The origin of the Bean Blossom Festival dates back to the Brown County Jamboree,a country musicvariety show held annually between May and November in Beanblossom,Indiana,starting in the late-1930s.[1] Bill Monroe first performed at the Jamboree in 1951,deciding later that year to buy the show,and the Jamboree Barn in which it was staged —a sale which he finalized before the end of the year.[2] Monroe continued to run the Brown County Jamboree,before using the Beanblossom site to stage his first festival —dubbed the "Big Blue Grass Celebration" —on the weekend of June 24 and 25,1967. Performers at the inaugural outing of the festival included Monroe and his Blue Grass Boys,Ralph Stanley and the Clinch Mountain Boys,Benny Martin with Rudy Lyle,Red Allen,and Hylo Brown.[3]
Under Monroe's ownership,the Bean Blossom Festival grew quickly in popularity over the years —in 1968,the festival was extended to three days and was attended by around 10,000 people;in 1969,it added a fourth day;and by 1972,the expected attendance for the six-day event had risen to 35,000.[1] In 1973,Monroe's record label MCA Records arranged to record several performances at the festival for a planned live album. Monroe knew about the plan,but did not inform his band until "the last minute" —Blue Grass Boys guitarist Bob Fowler recalled that "He didn't say anything about it to me until the day before we were going to record."[4]
Recording
The material on Bean Blossom was recorded over two days of the festival:June 16 and 17,1973.[5] The album opens with four tracks by Bill Monroe and his Blue Grass Boys,all of which were recorded on the first day of the recordings.[4] The songs featured included three popular standards by the band:"Mule Skinner Blues","Uncle Pen" and "Blue Moon of Kentucky".[6] The other song they performed was "You Won't Be Satisfied That Way",which Monroe had only played at shows with Doc Watson previously —bassist Guy Stevenson noted that it was a surprise inclusion in the set,recalling that "[Monroe] got up there and announced it and I'd never heard it before!"[4]
Other recordings featured on the album include set highlights by Jim &Jesse and the Virginia Boys,James Monroe and the Midnight Ramblers,Jimmy Martin and the Sunny Mountain Boys,and Lester Flatt and the Nashville Grass.[6] There are also three tracks from Bill Monroe's closing set on the first day,which featured several guests:"Roll On Buddy" with James Monroe,"I Wonder Where You Are Tonight" with Jim &Jesse,and "Orange Blossom Special" with banjo player Carl Jackson.[6] According to future Blue Grass Boys member Tom Ewing in his book Bill Monroe:The Life and Music of the Blue Grass Man,Monroe invited Jackson —who was only in attendance at the festival as a visitor —to perform as a special guest simply to "celebrate his success",as he had recently joined Glen Campbell's band.[4]
The final four songs on the album showcase Bill Monroe and his Blue Grass Boys with an extra 11 guest fiddlers joining them:former Blue Grass Boys members Howdy Forrester,Gordon Terry and Ralph "Joe" Meadows,Jim Brock and Clarence "Tater" Tate from the Virginia Boys,Randall Collins from the Midnight Ramblers,Paul Warren from the Nashville Grass,Tex Logan from Charlie Monroe's band the Kentucky Pardners,Curly Ray Cline from the Lonesome Pine Fiddlers,Lonnie Pierce and Arnold "Buck" Ryan.[6][4] The practice of multiple fiddlers performing with Monroe had been established on the Grand Ole Opry,where many in attendance would guest on his performance of "Close By",and was later featured in Monroe's set on both "Close By" and "Sally Goodin" at a festival held by Carlton Haney over Labor Day weekend in 1968.[7]
Release
Bean Blossom was released by MCA Records on November 1,1973.[8] The performances of "Down Yonder" and "Swing Low,Sweet Chariot" featuring the "roll call" of fiddlers were also released together on a single the following March.[9]
Bean Blossom received positive reviews from critics and commentators. Billboard magazine wrote that the album "has something for every fan of this form of music",[11]Cash Box magazine noted that it "contains a great selection of material,and will be sure to catch on",[12] and the Walrus progressive music newsletter gushed that "the music is tops and it always cooks".[13] The album reached the top 40 of the Record World magazine Country Album Chart,remaining on the chart into 1974.[14] In a retrospective review for AllMusic,Burgin Mathews wrote that "There is very little in the world quite like a good,live bluegrass album,and this is as good as it gets",claiming that the album "captures the true,original spirit of [bluegrass] as much or more than any other album" and "makes for about the most exciting 75 minutes of music imaginable".[10]
↑ "Top Album Picks: Country"(PDF). Billboard. Vol.85, no.47. New York City, New York: Billboard Publications. November 24, 1973. p.52. Retrieved March 16, 2025.
↑ "Country LP Reviews"(PDF). Cash Box. Vol.35, no.28. New York City, New York: Cash Box Publishing. November 24, 1973. p.43. Retrieved March 16, 2025.
↑ "Merit Albums Continued"(PDF). Walrus. No.125. Philadelphia, Pennsylvania: George B. Meier. December 19, 1973. p.2. Retrieved March 16, 2025.
↑ "The Country Album Chart"(PDF). Record World. Vol.29, no.1388. New York City, New York: Record World Publishing. January 26, 1974. p.77. Retrieved March 16, 2025.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
