Battle in Seattle

Last updated

Battle in Seattle
BattleinSeattle2008Poster.jpg
Theatrical poster
Directed by Stuart Townsend
Written byStuart Townsend
Produced by Mary Aloe
Kirk Shaw
Stuart Townsend
Maxime Rémillard
Starring
Cinematography Barry Ackroyd
Music by Massive Attack
Production
companies
Distributed byRedwood Palms Pictures
Release dates
Running time
99 minutes
Countries
  • United States
  • Canada
  • Germany
LanguageEnglish
Budget$10 million [2]
Box office$886,461 [3]

Battle in Seattle is a 2007 political action-thriller film written and directed by Stuart Townsend, in his directorial debut. The story is loosely based on the protest activity at the WTO Ministerial Conference of 1999. The film had its world premiere at the Toronto International Film Festival on September 8, 2007. It later screened at the Seattle International Film Festival in May 2008 and received a limited theatrical release on September 19, 2008.

Contents

Synopsis

The film depicts the protest in 1999, as thousands of activists arrive in Seattle, Washington in masses to protest the WTO Ministerial Conference of 1999. Protesters believe the World Trade Organization contributes to widening the wealth gap between the rich and the poor, while the WTO claims to be fixing the disparity and decreasing world hunger, disease, and death.

The movie takes an in-depth look at several fictional characters during those five days in 1999 as demonstrators protested the meeting of the WTO in Seattle's streets. The movie portrays conflicts between the peaceful protesters and people committing property destruction whose actions were widely covered by the media. Although the protest began peacefully with a goal of stopping the WTO talks, police began teargassing the crowd after it refused to clear the streets and the situation escalated into a full-scale riot and a State of Emergency that pitted protesters against the Seattle Police Department and the Washington National Guard.

Cast

Though the film is based on actual events, the characters are fictional.

Production

Development

In 2002, Townsend became interested in making a film about the 1999 WTO protests when he read Anita Roddick ' s Take It Personally, a book about globalization that contained an essay about the event. [5] "The story interested me because the WTO considers a lot of issues that were diffused somewhat by 9/11," he said. [6] For research, Townsend read a number of books related to the event, including No Logo by Naomi Klein, Noreena Hertz 's Silent Takeover, Jagdish Bhagwati 's In Defense of Globalization, Joeseph Stiglitz 's Making Globalization Work , and Alexander Cockburn 's Five Days that Shook the World. [5] Townsend said, "My overall sense, just as a human being studying it all, I found that the people who advocated free trade, that kind of economic-shock therapy, I really found that hard to digest. I didn’t agree with them, and I ended up very much agreeing with the protesters asking for labor rights and good working standards, and good environmental standards, and safety standards." [5]

When Townsend began showing an early draft of the script to studios in the early 2000s, he could not find anyone willing to finance the film. [7] He spent the next year retuning the script as he looked for producers. After making a fifteen-minute proof-of-concept film that spliced together three different documentaries, Townsend finally got the green-light to begin filming. [5]

Major influences for Townsend were the documentary This Is What Democracy Looks Like, the 1969 film Medium Cool , and the 1976 film Network . [5] Townsend wanted to experiment with different film styles, such as playing with montage, docudrama style, and combining shot footage with actual footage. [5] He decided on an ensemble structure for the film while he was retuning the script. One of the misconceptions about the protests he wanted to counter in the film was that police officers began attacking the protesters only after the protesters became violent. Townsend said,

"Time and again, it was said that the police sprayed and pepper-gassed innocent, peaceful demonstrators. Time and again in the media, it was always referenced as the violent anarchists, and then the police responded, to which the mayor says, 'The police responded appropriately.' I wanted to give that context, show that the mayor makes that decision, and the police do gas indiscriminately. And then, yes, anarchists come smashing around, and the police continue. That was a very, very important distinction. I think that was probably the one major issue that activists had problems with in regards to mainstream media." [5]

Among the concerns of Townsend was making sure to not vilify any one particular character. "One thing I liked about the research was that there were so many voices, and many of them were right and wrong at the same time. It was very hard to find a bad guy. I had big troubles with the film in the beginning because there was no antagonist, no singular bad guy, no villain. Then that kind of became interesting to me, because, the Mayor, he’s not really the villain, he’s more of a tragic character. In my research, that’s what I looked at him as. He wasn’t perfect, but I don’t think he was a bad guy. The police, plenty of people will say 'Fuck the police,' but I think most cops are just working-class joes doing a job. Some police are bad, but you can’t paint everyone with that brush." [5] Townsend was also interested in the dissonance amongst the protesters themselves, who disagreed on matters like tactics. [5]

Casting

André Benjamin was the first person Townsend cast in the role of Django. [5] Early on, Susan Sarandon was rumored to be cast as a reporter who sympathizes with the demonstrators and comes into conflict with her editor, but she was unable to take part in the production. [6] [2] Michelle Rodriguez, Jennifer Carpenter, Channing Tatum and Tzi Ma were announced to have joined the cast in November 2006. [8] [9]

Filming

While some activists, such as David Solnit and Rice Baker Yeboah, who appeared in the This Is What Democracy Looks Like documentary, were wary of a film being made about the events from the perspective of the perceived mainstream media, other activists who participated in the protests assisted during filming by providing details for accuracy. [5]

Benjamin's character had a line of dialogue that was excised from the film's final cut. In the scene, Django, dressed up in a turtle outfit during the protests, says "The police, if they see a black guy, they’re going to arrest him. They see a turtle, and they’re not going to do anything like that." [5]

Nine minutes of footage from the actual protests were edited into the film. [5]

Principal photography began on October 23, 2006. [10] Filming was done in Vancouver, British Columbia, [2] with locations including the Point Grey Campus of University of British Columbia, Granville Square, the foot of Vancouver Public Library, Fraser Street between 41st and 49th Avenues, the corner of Hastings and Hornby, and the corner of Hastings and Howe (corner of Hastings and Howe Leone and L2). [11] Some filming was also done on location in Seattle. [8]

Release

The film premiered at the 2007 Toronto International Film Festival in September 2007 [12] and was the opening film at the 2008 Seattle International Film Festival. [4] It also screened at the South by Southwest Film Festival, [13] Vancouver International Film Festival, [1] Cleveland International Film Festival, and Florida Film Festival. [14] The film was acquired for distribution by ThinkFilm, [12] but as the company underwent financial problems, the rights were ultimately given to Redwood Palms Pictures, [15] who released the film on September 19, 2008. [3]

Reception

On review aggregator site Rotten Tomatoes, the film holds a 56% approval rating based on 62 reviews. The site's critics consensus reads, "Well intentioned and passionate, this docu-drama about the 1999 WTO protests is heavier on politics than character development". [16]

Sara Cardace of New York called the film "a triumph" and praised the cast, [17] while Chicago Sun-Times film critic Roger Ebert gave the film 3 out of 4 stars and described it as "not quite a documentary and not quite a drama, but interesting all the same" and compared it to past political films like Medium Cool . [18] According to Owen Gleiberman of EW.com, the film "sounds like a bad TV movie: a drama based on the protests that halted the 1999 World Trade Organization summit in Seattle. Yet Stuart Townsend re-creates it all with stunning passion and skill". [19]

In the Associated Press, Kirk Honeycutt wrote, "While it makes no bones about where its sympathies lie, these fictional stories show a genuine fascination with the role politics plays on both sides of such confrontations and how things can spin out of control with no single person to blame." [20] He concluded, "The 1999 issues on display have not gone away. If anything, things are much worse. Another Seattle may not happen because governments have learned how to better prepare. But public anger, corporate greed and worldwide unrest continue unabated. 'Battle in Seattle' catches the opening skirmish." [20]

Criticisms centered on the dialogue and the implausibility of some of the plot lines. [21] [22] Dennis Harvey of Variety felt "the human dramas imposed on nonfiction backdrop occasionally feel contrived", and some stories "convert from apolitically crass to conscientious a little too fast, notably Channing Tatum’s knucklehead cop and Connie Nielsen’s TV reporter", but the film's ambition and performances make up for its unevenness. [23] Out of the cast, Harvey singled out Harrelson and Rade Serbedjiza. [23]

Reaction from activists

Some activists did not feel the protests were depicted accurately. David Solnit, who felt the film was a sanitized, Hollywood-style version of the story, set up a website and co-wrote a book purporting to provide his own account of the protests. [24] The film was also criticized by anarchist collective CrimethInc. for what they saw as its sensationalistic portrayal of events. [25] In a pamphlet titled "And What About Tomorrow?", the collective allege that the protests were characterized in the film as an isolated spontaneous uprising in which a "small fringe group" of black bloc anarchists "stole the show", whereas CrimethInc. contend that "anarchists were involved in all different aspects of the protests", including nonviolent organizations and Food Not Bombs, and credit the adoption of anarchist direct action tactics with the success of the uprising. [25] A review published by Anarkismo praised the film as "clearly well-researched", citing the pacing and general narrative as quite accurate, but criticized the presentation of anarchist politics as one-dimensional and a caricature. [26]

In response to some of the criticism, Townsend emphasized his film is not meant to be a documentary and said, "Although I don’t call my own film a Hollywood movie, because I don’t think it is—it’s absolutely independent and there’s a big distinction—what I am trying to do is make this a mainstream movie as much as possible. I think most activists realize that my intentions are good, and that this is a chance to reignite a debate, it’s a chance to refocus the spotlight. So it’s been really great. And then obviously there are just a few people who feel different, and that’s fine." [5]

See also

Bibliography

Related Research Articles

<i>Indymedia</i> Global open publishing network of activist journalist collectives

The Independent Media Center, better known as Indymedia, is an open publishing network of activist journalist collectives that report on political and social issues. Following beginnings during the 1999 Carnival Against Capital and 1999 Seattle WTO protests, Indymedia became closely associated with the global justice movement. The Indymedia network extended internationally in the early 2000s with volunteer-run centers that shared software and a common format with a newswire and columns. Police raided several centers and seized computer equipment. The centers declined in the 2010s with the waning of the global justice movement.

<span class="mw-page-title-main">Black bloc</span> Tactic used by groups of protesters

A black bloc is a tactic used by protesters who wear black clothing, ski masks, scarves, sunglasses, motorcycle helmets with padding or other face-concealing and face-protecting items. The clothing is used to conceal wearers' identities from both the police and politically different organizations by making it difficult to distinguish between participants. It is also used to protect their faces and eyes from pepper spray, which is used by police during protests or civil unrest. The tactic also allows the group to appear as one large unified mass. Black bloc participants are often associated with anarchism, anarcho-communism, communism, libertarian socialism and the anti-globalization movement. A variant of this type of protest is the Padded bloc, where following the Tute Bianche movement protesters wear padded clothing to protect against the police.

<span class="mw-page-title-main">1999 Seattle WTO protests</span> Anti-globalization demonstrations at a United States-hosted World Trade Organization conference

The 1999 Seattle WTO protests, sometimes referred to as the Battle of Seattle, were a series of anti-globalization protests surrounding the WTO Ministerial Conference of 1999, when members of the World Trade Organization (WTO) convened at the Washington State Convention and Trade Center in Seattle, Washington on November 30, 1999. The Conference was to be the launch of a new millennial round of trade negotiations.

<span class="mw-page-title-main">CrimethInc.</span> Anarchist collective

CrimethInc., also known as CWC, which stands for either "CrimethInc. Ex-Workers Collective" or "CrimethInc Ex-Workers Ex-Collective", is a decentralized anarchist collective of autonomous cells. CrimethInc. emerged in the mid-1990s, initially as the hardcore zine Inside Front, and began operating as a collective in 1996. It has since published widely read articles and zines for the anarchist movement and distributed posters and books of its own publication.

S11 refers to a series of protests against meetings of the World Economic Forum on 11, 12 and 13 September 2000 in Melbourne, Australia, where approximately 10,000 people of many ages and a wide cross section of the community were involved. One of the groups involved in the protests called itself the S11 Alliance. This group was dominated by various socialist parties. The success of the protest led them to the creation of the M1 Alliance on 1 November 2000 in preparation for the next year's May Day events and the S26 Alliance, in solidarity with protest against the International Monetary Fund/World Bank meetings in Prague. The other main organising network for the protest was the autonomist & anarchist s11 AWOL.

<span class="mw-page-title-main">Stuart Townsend</span> Irish actor

Stuart Townsend is an Irish actor. He portrayed Lestat de Lioncourt in the film adaptation of Anne Rice's Queen of the Damned (2002), and Dorian Gray in Alan Moore's The League of Extraordinary Gentlemen (2003). In 2007, he directed the film Battle in Seattle.

<span class="mw-page-title-main">Police riot</span> Violent confrontation that police are responsible for instigating, escalating or sustaining

A police riot is a riot carried out by the police; more specifically, it is a riot that police are responsible for instigating, escalating or sustaining as a violent confrontation. Police riots are often characterized by widespread police brutality, and they may be done for the purpose of political repression.

Direct Action Network (DAN) was a North American confederation of anti-corporate, anti-authoritarian and anarchist affinity groups, collectives, and organizations. It grew out of the Seattle chapter which had been formed to coordinate the nonviolent civil disobedience portion of the anti-WTO mobilization in Seattle in 1999.

<span class="mw-page-title-main">Channing Tatum</span> American actor (born 1980)

Channing Matthew Tatum is an American actor. He made his film debut in the drama Coach Carter (2005), and had his breakthrough with the sports comedy film She's the Man (2006) and the dance film Step Up (2006). He rose to prominence for playing Duke in the action films G.I. Joe: The Rise of Cobra (2009) and G.I. Joe: Retaliation (2013), the title role in the comedy-drama films Magic Mike (2012), Magic Mike XXL (2015) and Magic Mike's Last Dance (2023), and an undercover cop in the action-comedy films 21 Jump Street (2012) and 22 Jump Street (2014).

Security culture is a set of practices used by activists, notably contemporary anarchists, to avoid, or mitigate the effects of, police surveillance and harassment and state control.

The Carnival Against Capital took place on Friday 18 June 1999. It was an international day of protest timed to coincide with the 25th G8 summit in Cologne, Germany. The carnival was inspired by the 1980s Stop the City protests, Peoples' Global Action and the Global Street Party, which happened at the same time as the 1998 24th G8 Summit in Birmingham. The rallying slogan was Our Resistance is as Transnational as Capital.

<span class="mw-page-title-main">Anarchism in Israel</span>

Anarchism in Israel has been observed in the early Kibbutz movement, among early Labor Zionists as well as an organised movement in Israel following the 1948 Palestine war. Anarchism has also had a mixed relationship with Zionism and the Israeli–Palestinian conflict, with +972 Magazine publishing an article claiming anarchists were "the only group in Israel engaged in serious anti-occupation activism." Animal rights are notably popular among Israeli anarchists, even when compared to anarchist movements in other countries.

Warcry is an Indian-American environmentalist and anarchist activist, filmmaker, writer and political organizer.

<i>30 Frames a Second: The WTO in Seattle 2000</i> 2000 American film

30 Frames a Second: The WTO in Seattle 2000 is a documentary film shot during the WTO Ministerial Conference of 1999 protest activity and contains interviews with many of the protest leaders. It was directed by journalist Rustin Thompson and released in 2000.

Contemporary anarchism within the history of anarchism is the period of the anarchist movement continuing from the end of World War II and into the present. Since the last third of the 20th century, anarchists have been involved in anti-globalisation, peace, squatter and student protest movements. Anarchists have participated in armed revolutions such as in those that created the Makhnovshchina and Revolutionary Catalonia, and anarchist political organizations such as the International Workers' Association and the Industrial Workers of the World have existed since the 20th century. Within contemporary anarchism, the anti-capitalism of classical anarchism has remained prominent.

Norman Harvey Stamper is an American former chief of police, writer, law enforcement consultant, and advocate for criminal justice reform.

<i>America: The Motion Picture</i> 2021 American film

America: The Motion Picture is a 2021 American comedy film directed by Matt Thompson and written by Dave Callaham, who both also produce. It stars Channing Tatum, Jason Mantzoukas, Olivia Munn, Bobby Moynihan, Judy Greer, Will Forte, Raoul Max Trujillo, Killer Mike, Simon Pegg and Andy Samberg. It is an R-rated, animated parody of George Washington and his fight against the British. The film uses anachronism, ahistoricism, and Americentrism to create a comic effect. Dates, the roles of various historical figures, battles, notable inventions and technologies are changed, reinvented or outright created. Prominent events and figures from the American Revolutionary War period and American history through to the 20th century are moved into the film's 1776 setting.

<i>Showdown in Seattle</i> 1999 American film

Showdown in Seattle: Five Days That Shook the WTO is a 1999 documentary film, first broadcast in daily half-hour installments, about the November 1999 protests against the Ministerial Conference of the World Trade Organization (WTO) in Seattle, Washington.

Eugene has a long history of community activism, civil unrest, and protest activity. Eugene's cultural status as a place for alternative thought grew along with the University of Oregon in the turbulent 1960s, and its reputation as an outsider's locale grew with the numerous anarchist protests in the late 1990s. According to the Chicago Tribune, the city was called a "cradle to [the] latest generation of anarchist protesters." Occupy Eugene was home to one of the nation's longest-lasting Occupy protests in 2011, with the last protester leaving the initial Occupy camp on December 27, 2011. The city received national attention during the summer of 2020, after Black Lives Matter protests in response to the murder of George Floyd grew violent.

Gord Hill is an artist, author, political activist, and member of the Kwakwaka'wakw nation. He has worked as an advocate for Indigenous people since 1988, participating in numerous protests, blockades, rallies, and other movements. He lives in Downtown Eastside, Vancouver, British Columbia. Hill is best-known for his series of graphic novels detailing various issues regarding indigenous decolonization, anti-capitalism, anti-globalization and anti-fascism, with a specific focus on armed struggle.

References

  1. 1 2 3 "ThinkFilm wins rights to "Battle in Seattle" in Festival's highest sale". Insight Film Studios. September 24, 2007. Archived from the original on December 17, 2007.
  2. 1 2 3 McIntosh, Don (November 3, 2006). "Movie about 1999 WTO protests in Seattle will be filmed in ... Canada?". Northwest Labor Press . 107 (21). Retrieved March 31, 2023.
  3. 1 2 "Battle in Seattle". Box Office Mojo .
  4. 1 2 3 Hartl, John (September 18, 2008). ""Battle in Seattle": looking back at 1999 and taking sides". Seattle Times . Retrieved March 31, 2023.
  5. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Hedden, Andrew. "Battle in Seattle: An Interview with Stuart Townsend". Cineaste . 33 (4). Retrieved December 9, 2022.
  6. 1 2 Sharp, Rob (September 2, 2006). "Charlize now faces her own battle of Seattle". The Guardian . ISSN   0029-7712 . Retrieved December 9, 2022.
  7. ↑ "MovieWeb talks to Stuart Townsend about Head in the Clouds! [Exclusive]". MovieWeb . September 21, 2004. Retrieved December 9, 2022.
  8. 1 2 "Michelle Rodriguez, Jennifer Carpenter, Channing Tatum and Tzi Ma Head Into the Battle in Seattle". MovieWeb. November 1, 2006. Retrieved December 9, 2022.
  9. ↑ Kerr, Euan (September 19, 2008). "Film revisits the Battle in Seattle". MPR News . Retrieved March 31, 2023.
  10. ↑ Green, Willow (September 4, 2006). "Sarandon Joins Battle In Seattle". Empire . Retrieved December 9, 2022.
  11. ↑ "Battle In Seattle Filming Locations". moviemaps.org. Retrieved July 27, 2023.
  12. 1 2 Goldstein, Gregg (September 13, 2007). "ThinkFilm's offensive wins 'Battle'". The Hollywood Reporter . Retrieved March 31, 2023.
  13. ↑ Legel, Laremy (March 11, 2008). "South by Southwest Film Festival - 2008". MTV . Archived from the original on March 31, 2023. Retrieved March 31, 2023.
  14. ↑ ""The Deal" and Battle in Seattle" Bookend 10th Sarasota Film Festival". IndieWire . February 28, 2008. Retrieved March 31, 2023.
  15. ↑ Douglas, Edward (September 19, 2008). "Exclusive: Stuart Townsend's Battle in Seattle". ComingSoon.net. Retrieved March 31, 2023.
  16. ↑ "Battle in Seattle (2008)". Rotten Tomatoes . Retrieved January 17, 2016.
  17. ↑ Cardace, Sara (September 15, 2008). "Battle in Seattle". New York . Archived from the original on October 21, 2012. Retrieved August 27, 2008.
  18. ↑ Ebert, Roger (September 25, 2008). "Grande frappuccino, medium cool". Chicago Sun-Times . Archived from the original on September 26, 2008. Retrieved August 27, 2008.
  19. ↑ Gleiberman, Owen (September 24, 2008). "Battle in Seattle". Entertainment Weekly . Archived from the original on September 27, 2008. Retrieved August 27, 2008.
  20. 1 2 Honeycutt, Kirk (September 13, 2007). "Battle in Seattle". Associated Press . Retrieved December 9, 2022– via The Hollywood Reporter.
  21. ↑ Jenkins, Mark (September 18, 2008). "A 'Battle In Seattle,' Staged With Politics In Mind". NPR . Retrieved July 28, 2023.
  22. ↑ Turan, Kenneth (September 26, 2008). "Against something or other in 'Battle'". Los Angeles Times . Retrieved July 28, 2023.
  23. 1 2 Harvey, Dennis (September 11, 2007). "Battle in Seattle". Variety. Retrieved December 9, 2022.
  24. ↑ Solnit & Solnit 2008.
  25. 1 2 CrimethInc. Screenwreckers Guild. "And What About Tomorrow?" (PDF). CrimethInc. Archived from the original (PDF) on July 8, 2011. Retrieved December 9, 2022.
  26. ↑ Rogue, Jen; Hedden, Andrew (September 21, 2008). "Lights! Cameras! Direct Action!". Anarkismo.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.