and starring Murdock MacQuarrie, Pauline Bush, and Lon Chaney. The film is now considered lost. Some sources state the film was edited down to one reel and re-released theatrically in 1916 as Accusing Evidence, but this is disputed.
The Honor of the Mounted is a 1914 American silent short drama film directed by Allan Dwan and featuring Murdock MacQuarrie, Pauline Bush, and Lon Chaney. The film is now considered lost.
The Tragedy of Whispering Creek is a 1914 American silent short Western film directed by Allan Dwan and featuring Murdock MacQuarrie, Pauline Bush, and Lon Chaney. Chaney expert Jon Mirsalis says Chaney also wrote the screenplay, based on a story by Elliott J. Clawson, but the Blake book says the film's director Allan Dwan wrote the screenplay himself. A print exists in the Deutsche Kinemathek film archive, making it Chaney's earliest surviving moving picture. A still exists which shows Chaney in his role as "The Greaser".
The Unlawful Trade is a 1914 American silent short drama film directed by Allan Dwan and starring Pauline Bush, William Lloyd, Murdock MacQuarrie, George Cooper, and Lon Chaney. Allan Dwan also wrote the screenplay, based on a story by George Cooper. The film is now considered lost.
The Chimney's Secret is a 1915 American silent drama film written and directed by, and starring, Lon Chaney. Chaney's screenplay was based on a story by Milton Moore. The film is now considered to be in the public domain and a lost film.
The Place Beyond the Winds is a 1916 American silent drama film directed by Joe De Grasse, and starring Lon Chaney, Gretchen Lederer and Dorothy Phillips. It was written by Ida May Park, based on the novel by Harriet T. Comstock. The director De Grasse also played a role in the film. The film's original working title was Mansion of Despair. A still exists showing Chaney in the role of Jerry Jo, the homeless man.
Accusing Evidence is a 1916 American silent Western film directed by Allan Dwan and starring Lon Chaney, Pauline Bush and Murdock MacQuarrie.
The Scarlet Car is a 1917 American silent drama film directed by Joe De Grasse and featuring Lon Chaney, Edith Johnson, and Franklyn Farnum. The film was written by William Parker, based upon the novel The Scarlet Car by Richard Harding Davis, which also served as the basis of a 1923 Universal film of the same name. A print of the 1917 film exists at the Library of Congress, and the movie is available on DVD. Clips from the film were used in the 1995 documentary Lon Chaney: Behind the Mask. A still exists showing Lon Chaney in his own make-up as the protagonist "Paul Revere Forbes".
Riddle Gawne is a 1918 American silent Western film directed by William S. Hart and Lambert Hillyer, and featuring William S. Hart, Katherine MacDonald and Lon Chaney. The film was co-produced by William S. Hart and Thomas H. Ince. The screenplay was written by Charles Alden Seltzer from his earlier novel The Vengeance of Jefferson Gawne. Chaney historian Jon C. Mirsalis claims that William S. Hart contributed greatly to the screenplay but all other sources credit the writing of the screenplay solely to Charles Alden Seltzer.
The Gift Supreme is a 1920 American silent drama film starring Bernard Durning, Seena Owen, Lon Chaney and Tully Marshall. The film was directed by Ollie Sellers and based on the 1916 novel of the same name by George Allan England. Most sources do not state who wrote the screenplay, although it was probably written by Ollie Sellers. The assistant director was Justin McKlosky. The supporting cast includes Melbourne MacDowell, Eugenie Besserer, Jack Curtis, Anna Dodge and Claire McDowell. Some sources state the film was released on April 12, 1920, but the majority say May 9.
Bondage is a 1917 American silent drama film written and directed by Ida May Park, and starring Dorothy Phillips, William Stowell, Gretchen Lederer and J.B. MacLaughlin.