Bedside Manners Are Extra | ||||
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Studio album by | ||||
Released | November 1973 | |||
Recorded | 23–31 July 1973 | |||
Studio | Morgan, London | |||
Genre | Progressive rock | |||
Length | 38:49 | |||
Label | Warner Bros. | |||
Producer | Greenslade | |||
Greenslade chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Bedside Manners Are Extra is the second studio album by English progressive rock band Greenslade, released in November 1973 by Warner Bros. Records. The cover artwork was designed by renowned artist Roger Dean, who had previously collaborated with the band on their debut album.
The band members recalled the Bedside Manners Are Extra recordings as a very positive time for Greenslade. Their debut album had received strong reviews and solid enough sales to ensure their continued career, and the band members were getting along well both musically and personally. [2] The Dave Greenslade-Dave Lawson songwriting partnership was flourishing, the two having settled into a routine where Greenslade would compose a chord sequence and tune and Lawson would then add on melody and lyrics. [2]
As with their debut album, none of the songs had been played live before entering the studio, and the band instead prepared by extensively rehearsing the songs in a church hall near where Dave Greenslade lived at the time, in Middlesex. [2] As a result of their preparation, the album was recorded in just nine days, starting on 23 July and ending on 31 July. It was a "live" style recording, with minimal overdubs and no editing together of different takes. [2]
No. | Title | Writer(s) | Length |
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1. | "Bedside Manners Are Extra" | Dave Lawson, Dave Greenslade | 6:16 |
2. | "Pilgrim's Progress" | Greenslade | 7:12 |
3. | "Time to Dream" | Lawson, Greenslade | 4:46 |
No. | Title | Writer(s) | Length |
---|---|---|---|
4. | "Drum Folk" | Greenslade, Andrew McCulloch | 8:44 |
5. | "Sunkissed You're Not" | Lawson | 6:27 |
6. | "Chalkhill" | Tony Reeves, Lawson | 5:24 |
Relayer is the seventh studio album by the English progressive rock band Yes, released in November 1974 by Atlantic Records. After keyboardist Rick Wakeman left the group in May 1974 over disagreements with the band's direction following their double concept album Tales from Topographic Oceans (1973), Yes entered rehearsals as a four-piece in Buckinghamshire. They auditioned several musicians, including Greek keyboardist and composer Vangelis, before settling with Swiss musician Patrick Moraz of Refugee who incorporated elements of funk and jazz fusion to the album. Relayer is formed of three tracks, with "The Gates of Delirium" on side one and "Sound Chaser" and "To Be Over" on side two.
Union is the thirteenth studio album by English progressive rock band Yes, released on 30 April 1991 by Arista Records. Production began following the amalgamation of two bands that featured previous and then current members of Yes: Anderson Bruford Wakeman Howe (ABWH), consisting of vocalist Jon Anderson, drummer Bill Bruford, keyboardist Rick Wakeman and guitarist Steve Howe, and Yes, comprised at that time of bassist and vocalist Chris Squire, guitarist and vocalist Trevor Rabin, keyboardist Tony Kaye and drummer Alan White. The eight musicians signed with Arista and a combination of unfinished tracks by both groups were selected for Union. The album’s sessions were highly problematic from the start, including disagreements between some of the musicians regarding the "merger" of the two bands, strained relations during the recording process, and decisions by the production team of Jon Anderson and Jonathan Elias to bring in session musicians to re-record parts that Wakeman and Howe had originally completed. This would be the final Yes studio album to feature the participation of original member Bill Bruford.
Yessongs is the first live album by the English progressive rock band Yes, released as a triple album in May 1973 on Atlantic Records. After completing their Close to the Edge Tour in April 1973, the band selected live recordings between February and December 1972 on their tours supporting Fragile (1971) and Close to the Edge (1972) for a live album release. They were then edited and remixed with their producer and live sound mixer Eddy Offord. Three tracks feature original Yes drummer Bill Bruford while the remaining tracks feature his replacement, Alan White.
From Genesis to Revelation is the debut studio album by English rock band Genesis, released on 7 March 1969 on Decca Records. The album originated from a collection of demos recorded in 1967 while the members of Genesis were pupils of Charterhouse in Godalming, Surrey. It caught the attention of Jonathan King who named the group, organised deals with his publishing company and Decca, and studio time at Regent Sound Studios to record a series of singles and a full album. A string section arranged and conducted by Arthur Greenslade was added later on some songs. By the time Genesis had finished recording, John Silver had replaced original drummer Chris Stewart.
Drama is the tenth studio album by the English progressive rock band Yes, released on 18 August 1980 by Atlantic Records. It is their first album to feature Trevor Horn on lead vocals and Geoff Downes on keyboards. This followed the departures of Jon Anderson and Rick Wakeman after numerous attempts to record a new album in Paris and London had failed. Drama was recorded hurriedly with Horn and Downes, as a tour had already been booked before the change in personnel. The album marked a development in the band's musical direction with more accessible and aggressive songs, and featuring the use of modern keyboards, overdriven guitar, and a vocoder.
Yesshows is the second live album by the English progressive rock band Yes. It was released in November 1980 on Atlantic Records as the final album before the group disbanded in early 1981. Their first live album in seven years, it is compiled of recordings from their 1976, 1977, and 1978 tours from dates in North America and Europe with its mixing supervised by bassist Chris Squire.
Olias of Sunhillow is the debut studio album by English singer-songwriter Jon Anderson, released in July 1976 by Atlantic Records. When the progressive rock band Yes took a break in activity in August 1975 for each member to record a solo album, Anderson, having established himself as their frontman, decided upon a concept album that tells the story of four tribes of an alien race and their journey to a new planet after their home is threatened by a volcanic eruption. Olias, a magician, builds a spacecraft named the Moorglade Mover and is helped by fellow magicians Ranyart and Qoquaq to gather and carry the population to their new home.
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