Bay Chamber founding and history
Andrew Wolf, pianist, and flutist Thomas Wolf founded Bay Chamber Concerts as a summer chamber music festival in 1961. The teenage brothers with the inspiration and financial assistance of Mrs. Mary Louise Curtis Zimbalist Bok, their grandmother (the violinist Lea Luboshutz) and their uncle (the opera impresario, Boris Goldovsky) established Bay Chamber in an effort to revive a musical tradition begun by the great philanthropist Mary Louise Curtis in 1930.
From 1930 to 1945 Mary Louise Curtis hosted a summer music program at the Curtis Institute of Music. Illustrious musicians from all over the world came to Rockport, Maine to teach and to give concerts in a boat barn. Despite the summer music program's discontinuation in 1945, many musicians continued to come to the Rockport area with their students. As summer residents of Rockport, Maine since early childhood and alumni of the Curtis Institute, Thomas and Andrew Wolf viewed founding Bay Chamber Concerts as a means of continuing Curtis's musical legacy.
The early concerts, under the artistic direction of Thomas Wolf, were held in an Episcopal Church in Camden. At the same time, the Wolf brothers were instrumental in establishing the Fox Island Concerts on Vinalhaven, an island off the mid-coast of Maine. In 1970, Bay Chamber Concerts assisted in the founding of Machias Bay Chamber Concerts in a town 30 miles from the Canada–US border. Under Bay Chamber Concerts' auspices each summer, both locations continue to present numerous concerts.
Andrew Wolf became Bay Chamber Concert's artistic director in 1963. During his tenure, the concerts were moved to the newly renovated Rockport Opera House effectively doubling the seating capacity to 400 and securing a venue with marvelous acoustics. In 1974, Bay Chamber Concerts became a year-round organization, presenting a mix-genre musical series during the fall, winter and spring. The Bay Chamber Music School was founded in 2011.
Following the death of Andrew Wolf in December 1985, Thomas Wolf took over once again as artistic director, and an endowment was created to underwrite a national music award in Andrew Wolf's memory. Upon his retirement in 2011, Manuel Bagorro took over as artistic director and Monica Kelly, as executive director.
In 1993, Bay Chamber Concerts, along with the Town of Rockport and private contributors, raised $1,000,000 to restore the Rockport Opera House, improving the auditorium, adding meeting rooms and its hospitality facilities. The Rockport Opera House remains an important venue for Bay Chamber Concerts. It now also uses the recently renovated (2005) 350-seat Strand Theatre in Rockland, the 500-seat Camden Opera House, the 800-seat Strom Auditorium in Rockport and the newly restored Union Hall, also in Rockport.
Bay Chamber Concerts is a 501(c)(3) registered non-profit organization.
Young Stars of Maine
The Young Stars of Maine awards the following six prizes to young Maine music students: the A.H. Chatfield, Jr. Piano Prize, the Jean and Harvey Picker Senior Prize (instrumental or vocal), the Elsie Bixler Junior Prize (instrumental), the Ezra Rachlin Fun with Music (instrumental or vocal), the Nathan E. Corning Jazz Prize (instrumental or vocal), and the Summer Music Strings Prize. Auditions are held for prospective prize winners. The Young Stars Prizes are awarded at a special concert, given by the audition winners at the Rockport Opera House.
Samuel Osmond Barber II was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the mid-20th century. Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the Cello Concerto (1945) and Medea's Dance of Vengeance (1955); and the use of tonal ambiguity and a narrow use of serialism in his Piano Sonata (1949), Prayers of Kierkegaard (1954), and Nocturne (1959).
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The Curtis Institute of Music is a private conservatory in Philadelphia. It offers a performance diploma, Bachelor of Music, Master of Music in opera, and a Professional Studies Certificate in opera. All students attend on full scholarship.
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Cal Performances is the performing arts presenting, commissioning and producing organization based at the University of California, Berkeley in Berkeley, California.
