Barry Harris at the Jazz Workshop | ||||
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Live album by | ||||
Released | 1960 | |||
Recorded | May 15–16, 1960 | |||
Venue | The Jazz Workshop, San Francisco, California | |||
Genre | Jazz | |||
Length | 39:30 | |||
Label | Riverside RLP 12-326 | |||
Producer | Orrin Keepnews | |||
Barry Harris chronology | ||||
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Barry Harris at the Jazz Workshop is a live album by pianist Barry Harris recorded in San Francisco in 1960 and released on the Riverside label. [1]
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Rolling Stone Jazz Record Guide | [3] |
The Penguin Guide to Jazz Recordings | [4] |
Allmusic awarded the album 4 stars with its review by Scott Yanow stating, "Pianist Barry Harris' second recording as a leader (he led a set for Argo in 1958) finds him at the age of 30 playing in the same boppish style he would have throughout his career". [2]
All compositions by Barry Harris except as indicated
Take Twelve is an album by jazz trumpeter Lee Morgan originally released on the Jazzland label. It was recorded on January 24, 1962, and features performances by Morgan with Clifford Jordan, Barry Harris, Bob Cranshaw and Louis Hayes.
Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
Montreux III is a live album by jazz pianist Bill Evans with bassist Eddie Gómez, recorded at the Montreux Jazz Festival in Switzerland in 1975 and released on the Fantasy label. The album was the third of Evans' Montreux concert recordings to be released, following Montreux II (1970) and the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968).
Re: Person I Knew is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1981. Additional recordings from Evans' 1974 Village Vanguard performances were also issued on the album Since We Met (1974). The name of the album is an anagram on the name of Orrin Keepnews, who produced for Evans while he was signed with Riverside Records, and who was one of his earliest champions.
Elvin! is a jazz album by drummer Elvin Jones recorded in 1961 and 1962 and released on the Riverside label. It features Jones playing in a group with his brothers, trumpeter Thad and pianist Hank, along with tenor saxophonist Frank Foster, flautist Frank Wess and bassist Art Davis.
This Is New is an album by pianist Kenny Drew recorded in 1957 and released on the Riverside label.
Freedom Together! is an album by pianist Jaki Byard recorded in 1966 and released on the Prestige label.
Curtis Fuller with Red Garland is an album by trombonist Curtis Fuller with pianist Red Garland recorded in 1957 and originally released on the New Jazz label, a subsidiary of Prestige Records in 1963.
Magnificent! is an album by pianist Barry Harris recorded in 1969 and released on the Prestige label.
Luminescence! is an album by pianist Barry Harris recorded in 1967 and released on the Prestige label.
Chasin' the Bird is an album by pianist Barry Harris recorded in 1962 and released on the Riverside label.
Preminado is an album by pianist Barry Harris recorded in late 1960 and early 1961 and released on the Riverside label.
The Right Combination is the debut album by American jazz pianist Joe Albany featuring saxophonist Warne Marsh which was recorded in 1957 for the Riverside label.
Blues for Dracula is the debut album by American jazz drummer Philly Joe Jones which was recorded in 1958 for the Riverside label.
Kyoto is an album by Art Blakey's Jazz Messengers, recorded in 1964 and released on the Riverside label.
The Village Caller is the sixth album led by American jazz vibraphonist Johnny Lytle which was recorded in 1964 for the Riverside label.
Bebop Revisited!, is the debut album led by American jazz alto saxophonist Charles McPherson recorded in 1964 and released on the Prestige label.
Con Alma! is the second album led by saxophonist Charles McPherson recorded in 1965 and released on the Prestige label.
Japan Suite is a live album by pianist Paul Bley, drummer Barry Altschul and bassist Gary Peacock recorded in Japan in 1976 and released on Bley's own Improvising Artists label in 1977.
For Real! is an album by American jazz pianist Hampton Hawes recorded in 1958 but not released on the Contemporary label until 1961.