Barbara Norfleet

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Barbara Pugh Norfleet (born February 18, 1926) is an American documentary photographer, author, curator, professor and social scientist who used photography as social documentary and allegory to examine American culture. Her photographic work is represented in museum collections around the world. [1] She is founder and curator of a photographic archive on American social history at the Fogg Art Museum at Harvard University. [2] [3]

Contents

Early life and education

Born in Lakewood, New Jersey, in 1926, Norfleet graduated from Swarthmore College in 1947 with an economics major and in 1957 received a PhD from Harvard University in social psychology. She married Alfred Cohn in 1951. [4]

Careers

In 1952 Norfleet taught a course at Harvard in statistics and then left Harvard to raise her three sons. She returned to Harvard in 1960 to co-teach a course with David Riesman entitled "American Character and Social Structure". [5] In 1970 she audited the introductory photography studio course taught by Len Gittleman which precipitated her career shift to photography and curation. [6] In 1971 she moved to the Visual and Environmental Study Department at Harvard and taught a popular studio course "Photography As Sociological Description" and later a lecture course "America Seen". She became curator of the Carpenter Center for the Visual Arts and with a grant from NEH to collect and organize a photographic archive exploring the social history of the U.S. [4]

Writer Bill Kowenhoven said of Norfleet after he interviewed her in 1998. "As a teacher of social psychology and sociology at Harvard, she has brought her own squirrel soul to photography and to Harvard’s Archive of American Social History which she began. She leaps from branch to branch of seemingly divergent aspects of photography and criticism yet maintains balance, grace, and connectedness that leads always to a cohesive body of work." [7]

The subtitle of her curatorial book on photography, Champion Pig (1980), is "great moments in everyday life" which sums up Notfleet's shift in perspective from a modernist standpoint which valued form and composition above all else to one where she encouraged the viewer to consider not just what a photo looked like, but also the context in which it was made and what it told us about society. As a curator she found value in vernacular images and small town photo studio archives, which until this time had been ignored by the curatoratorial community. [8]

John Szarkowski, director of photography at the Museum of Modern Art at the time of this publication said, when interviewed for an article on Norfleet, "It's the kind of stuff you don't very often find even in those art museums... Well, now it's the stuff that everyone else would want. It turns out it wasn't ordinary; it turns out it was very special—it had to do with what was typical, what was really central to American culture at that time." [9]

In 1984 she received a Guggenheim Fellowship for her photographic project documenting rich people published in 1986 called All the Right People. Her photographic and curatorial work were influential on a generation of photographers. [10] She retired from Harvard University in 2001 having published seven books on her curatorial work as well as six books and portfolios on her own photographic work including Manscape with Beasts (1990), The Illusion of Orderly Progress (1999), [11] and Aesthetics of Defense (2006). [12]

Awards

[2] [ better source needed ]

Publications

Collections

Norfleet's work is held in the following permanent collections:

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References

  1. 1 2 "Flying Horse Farm, Hamilton, Massachusetts". Museum of Contemporary Photography.
  2. 1 2 "Barbara Norfleet". Atomic Photographers Guild Barbara Norfleet.
  3. Biographical Directory. American Psychological Association. 1968. p. 169. Retrieved 1 December 2022.
  4. 1 2 "President Chopp's Charge to Barbara Norfleet '47 :: Commencement 2014 :: Swarthmore College". 8 July 2014.
  5. Flowers of Evil, Photo Communique, Weise, Eli, Spring 1982
  6. "Fogg Art Museum gathers 'A New Kind of Historical Evidence'". 2005-08-25.
  7. Barbara Norfleet, "Photo Metro," v 17 issue 157.
  8. Barbara Norfleet's "Champion Pig," Art Forum, Redux; Scholis, Brian Spring 2015.
  9. The Boston Globe, May 29, 2001
  10. New York Times, Following the Moneyed on Film, Aug 5, 2018
  11. "What is Bugging Barbara Norfleet?". smithsonianmag.com.
  12. "Bobbie Norfleet: Still trailblazing in her 90s". Martha’s Vineyard Times. April 18, 2016.
  13. "Barbara Norfleet". John Simon Guggenheim Memorial Foundation. Retrieved 2018-11-29.
  14. "Barbara Norfleet - MoMA". The Museum of Modern Art. Retrieved 2022-12-01.

General references