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Company type | Subsidiary of Moravia Steel |
---|---|
Industry | Motion pictures |
Founded | 1931 |
Headquarters | , Czechia |
Revenue | 548,981,000 Czech koruna (2019) |
112,232,000 Czech koruna (2019) | |
88,753,000 Czech koruna (2019) | |
Total assets | 1,129,199,000 Czech koruna (2019) |
Number of employees | 147 (2019) |
Website | barrandov |
Barrandov Studios is a set of film studios in Prague, Czechia. It is the largest film studio in the country and one of the largest in Europe. Barrandov has made several major Hollywood productions, including Mission Impossible , The Bourne Identity , Casino Royale , G.I. Joe: The Rise of Cobra , The Chronicles of Narnia: The Lion, the Witch and the Wardrobe , The Zookeeper's Wife , Nosferatu , among others. [1]
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Czech film history is closely connected with that of Prague's entrepreneurial Havel family, and especially with the activities of the brothers Miloš Havel (1899–1968) and Václav Maria Havel (1897–1979), the latter being the father of the former Czech president of the same name. [2]
In 1921, Miloš Havel created the A-B Joint Stock Company by merging his own American Film distribution company with the Biografia film distributors. Initially, A-B studios were located in the garden of a Vinohrady brewery. However, with the emerging sound film, new modern stages equipped for sound recording had to be built. In early 1930s, Havel's brother, Václav, planned to build a luxurious residential complex on a hill on what were then the outskirts of Prague. Miloš Havel had suggested that he include a modern film studio in the development. The area would be called Barrandov after Joachim Barrande, the French geologist who had worked at the fossil-rich site in the 19th century. Since then, Barrandov Rock displays a plaque with Barrande's name.
Construction of the studio, based on designs by Max Urban, began on 28 November 1931 and was completed in 1933. [3] One year later, Barrandov's first Czech film, Murder on Ostrovni Street, was shot there. The volume of films made at the studio increased rapidly. Barrandov had three hundred permanent employees, was making up to eighty films a year, and had begun to attract foreign producers. It was the best-equipped studio in Central Europe, and in its early years, foreign production companies such as UFA, MGM, and Paramount developed their own distribution systems in Czechoslovakia thanks to Barrandov. [4]
During the occupation of Czechoslovakia by Nazi Germany during World War II, between 1940 and 1945, major additions were made to the studio's facilities. Seeking to make Barrandov an equal to the major film studios in Berlin and Munich, the Nazis drew up plans for three large interconnecting stages. Construction work started in 1941, but the final stage was not completed until early 1945. These three huge stages, with more than 37,000 square feet (3,400 m2) of shooting space, still form the main attraction of the studios to filmmakers throughout the world.
Shortly after the war, Barrandov and its smaller sister, Hostivař Studios, were nationalized and remained under state ownership until the beginning of the 1990s. During this time, Barrandov's new film laboratories were constructed, as was a special effects stage with a back projection tunnel and a water tank equipped for underwater shooting.
In the 1960s, a new wave of Czech films attracted worldwide attention. Czech film directors working at Barrandov at this time included Miloš Forman, Jiří Menzel, Vojtěch Jasný, Pavel Juráček, Věra Chytilová, Jan Němec, Ivan Passer, František Vláčil, Elmar Klos, and Ján Kadár.
Throughout the 1970s and 1980s, Barrandov continued to produce feature films, particularly comedies and fairy-tales, turning out an average of seventy pictures a year. In the 1980s, some major American productions were made in the studios, including Barbra Streisand's Yentl and Miloš Forman's Amadeus , winner of several Academy Awards.
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Shortly after the Velvet Revolution in 1989, Barrandov was privatized. The studio almost closed down in 2000. However, the decline in local films was balanced out by an increase in foreign productions, particularly feature films made by US producers. Czech Television stations and producers of commercials also made extensive use of the facility.
In December 2006, Barrandov Studios opened a massive new sound stage aimed at attracting bigger productions. According to studio representatives, in terms of size, the new facility is now the largest in Europe, at 4,000 square metres. [5]
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The Last of the Mohicans is a 1947 Czech comedy film directed by Vladimír Slavínský and starring Jaroslav Marvan, Meda Valentová and Sona Cervená. It was shot at the Barrandov Studios in Prague. The film's sets were designed by the art director Karel Skvor. It was based on a play by F.X. Svoboda which had previously been adapted into the 1934 film The Last Man.
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Miloš Havel was a Czech film producer and studio executive. Havel was a director of the film production company Lucernafilm, which was founded by his father in 1912. He was also a chairman of the film studio A-B, which built its new studios in Barrandov in 1932. He remained in charge of the studio during German occupation of Czechoslovakia. After World War II his wartime activities were criticized heavily, and he was put on trial for charges relating to collaboration with Nazi Germany. Though acquitted, he was banned from working in the film industry. He left the country and settled in Munich. He was the uncle of Czech president Václav Havel.
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