Former names | Bath School of Art |
---|---|
Established | 1852 |
Parent institution | Bath Spa University |
Location | , England, United Kingdom 51°23′38″N02°22′17″W / 51.39389°N 2.37139°W |
Website | www |
Bath School of Art and Design is an art college in Bath, England, now known separately as the Bath School of Art and the Bath School of Design. It forms part of the Bath Spa University whose main campus is located a few miles from the City at Newton Park, between Newton St Loe and Corston, in North Somerset, just outside the city of Bath. Bath School of Art is based at the new, award-winning Locksbrook Campus, on the river Avon, in the west of the city. Bath School of Design is spread across Locksbrook and Sion Hill Campuses. The present Heads of School are Dan Allen (School of Art) and Kerry Curtis (School of Design).
The school was founded as Bath School of Art in 1852 following The Great Exhibition of 1851. [1] The Bath Directory for 1856 shows its location at Weymouth House (roughly the rear of the present Marks and Spencers store) and its Master as Anthony Carey Stannus, an Irish painter noted for marine scenes and who later helped establish a society which evolved into the Royal Ulster Academy. [2] By the 1858 edition he had been succeeded by John J. Drummond, who by 1860 had set up his own Mr Drummond's School of Art at 3 Bladud Buildings, and later (1862) at 5 Princes Buildings almost opposite. [3]
The original School moved to Hetling House, Westgate Buildings, an ancient building which George Newenham Wright in his Historic Guide to Bath (1864) says had been garrisoned for the Royalists in the Civil War, adding that "the School of Design now occupies the principal and older part". [4] The Master for a few years was John Hill, who later continued as a private tutor and artist at his home in Combe Down until about 1884. The School's syllabus was "in connection with Marlborough House", which meant the Government School of Design and Practical Art. [5]
By 1866 the School was at 33 Paragon, opposite The Star Inn, and the Master was Robert Campbell Puckett, PhD, whose 1871 work "Sciography, or radial projection of shadows" was published by Chapman & Hall of London. The tuition fee was one guinea per quarter according to the school's prospectus published as a one-page advertisement in the annual Directories. Courses were "in connection with the Science and Art Department, South Kensington". A branch was opened at The Corridor for evening classes. Later Head Masters were William Harbutt (1874), the inventor of Plasticine, John Charles Swallow (1878), and Charles M. Hodges (1880). By 1884 William Harbutt was teaching at The Paragon Art Studio, 15 Bladud Buildings. [6]
By 1894 the School had come under the umbrella of the Bath Technical Schools [7] and in April 1896 these occupied the new north extension of the Guildhall, including the retitled School of Art, Art Crafts and Design. [8] The new Head Art Master was Frank Griffin ARCA who had won bronze and silver medals, replaced by Nathaniel Heard ARCA by 1906. By 1912 the Master was Henry Wilkinson ARCA who had been taught by Ruskin and whose son (also Henry) became a well-known engraver. Successors were D.S. (probably Douglas) Andrews ARCA (1920) and Arthur Payne ARCA (1922).
The Technical Schools evolved into the Municipal Bath Technical College [9] which moved to the building in Beau Street vacated by the Royal United Hospital when it moved to Combe Park. [10] [11] The process was overseen by the new head art master, the artist Paul Fripp (1934–37). [12] Then came the important appointment of the long serving Clifford Ellis (1937–1972). [13] The School of Art moved to 7 and 8 Green Park early in World War II, when the Beau Street building was taken over by the Admiralty. This new home was totally destroyed by bombs in April 1942, and temporary refuge was found at the home of the artist Walter Sickert at Bathampton. Sickert had been a part-time teacher at the School but had died in January 1942. [14] Clifford Ellis is said to have cut the lettering on Sickert's headstone.
In November 1942 the School began its association with 99 Sydney Place. A note in the local history section of Bath Central Library [15] records the opening of the new premises by Sir Kenneth Clark, then Director of the National Gallery and Surveyor of the King's Pictures. [13] However, in 1946, following extensive wartime bomb damage to the original premises, the School (then called Bath Academy of Art) was transferred to the historic mansion Corsham Court in Corsham, the home of the artist Lord Methuen. At that time, there was a post-war emphasis on training teachers of art. [1] For the next 26 years, the Principal of the Academy was Clifford Ellis, who installed the artist William Scott as head of painting and Kenneth Armitage as head of sculpture. [16] [17] [18]
The nascent City of Bath Training College was first based in another house at Sydney Place before its move to Newton Park, meaning that by 1947 (along with Bath College of Domestic Science then still at Brougham Hayes) all the major components of the future Bath Spa University were now in existence.
The 1983/4 prospectus contained a short history stating that from 1946 the Academy ran two courses at Corsham, one for teacher training and the other a National Diploma in Design with a small intake, with interaction between the two being seen as a particular asset. The Robbins report of 1963 led to more standardised teacher training provision, and the Academy's course was phased out by 1968. The introduction of Art Foundation courses from 1963 onwards led the Academy to begin such a course, based at the Sydney Place site which had been retained for part-time classes for the general public. In 1974 control of the institution passed to the new Avon County Council and from 1 September 1983 the Academy became part of Bath College of Higher Education.
In 1985/6 the Art and Design courses, now of bachelor's degree status, began the process of moving from Corsham to newly converted premises at Sion Hill, Bath, largely vacated by the switch of Home Economics and related courses to new premises at Newton Park.
In 2016 Bath Spa University purchased the former Herman Miller factory in Locksbrook, on the River Avon in the west of Bath, a 1970s listed building designed by Farrell & Grimshaw, to become the main home for an expanded and consolidated Bath School of Art and Design. The School and its courses are to be based across just two buildings, Sion Hill and at Locksbrook, rather than up to seven. [19] [20]
Courses at the School include Graphic Communication, Creative Art, Fine Art, Digital Design, Fashion and Textile Design, Ceramics and MA Design (Interaction Design, Ceramics, Brand Development or Textiles), Master of Fine Art.
The new facilities planned from academic year 2019-20 include spaces specifically to encourage such inter-disciplinary creation.
Visiting artists and tutors have included Kenneth Armitage, William Scott, Terry Frost, [1] Peter Lanyon, Sir Herbert Read, Adrian Heath, Bernard Meadows, Howard Hodgkin, [1] Anthony Fry, Martin Froy, John Colbeck, John Furnival, Gillian Ayres, Peter Potworowski, Claes Oldenburg, [1] James Greaves, Peter Kinley, James Tower, John Hoskin, Mark Lancaster, Michael Craig-Martin, [1] John Ernest, [1] Anthony Hill, Richard Hamilton, Roger Clarke, [1] Jim Dine, [1] Tom Phillips, Jeremy Gardiner and Morton Feldman.
Walter Richard Sickert was a German-born British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid and late 20th century.
NSCAD University, also known as the Nova Scotia College of Art and Design (NSCAD), is a public art university in Halifax, Nova Scotia, Canada. The university is a co-educational institution that offers bachelor's and master's degrees. The university also provides continuing education services through its School of Extended Studies.
Bath Spa University is a public university in Bath, England, with its main campus at Newton Park, about 3+1⁄2 miles (5.6 km) west of the centre of the city. The university has other campuses in the city of Bath, and one at Corsham Court in Wiltshire.
Corsham is a historic market town and civil parish in west Wiltshire, England. It is at the south-western edge of the Cotswolds, just off the A4 national route, 28 miles (45 km) southwest of Swindon, 20 miles (32 km) east of Bristol, 8 miles (13 km) northeast of Bath and 4 miles (6 km) southwest of Chippenham.
Corsham Court is an English country house in a park designed by Capability Brown. It is in the town of Corsham, 3 miles (5 km) west of Chippenham, Wiltshire, and is notable for its fine art collection, based on the nucleus of paintings inherited in 1757 by Paul Methuen from his uncle, Sir Paul Methuen, the diplomat. It is currently the home of the present Baron Methuen, James Methuen-Campbell, the eighth generation of the Methuens to live there.
William Harbutt was an English artist and the inventor of Plasticine.
The Westminster School of Art was an art school in Westminster, London.
Timothy John Marlow is a British writer, broadcaster and art historian who is the Director and Chief Executive of the Design Museum, London. Prior to this role, he was the Artistic Director of the Royal Academy of Arts in London. He has lectured on art and culture in over 40 countries.
William Scott was a prominent abstract painter from Northern Ireland, known for his themes of still life, landscape and female nudes. He is the most internationally celebrated of 20th-century Ulster painters. His early life was the subject of the film Every Picture Tells a Story, made by his son James Scott.
Pallant House Gallery is an art gallery in Chichester, West Sussex, England. It houses one of the best collections of 20th-century British art in the world.
The Victoria Art Gallery is a public art museum in Bath, Somerset, England. It was opened in 1900 to commemorate the Diamond Jubilee of Queen Victoria. It is a Grade II* listed building and houses over 1,500 objects of art including a collection of oil paintings from British artists dating from 1700 onwards. The ground floor was at one time a public library.
John Hoskin (1921–1990) was a British sculptor from Cheltenham. He began drawing when he returned from Germany after serving in the Second World War. Terry Frost, a painter from the St. Ives school encouraged him to become a sculptor. John while working as an architect's draftsman but longing to become an artist, knew of the group working in St.Ives and decided to hitch-hike there one day. By a remarkable co-incidence, he was picked up and given a lift by Terry. By the time they arrived, John knew being a sculptor was his destiny. It was he that said "as if up until that journey my life had been playing out of tune."
The Manchester Academy of Fine Arts (MAFA) was founded in 1859 by artists eager to promote art and education. It was originally based in the building on Mosley Street which is now Manchester Art Gallery where annual exhibitions and classes were held.
Putney School of Art and Design (PSAD) is an art college in Putney, in the London Borough of Wandsworth.
Malcolm Hughes was a British constructive artist.
Bath College of Domestic Science was a small college in Bath, Somerset, England.
Paul Ayshford Methuen, 4th Baron Methuen was a painter, zoologist and landowner.
Henry Charles Innes Fripp (1867-1963) was an English painter, genre artist and illustrator, stained glass maker, designer, and teacher. Many of his illustrations appear under the name Innes Fripp.
Paul Bird was an English artist and teacher who had a long and varied career.
Piotr Tadeusz Potworowski was a Polish abstract and figurative painter who lived and exhibited in Paris, Poland, Sweden and England. During his seven years in Paris he became personally acquainted with Pablo Picasso, Pierre Bonnard, Jean Cocteau, Constantin Brâncuși and attended for a short time Fernand Léger's studio. In 1943 he settled in London where he joined the London Group and exhibited regularly. In 1948 he was invited to work in the Bath School of Art, in order to bring his experience of twenties Paris to an English art world untouched by the deep changes taking place on the continent. His much-needed European influence on painting, specifically abstraction, was acknowledged by contemporaries including Peter Lanyon, Patrick Heron, Adrian Heath and William Scott.