"Before and After" | ||||
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Single by Chad & Jeremy | ||||
from the album Before and After | ||||
B-side | "Fare Thee Well (I Must Be Gone)" | |||
Released | 1965 | |||
Recorded | 1965 | |||
Genre | Pop | |||
Length | 2:37 | |||
Label | Columbia | |||
Songwriter(s) | Van McCoy | |||
Producer(s) | Lor Crane | |||
Chad & Jeremy singles chronology | ||||
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"Before and After" is a 1965 hit single by Chad & Jeremy. It was the duo's label debut on Columbia Records, released after Columbia acquired rights to all of the duo's post-January 1, 1965 recordings. [1] The song was written by Van McCoy, then a staff writer for Columbia's publishing arm April Blackwood Music. Artie Wayne, professional manager of April Blackwood, placed "Before and After" with Chad & Jeremy, who recorded the song in March 1965 in the sessions for their album also entitled Before and After; Lor Crane produced these sessions at Columbia's New York City studios.
The song borrows the concept of "before and after" images popular in advertising campaigns for weight loss products: the song's narrator compares his image with that of the current beau of his ex-girlfriend: "He wears a smile, I wear a frown...See the difference between the old and new/ Before and after losing you."
"Before and After" rose to a Billboard Hot 100 peak of No. 17 in June 1965. [2] Its chart impact was muted by the concurrent release of other Chad & Jeremy singles by the duo's previous label World Artists (specifically "What Do You Want With Me" and "From a Window"). "Before and After" was Chad & Jeremy's fourth – and final – Top 20 hit. [3] On Canada's CHUM Charts the song reached No. 31. [4]
An earlier recording of the song had been made by the Fleetwoods for their January 1965 album Before and After; the title track was stylized as "Before and After (Losing You)" and released as an unsuccessful single release that February. "Before and After" has also been recorded by the American Breed, Lesley Gore, and by writer Van McCoy himself on his 1978 album My Favorite Fantasy. [5]
Clipse, also known as the Clipse, is an American hip hop duo, mainly active from 1994 to 2010. It consists of brothers Gene "No Malice" and Terrence "Pusha T" Thornton. Pusha T was known as Terrar during the group's early years, while No Malice was originally known as Malicious, but changed his stage name to Malice soon after the group's formation, before changing it to No Malice once more in 2012 following his conversion to Christianity. Based in Virginia Beach, Virginia, the duo was discovered by producer and fellow Virginia Beach native, Pharrell Williams, who convinced the artists to work in tandem. Williams served as executive and lead producer for each of their albums, as part of the Neptunes and as a frequent guest performer. As key figures in establishing Virginia as one of the East Coast's strongholds in hip hop, the duo's frequent subject matter is based around illegal drug trade.
Van Allen Clinton McCoy was an American record producer, arranger, songwriter and singer. He is known for his 1975 internationally successful hit "The Hustle". He has approximately 700 song copyrights to his credit, and produced songs by such recording artists as Brenda & the Tabulations, David Ruffin, The Stylistics, The Presidents, Faith, Hope & Charity, New Censation, Gladys Knight & the Pips, Aretha Franklin, Peaches & Herb, Lesley Gore, and Stacy Lattisaw.
Chad & Jeremy were a British musical duo consisting of Chad Stuart and Jeremy Clyde, who began working in 1962 and had their first hit song in the UK with "Yesterday's Gone" (1963). That song became a hit in the United States in the following year as part of the British Invasion. Unlike the rock-music sounds of their peers, Chad & Jeremy performed in a soft, folk-inflected style characterized by hushed and whispered vocals. The duo had a string of hits in the United States, including "Willow Weep for Me", "Before and After", and their biggest hit, "A Summer Song". After some commercial failures and divergent personal ambitions, Chad & Jeremy disbanded in 1968.
"Runaway" is a number-one Billboard Hot 100 song made famous by Del Shannon in 1961. It was written by Shannon and keyboardist Max Crook, and became a major international hit. It topped the Billboard charts for four consecutive weeks, and Billboard ranked it as the No. 5 song for 1961. It was No. 472 on the 2010 version of Rolling Stone's list of the 500 Greatest Songs of All Time and No. 466 on the 2004 version.
"The Battle of New Orleans" is a song written by Jimmy Driftwood in 1936. The song describes the Battle of New Orleans from the perspective of an American soldier; it tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle. It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton. His version, recorded at Bradley Studios in Nashville, Tennessee, scored number 1 on the Billboard Hot 100 in 1959. Billboard ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 1950s/early 1960s in an era mostly dominated by rock and roll music.
"Baby I'm Yours" is a song written by Van McCoy which was a hit in 1965 for Barbara Lewis, the original recording artist and featured on her album of the same name.
"Can't Get Used to Losing You" is a song written by Jerome "Doc" Pomus and Mort Shuman, first made popular by Andy Williams in a 1963 record release, which was a number-two hit in both the US and the UK. Twenty years later, British band the Beat took a reggae re-arrangement to number three in the UK.
"You're Nobody till Somebody Loves You" is a popular song written by Russ Morgan, Larry Stock, and James Cavanaugh and published in 1944. The song was first recorded by Morgan and was a hit for him in 1946, reaching the No. 14 spot in the charts. The best known version was Dean Martin's, which was released in 1960 and reissued in 1964.
The Road Hammers are a Canadian country rock group composed of Jason McCoy, Clayton Bellamy and Chris Byrne. Formed by McCoy as a side project, the trio's music is influenced by 1960s and 1970s trucker music and Southern rock. Their first self-titled album included remakes of several classic truck-driving songs. It was recognized with a Juno Award in 2006, along with numerous Canadian Country Music Association awards. After five years together, the group went on hiatus after one last show on December 31, 2010, in Langley, British Columbia.The group reformed in 2013 and released Wheels in 2014. In May 2017, The Road Hammers released their latest album, The Squeeze.
Suffer Time is a studio album by American country music artist Dottie West. It was released in July 1966 on RCA Victor Records and was produced by Chet Atkins. It was West's third studio album as a music artist and was her first concept album in her career. The record's concept focused on themes related to heartbreak and lost love. It included new compositions and cover versions of other recordings. These recordings included four singles, including the top ten hit "Would You Hold It Against Me". Suffer Time would become one of West's most successful and highest-selling albums in her career.
"You Were on My Mind" is a popular song written by Sylvia Fricker in 1961. It was originally recorded by Ian & Sylvia, but better known versions were recorded by We Five and Crispian St. Peters.
"It's Gonna Work Out Fine" is a song made famous by Ike & Tina Turner in 1961 as a single issued on the Sue label. It was also included on their 1962 album Dynamite!. The record is noted for being their first Grammy nominated song and their second million-selling single after "A Fool in Love".
Mr. and Mrs. Used to Be is the first collaborative studio album by American country music singers Ernest Tubb and Loretta Lynn. It was released on August 2, 1965, by Decca Records.
"Then You Can Tell Me Goodbye" is a song written by John D. Loudermilk. It was first released in 1962 by Don Cherry, as a country song and again as a doo-wop in 1967 by the group The Casinos on its album of the same name, and was a number 6 pop hit that year. The song has since been covered by Eddy Arnold, whose version was a number 1 country hit in 1968, and by Neal McCoy, whose version became a Top 5 country hit in 1996.
"From a Window" is a song written by Paul McCartney, attributed to John Lennon and Paul McCartney, which was recorded by Billy J. Kramer with The Dakotas. It was the last of six Lennon–McCartney compositions recorded by Kramer.
"Yesterday's Gone" is the title of a 1963 hit single by Chad & Jeremy. Although the English duo would have a string of successful records in the United States through the mid-1960s, this song was their only hit in their native land.
"A Summer Song" is a 1964 song by the English pop music duo Chad & Jeremy. The song was written by Clive Metcalf, Keith Noble and Chad Stuart.
"Mother, May I" is a song written and recorded by American country music artists Liz Anderson and Lynn Anderson. The song was recorded as a duet between mother and daughter. It was released as a single in 1968 via RCA Records.
"Should I" is a song written by Chad Stuart and Jeremy Clyde, first recorded by their duo Chad & Jeremy as the B-side to "I Have Dreamed", which became a top-100 hit in the US. The song was arranged by Stuart and was included a week later on their fourth studio album I Don't Want to Lose You Baby.
"Sweet Thang" is a song written and originally recorded by American country artist Nat Stuckey. It was Stuckey's first major hit as a music artist, peaking in the top ten of the national country music charts. In later years, it would notably be recorded by Ernest Tubb and Loretta Lynn.