Becoming Cousteau | |
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Directed by | Liz Garbus |
Written by |
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Produced by |
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Edited by | Pax Wasserman |
Music by |
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Production companies |
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Distributed by | Picturehouse |
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Running time | 91 minutes |
Country | United States |
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Box office | $264,530 [1] [2] |
Becoming Cousteau is a 2021 American documentary film directed and produced by Liz Garbus. It follows the life and career of Jacques Cousteau.
It premiered at the Telluride Film Festival on September 2, 2021, and was released on October 22, 2021, by Picturehouse.
The film follows the life and career of Jacques Cousteau, who tried to warn the world for decades about environmental issues.
In 2015, National Geographic Documentary Films approached Liz Garbus about directing a documentary film revolving around Jacques Cousteau, and she agreed. [3] Over the course of five years, Garbus worked with The Cousteau Society to get access to unseen footage. [4]
In May 2019, it was announced Garbus would direct a documentary film revolving around Cousteau, with Cousteau Society Archives producing and with National Geographic Documentary Films set to produce. [5]
It had its world premiere at the 48th Telluride Film Festival on September 2, 2021. [6] [7] It had its international premiere at the Toronto International Film Festival on September 10, 2021. [8] It was released on October 22, 2021, by Picturehouse. [9]
Becoming Costeau holds a 98% approval rating on review aggregator website Rotten Tomatoes, based on 60 reviews, with a weighted average of 7.50/10. The website's critics consensus reads, "As visually thrilling as it is edifying, Becoming Cousteau pays fitting tribute to a pioneering explorer and environmental advocate." [10] On Metacritic, the film holds a rating of 74 out of 100, based on 16 critics, indicating "generally favorable reviews". [11]
Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
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BFI London Film Festival | October 17, 2021 | Grierson Award | Becoming Cousteau | Won | [12] |
British Academy Film Awards | March 13, 2022 | Best Documentary | Liz Garbus and Dan Cogan | Nominated | [13] |
Cinema Audio Society Awards | March 19, 2022 | Outstanding Achievement in Sound Mixing for a Motion Picture – Documentary | Phil McGowan, Tony Volante | Nominated | [14] |
Cinema Eye Honors | March 1, 2022 | Audience Choice Prize | Liz Garbus | Nominated | [15] |
Outstanding Graphic Design/Animation | Daniel Rutledge | Nominated | |||
Critics' Choice Documentary Awards | November 14, 2021 | Best Documentary Feature | Becoming Cousteau | Nominated | [16] [17] |
Best Director | Liz Garbus | Nominated | |||
Best Narration | Vincent Cassel, Mark Monroe and Pax Wassermann | Nominated | |||
Best Archival Documentary | Becoming Cousteau | Nominated | |||
Best Science/Nature Documentary | Becoming Cousteau | Won | |||
Golden Trailer Awards | October 6, 2022 | Best Documentary | Becoming Cousteau | Nominated | [18] [19] |
Hollywood Music in Media Awards | November 17, 2021 | Best Original Score – Documentary Film | Daniel Bensi and Saunder Jurriaans | Nominated | [20] |
Writers Guild of America Awards | March 20, 2022 | Best Documentary Screenplay | Mark Monroe and Pax Wasserman | Nominated | [21] |
Picturehouse is an American independent entertainment company owned by CEO Bob Berney and COO Jeanne R. Berney. Based in Los Angeles, the company specializes in film marketing and distribution, both in the U.S. and internationally. Its releases have included La Vie en Rose (2007), which earned an Academy Award for Best Actress for Marion Cotillard, Metallica Through the Never (2013), and Adam Wingard's Sundance Film Festival selection The Guest (2014), an Independent Spirit Award nominee starring Dan Stevens.
Elizabeth Freya Garbus is an American documentary film director and producer. Notable documentaries Garbus has made are The Farm: Angola, USA,Ghosts of Abu Ghraib,Bobby Fischer Against the World,Love, Marilyn,What Happened, Miss Simone?, and Becoming Cousteau. She is co-founder and co-director of the New York City-based documentary film production company Story Syndicate.
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