Beat Museum

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Beat Museum
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Beat Museum
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Beat Museum (California)
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Beat Museum (the United States)
Established2003
Location540 Broadway
San Francisco, California
Coordinates 37°47′53″N122°24′22″W / 37.7981°N 122.4062°W / 37.7981; -122.4062
TypeLiterary museum
Website Official website

The Beat Museum is located in San Francisco, California and is dedicated to preserving the memory and works of the Beat Generation.

Contents

The Beat Generation was a group of post-WWII artists who challenged the social norms of the 1950s, [1] [2] encouraged experimentation with drugs and sexuality, practiced various types of Eastern religion, and desired to grow as humans. Also known as 'The Beats', they became famous in the 1950s and remain influential today. While dozens of personalities were involved in the formative years of the movement, the most celebrated members were Jack Kerouac, Allen Ginsberg, [3] William S. Burroughs, and Neal Cassady. [4]

Some musicians are also considered to be part of the Beat Generation's legacy including The Doors, Bob Dylan, [2] The Beatles, and Tom Waits. Thomas Pynchon and Tom Robbins are examples of authors influenced by the Beat generation. [5]

The Beat Museum is dedicated to spreading the values of the Beat Generation, “Compassion, Tolerance, and of Living One’s Own Individual Truth.”. Its collection holds thousands of pieces of memorabilia from the era, hundreds of photographs of the Beats and their contemporaries, and an extensive book selection.

History

The Beat Museum began in Monterey, California in 2003 because the founders, Jerry and Estelle Cimino, were living there at that time. [1] Estelle had some surplus office space which included a separate entrance at her downtown location for her career counseling business called the Career Action Center. Jerry had recently left corporate America and was ready to try something new, so he placed his personal collection of Beat memorabilia on display in downtown Monterey.

The Beat Museum on Wheels

Wanting to share the Beat Museum with the rest of America, Cimino and John Allen Cassady, son of Neal Cassady (Dean Moriarty in On the Road ) and Carolyn Cassady, founded the Beat Museum on Wheels. Traveling from California to Maine to Florida and back again in an Airstream 345 motorhome in the fall of 2004 and 2005, Cimino and Cassady spoke at universities, high schools, and community centers. Stops included Penn State, Wayne State University in Detroit, SUNY Geneseo, Cal Poly in San Luis Obispo, University of Maryland, Baltimore County as well as performances at community centers such as the Henry Miller Memorial Library in Big Sur, the Fitton Center for Creative Arts in Hamilton, Ohio, KerouacFest in Windber, Pennsylvania, ArtSplash in Rockaway, New York and Lowell Celebrates Kerouac in Lowell, Massachusetts. [6]

The Beat Museum relocates to San Francisco

Coming off the success of The Beat Museum on Wheels two year roadshow, The Beat Museum moved from Monterey, California to San Francisco's North Beach District in 2006. Initially, the museum secured a space for three months at the Live Worms Gallery on Grant Avenue. [2] [7] Later, it moved to a much larger location at 540 Broadway (at the intersection of Columbus Avenue and Broadway Street) directly across the street from City Lights Bookstore, at the epicenter of the 1950s San Francisco Beat hangout spots. [1] [3] [8]

The building the museum currently occupies was formerly the Swiss American Hotel where many people lived off and on: Hube the Cube, Bob Kaufman, and others. It is also the building where Lenny Bruce fell from a window, broke his arm, and suffered back injuries. [9]

Carolyn Cassady was the guest of honor for the opening weekend at the Beat Museum in North Beach and both the Associated Press and Reuters ran articles that ran in hundreds of newspapers around the world. [7] Special guests at the opening included Michael McClure, Wavy Gravy, Al Hinkle, Magda Cregg, John Allen Cassady, [10] Anne Marie Maxwell and Stanley Mouse. [11]

Exhibitions and acquisitions

City Lights as seen from the Beat Museum City Lights as seen from the Beat Museum.jpg
City Lights as seen from the Beat Museum

The museum has both permanent exhibitions and rotating exhibitions.

Much of the Beat Museum's acquisitions are items donated by family members, friends, and fans of the Beat generation. Recently donated pieces include the archives of publishers Arthur and Kit Knight; memorabilia from Kerouac's funeral; and Allen Ginsberg's typewriter. The referee shirt worn by Neal Cassady in Ken Kesey’s The Electric Kool-Aid Acid Test is on permanent display in the museum, [1] as is Jack Kerouac’s tweed jacket, [12] an original acid test card, and many other novelties from the Beat era.

Walter Salles, director of 2012’s film adaptation of On the Road, donated the 1949 Hudson car to the Beat Museum. Per Salles’s request, the car is not to be cleaned: the dirt and grime of the famous cross-country road trip are to remain as part of the car. [13] [1] [14]

The Beat Museum as seen across the street The Beat Museum as seen across the street.jpg
The Beat Museum as seen across the street

Permanent exhibits include details and memorabilia from the 1957 Howl obscenity trial, original art by Lawrence Ferlinghetti, Harold Norse, and Gregory Corso, a first edition copy of Kerouac’s first novel, The Town and the City, an advance copy from his hometown library, 'Women of the Beat Generation', which showcases the oft-forgotten Beat women, [15] a room to display a continuously playing documentary, an exhibit called Passing the Torch: How the Beats Became the Hippies, and more. As of 2021 David Woodard's iteration of the Brion Gysin Dreamachine, along with original manuscripts, first editions, and letters, rounds out the permanent collection. [1] [16] [2]

Past visiting exhibitions include: Harold Chapman photography of the Beat Hotel; Jim Hatchett photography of Lew Welch, Philip Whalen, and Michael McClure, and Brother Antoninus a.k.a. William Everson.

Celebrity supporters

Celebrity visitors to the Beat Museum include musicians Van Morrison, Patti Smith and Led Zeppelin’s Jimmy Page. Former governor and professional wrestler Jesse Ventura, [17] actors Owen Wilson, Garrett Hedlund, Kristen Stewart, Michael Ornstein (Sons of Anarchy), Michael Imperioli (Sopranos), film maker John Waters and comedian and magician Penn Jillette, and singer Tom Waits. Waits’s song “California, Here I Come” is inspired by On the Road .

The Beat Museum is highlighted in Jillette’s book Every Day is an Atheist Holiday!: More Magical Tales from the Author of God, No!, “For a Beat fan, beatnik, peacenik, old hippie capitalist guy like me, this is the only museum that matters. Who needs old dinosaur bones?”. [18] Jillette also poses semi-nude in a photograph in the book in homage to a similar photograph by Allen Ginsberg and Gregory Corso that hangs in the museum. As a comedian and entertainer, Jillette says he can relate to a story about Allen Ginsberg being heckled at a poetry reading and then shedding his clothes, “The poet stands naked before the world. Are you willing to stand naked before the world?”. [18]

Public programs

The Beat Museum holds regular readings and book signings and takes part in literature events such as the Litquake.

Related Research Articles

<span class="mw-page-title-main">Jack Kerouac</span> American writer (1922–1969)

Jean-Louis Lebris de Kérouac, known as Jack Kerouac, was an American novelist and poet who, alongside William S. Burroughs and Allen Ginsberg, was a pioneer of the Beat Generation.

<span class="mw-page-title-main">Beatnik</span> Media stereotype based on characteristics of the Beat Generation

Beatniks were members of a social movement in the 1950s and early 1960s who subscribed to an anti-materialistic lifestyle. They rejected the conformity and consumerism of mainstream American culture and expressed themselves through various forms of art, such as literature, poetry, music, and painting. They also experimented with spirituality, drugs, sexuality, and travel. The term “beatnik” was coined by San Francisco Chronicle columnist Herb Caen in 1958, as a derogatory label for the followers of the Beat Generation, a group of influential writers and artists who emerged in the late 1940s and early 1950s. The name was inspired by the Russian suffix “-nik”, which was used to denote members of various political or social groups. The term “beat” originally was used by Jack Kerouac in 1948 to describe his social circle of friends and fellow writers, such as Allen Ginsberg, William S. Burroughs, and Neal Cassady. Kerouac said that “beat” had multiple meanings, such as “beaten down”, “beatific”, “beat up”, and “beat out”. He also associated it with the musical term “beat”, which referred to the rhythmic patterns of jazz, a genre that influenced many beatniks.

Pull My Daisy is a 1959 American short film directed by Robert Frank and Alfred Leslie, and adapted by Jack Kerouac from the third act of his play, Beat Generation.

<span class="mw-page-title-main">Beat Generation</span> Literary movement

The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. The bulk of their work was published and popularized by Silent Generationers in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.

<span class="mw-page-title-main">Neal Cassady</span> American writer (1926–1968)

Neal Leon Cassady was a major figure of the Beat Generation of the 1950s and the psychedelic and counterculture movements of the 1960s.

<i>On the Road</i> 1957 novel by Jack Kerouac

On the Road is a 1957 novel by American writer Jack Kerouac, based on the travels of Kerouac and his friends across the United States. It is considered a defining work of the postwar Beat and Counterculture generations, with its protagonists living life against a backdrop of jazz, poetry, and drug use. The novel is a roman à clef, with many key figures of the Beat movement, such as William S. Burroughs, Allen Ginsberg, and Neal Cassady represented by characters in the book, including Kerouac, himself, as the narrator, Sal Paradise.

<i>Visions of Cody</i>

Visions of Cody is an experimental novel by Jack Kerouac. It was written in 1951–1952, and though not published in its entirety until 1972, it had by then achieved an underground reputation. Since its first printing, Visions of Cody has been published with an introduction by Beat poet Allen Ginsberg titled "The Visions of the Great Rememberer."

<i>The Subterraneans</i> Novel by Jack Kerouac

The Subterraneans is a 1958 novella by Beat Generation author Jack Kerouac. It is a semi-fictional account of his short romance with Alene Lee (1931–1991), an African-American woman, in Greenwich Village, New York. It was the first work of Kerouac’s to be released following the success of On the Road. The Subterraneans and its following novel,The Dharma Bums, both proved to be popular when released in 1958, and are now seen as important works of the Beat Literature. A Hollywood film adaptation would be released in 1960.

<i>Desolation Angels</i> (novel) 1965 novel by Jack Kerouac

Desolation Angels is a semi-autobiographical novel written by Beat Generation author Jack Kerouac, which makes up part of his Duluoz Legend. It was published in 1965, but was written years earlier, around the time On the Road was in the process of publication. The events described in the novel take place from 1956-1957. Much of the psychological struggle which the novel's protagonist, Jack Duluoz, undergoes in the novel reflects Kerouac's own increasing disenchantment with the Buddhist philosophy. Throughout the novel, Kerouac discusses his disenchantment with fame, and complicated feelings towards the Beat Generation. He also discusses his relationship with his mother and his friends such as Allen Ginsberg, Neal Cassady, Lucienn Carr and William S. Burroughs. The novel is also notable for being a relatively positive portrayal of homosexuality and homosexual characters, despite its use of words that were at the time considered homophobic slurs.

<span class="mw-page-title-main">Six Gallery reading</span> Poetry event

The Six Gallery reading was an important poetry event that took place on Friday, October 7, 1955, at 3119 Fillmore Street in San Francisco.

<i>Off the Road</i> Autobiographical book by Carolyn Cassady

Off the Road: Twenty Years with Cassady, Kerouac and Ginsberg is an autobiographical book by Carolyn Cassady. Originally published in 1990 as Off the Road: My Years with Cassady, Kerouac, and Ginsberg, it was republished by London's Black Spring Press, coinciding with the fiftieth anniversary of Jack Kerouac's On the Road. Off the Road recounts the history of Carolyn Cassady, wife of Jack Kerouac's traveling companion and On the Road's hero Neal Cassady. As Neal's wife and Kerouac's intermittent lover, Carolyn Cassady was well situated to record the inception of the Beat Generation and its influence on American culture.

Carolyn Elizabeth Robinson Cassady was an American writer and associated with the Beat Generation through her marriage to Neal Cassady and her friendships with Jack Kerouac, Allen Ginsberg, and other prominent Beat figures. She became a frequent character in the works of Jack Kerouac.

<i>Beat Generation</i> (play)

Beat Generation is a play written by Jack Kerouac upon returning home to Florida after his seminal work On the Road had been published in 1957. Gerald Nicosia, a Kerouac biographer and family friend has said that theatre producer Leo Gavin suggested that Kerouac should write a play; the outcome being Beat Generation.

Jack Kerouac was an American novelist and poet. He is considered a literary iconoclast and, alongside William S. Burroughs and Allen Ginsberg, a pioneer of the Beat Generation. Kerouac is recognized for his method of spontaneous prose. Thematically, his work covers topics such as Catholic spirituality, jazz, promiscuity, Buddhism, drugs, poverty, and travel. Kerouac used the name "Duluoz Legend" to refer to his collected autobiographical works.

<i>Howl</i> (2010 film) 2010 American film by Jeffrey Friedman and Rob Epstein

Howl is a 2010 American film which explores both the 1955 Six Gallery debut and the 1957 obscenity trial of 20th-century American poet Allen Ginsberg's noted poem "Howl". The film is written and directed by Rob Epstein and Jeffrey Friedman and stars James Franco as Ginsberg.

<i>Heart Beat</i> (film) 1980 film by John Byrum

Heart Beat is a 1980 American romantic drama film written and directed by John Byrum, based on the autobiography by Carolyn Cassady. The film is about seminal figures in the Beat Generation. The character of Ira, played by Ray Sharkey, is based on Allen Ginsberg. The film stars Nick Nolte, Sissy Spacek, and John Heard.

<i>On the Road</i> (2012 film) 2012 French film

On The Road is a 2012 adventure drama film directed by Walter Salles. It is an adaptation of Jack Kerouac's 1957 novel On the Road and stars an ensemble cast featuring Garrett Hedlund, Sam Riley, Kristen Stewart, Alice Braga, Amy Adams, Tom Sturridge, Danny Morgan, Elisabeth Moss, Kirsten Dunst, and Viggo Mortensen. The executive producers were Francis Ford Coppola, Patrick Batteux, Jerry Leider, and Tessa Ross. Filming began on August 4, 2010, in Montreal, Quebec, with a $25 million budget. The story is based on the years Kerouac spent travelling the United States in the late 1940s with his friend Neal Cassady and several other Beat Generation figures who would go on to fame in their own right, including William S. Burroughs and Allen Ginsberg. On May 23, 2012, the film premiered in competition for the Palme d'Or at the 2012 Cannes Film Festival. The film received mixed early reviews after it premiered at the film festival. The film also premiered at the 2012 Toronto International Film Festival in September.

<i>Big Sur</i> (film) 2013 American film

Big Sur is a 2013 adventure drama film written and directed by Michael Polish. It is an adaptation of the 1962 novel of the same name by Jack Kerouac.

Al Hinkle was a childhood friend of Beat Generation icon Neal Cassady who was the inspiration for the character of Ed Dunkel in Jack Kerouac’s On the Road. In December 1948 Hinkle contributed $100 to the down payment on the 1949 Hudson automobile that Cassady drove across the United States, the journey memorialized in Kerouac’s novel. He was also the real life inspiration for characters in two other Kerouac books: Slim Buckle in Visions of Cody and Ed Buckle in Book of Dreams.

Haldon Chase, often referred to as "Hal Chase", was a Denver-born archaeologist, who was known for his archaeological research on several rock art sites at Colorado. Outside the field of archaeology, he was best known as part of the earliest Beat circle.

References

  1. 1 2 3 4 5 6 Hanc, John (October 26, 2012). "At Shrine to Beats, Squares Are Welcome, Too". The New York Times . Retrieved 25 October 2017.
  2. 1 2 3 4 Adams, Jane Meredith (February 14, 2006). "He's got the Beats". Chicago Tribune . Retrieved 25 October 2017.
  3. 1 2 Baker, Kenneth (July 22, 2009). "Beat Museum a 'Howl' of a time". SF Gate. Retrieved 25 October 2017.
  4. Editor, FCJ. "The Beat Goes On". Fog City Journal. Retrieved 30 October 2017.
  5. Adair, Galen. "The Beat Goes On: The Lives and Legacy of a Generation". Signature. Retrieved 30 October 2017.
  6. "The Beat Museum on Wheels". The Beat Museum. Retrieved 17 October 2017.
  7. 1 2 Norton, Justin M. (January 15, 2006). "Beat Museum opens in City by the Bay". The Spokesman-Review. Associated Press. Retrieved 6 January 2018.
  8. Sanchez, Don (c. 2006). "The Beat Museum ABC7 Interviews Jerry Cimino". ABC7 San Francisco. ABC. Retrieved 23 August 2018.
  9. https://www.villagevoice.com/lenny-bruce-falls-out-a-hotel-window
  10. "John Allen Cassady at the Beat Museum's Grand Opening - Sept. 27th, 2006". YouTube. Retrieved 6 January 2018.
  11. Foremski, Tom. "diggrz: Beat museum Gala opening; Beethoven in bondage and Liszt in leather". Silicon Valley Watcher. Retrieved 6 January 2018.
  12. Harngel, Anne (February 23, 2013). "Beat Museum". Los Angeles Times. Archived from the original on June 3, 2014. Retrieved 25 October 2017.
  13. Coe, Alexis (January 23, 2012). "The Beat Museum Finally Gets a '49 Hudson Like the Car in On the Road". San Francisco Weekly. Retrieved 25 October 2017.
  14. Russell, Ron (October 26, 2012). "In advance of Kerouac movie, Beat Museum gets a shout-out". San Francisco Bay Area Observer. Retrieved 6 January 2018.
  15. Elkholy, Sharin N. (January 1, 2012). The Philosophy of the Beats. University Press of Kentucky. p. 20. ISBN   9780813135809 . Retrieved 6 January 2018.
  16. Beat Museum (September 27, 2021). "The Dreamachine". Retrieved 11 January 2022.
  17. Post Staff Reporter (December 20, 2009). "In my library: Jesse Ventura". New York Post. Retrieved August 23, 2018.
  18. 1 2 Jillette, Penn (November 13, 2012). Every Day is an Atheist Holiday!: More Magical Tales from the Author of God, No!. Penguin. p. 83. ISBN   9781101600740 . Retrieved 6 January 2018.

Sources

Further reading