Bel-Tone Recording Corporation was a small American independent record label founded in 1944 in Hollywood, California, that recorded and produced artists of the pop, race, and folk genres.
Dick Elwell served as President [5] and general manager; Jack Elliott (né Irwin Elliott Zucker; 1927–2001) as songwriter and talent manager; Frank Berger, who had formerly been with Gilt-Edge Records, as production supervisor; and Jack Homer as flack. [6]
Bel-Tone had acquired a recording studio from James Anthony Fitzpatrick (1894–1980), who had used it to produce short travel films called, Fitzpatrick Traveltalks. The studio turned out to be not large enough to accommodate many of the ensembles that the label was pursuing; so, the label used two or three established commercial studios in Los Angeles.
Luis Cardenas and Owen Loftus have recently purchased the Hollywood Independent label. The intent is to sign "unique artists". Studios used for recording will consist of LunchBox Studios, Capital Records, The Village and others depending on what the project requires. Luis Cardenas "Touch of Paradise" is the first project to be released by the label in about 15 years. Luis Cardenas will produce and oversee projects at studios such as Capital Records, LunchBox Studios, Dino M111 Studios, The Village and Paramount Studios.
Luis Cardenas serves as Vice President and head of A&R for Bel-Tone Records. Also producing and artist development. Luis Cardenas freelances as Producer on other projects for other Indie labels as well.
Owen Loftus serves as CEO and President of Bel-Tone Records also serving as Executive Producer on key projects. Owen Loftus has also been named as Executive Director of all Film Rights and Productions of 8 Land Pictures Inc. which is operating in conjunction with Bel Tone Films.
Kidisks — Bel-Tone Playhouse Series
Bel-Tone Records, through its attorney Samuel Shayon (né Samuel Shmayonik; 1903–1984), filed for bankruptcy on November 30, 1947. Dick Elwell and Bob Cook were the sole shareholders. [8]
Luis Cardenas and Owen Loftus acquired the Bel Tone name in efforts to revise Bel Tone Records, Production and Entertainment Group.
Aaron Thibeaux "T-Bone" Walker was an American blues musician, composer, songwriter and bandleader, who was a pioneer and innovator of the jump blues, West Coast blues, and electric blues sounds. In 2018 Rolling Stone magazine ranked him number 67 on its list of "The 100 Greatest Guitarists of All Time".
The Mighty Mighty Bosstones were an American ska punk band from Boston, Massachusetts, formed in 1983. From the band's inception, lead vocalist Dicky Barrett, bassist Joe Gittleman, tenor saxophonist Tim "Johnny Vegas" Burton and dancer ("Bosstone") Ben Carr remained constant members. The band's final line-up also included drummer Joe Sirois, saxophonist Leon Silva, guitarist Lawrence Katz, keyboardist John Goetchius, and trombonist Chris Rhodes.
John Len Chatman, known professionally as Memphis Slim, was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 recordings.
Black & White Records was an American record company and label founded by Les Schreiber in 1943. It specialized in jazz and blues. When the label was sold to Paul and Lillian Reiner, it moved from New York City to Los Angeles. The catalog included music by Art Hodes, Cliff Jackson, Lil Armstrong, Barney Bigard, Wilbert Baranco, Erroll Garner, Jack McVea, and Willie "The Lion" Smith.
Bulee "Slim" Gaillard, also known as McVouty, was an American jazz singer and songwriter who played piano, guitar, vibraphone, and tenor saxophone.
Joseph Christopher Liggins, Jr. was an American R&B, jazz and blues pianist and vocalist who led Joe Liggins and his Honeydrippers in the 1940s and 1950s. His band appeared often on the Billboard magazine charts. The band's biggest hit was "The Honeydripper", released in 1945. Joe Liggins was the older brother of R&B performer Jimmy Liggins.
"You Call Everybody Darlin'" is a popular song. The words and music were by Sam Martin (né Samuel Matzkowitz; 1908–2002), Ben Trace, and his brother, Al Trace, who used the pseudonym, Clem Watts. The song was copyrighted and published in 1946.
Paul Richard Epworth is an English record producer, songwriter, musician, and remixer. He has worked with artists including Adele, Florence and the Machine, Rihanna, and Maxïmo Park, among many others. He is a member of the Music Producers Guild and is the founder and owner of the independent record label Wolf Tone, which has released music from Glass Animals, Rosie Lowe, and The Horrors.
4 Star Records was a record label that recorded many well-known country music acts in the 1950s. The label, founded after World War II, was home to singers such as Hank Locklin, Maddox Brothers and Rose, Rose Maddox, Webb Pierce, Cousin Ford Lewis and T. Texas Tyler, who all regularly issued records on the label, mostly as 78rpm singles.
"Go, Mississippi" is the regional anthem of Mississippi, adopted as the official state song on May 17, 1962.
"There'll Be Some Changes Made" ("Changes") is a popular song by Benton Overstreet (composer) and Billy Higgins (lyricist). Published in 1921, the song has flourished in several genres, particularly jazz. The song has endured for as many years as a jazz standard. According to the online The Jazz Discography, "Changes" had been recorded 404 times as of May 2018. The song and its record debut were revolutionary, in that the songwriters (Overstreet and Higgins, the original copyright publisher, Harry Herbert Pace, the vocalist to first record it, the owners of Black Swan, the opera singer for whom the label was named, and the musicians on the recording led by Fletcher Henderson, were all African American. The production is identified by historians as a notable part of the Harlem Renaissance.
"Flat Foot Floogie (with a Floy Floy)" (a/k/a "Flat Fleet Floogee") is a 1938 jazz song, written by Slim Gaillard, Slam Stewart, and Bud Green, and performed by Gaillard and Stewart as Slim & Slam.
Al Piantadosi was an American composer of popular music during the heyday of Tin Pan Alley. He started out as a saloon and vaudeville pianist and rapidly flourished as a songwriter. For about ten years he was an independent music publisher.
Century Record Manufacturing Company was an American custom recording company and record manufacturer. It was founded in 1958 as a division of the former Keysor-Century Corporation, a California corporation based in Saugus. Century Record Manufacturing Company served the music education market and the music groups of the U.S. Armed Forces, in addition to producing professional recordings. The company went out of business in 1976. Mark Records and Silver Crest Records are comparable labels.
Atomic Records was an independent record label based in Hollywood, California, which was founded in 1945 by trombonist Lyle Griffin. Among the notable recording artists on Atomic were Slim Gaillard, Barney Kessel and Griffin himself. In 1947, Griffin sold Atomic to A. W. Lungren, who became the new head and Griffin left the label. The label lasted until 1955.
James Albert Beck was an American country music talent agent, record promoter, recording studio owner, A&R engineer, record producer, and music publisher from Dallas, Texas. Born in Marshall, Texas, Beck is credited with discovering and, in 1950, being the first to record Lefty Frizzell. He is also credited for introducing Frizzell and Ray Price to Frank Jones (1926–2005) of Columbia Records, which led to their first major recording contracts. Marty Robbins recorded his first hit — "I'll Go on Alone" — at Beck's studio. Beck's studio also recorded a few hits by Carl Smith at his studio. Record labels and producers who recorded at Jim Beck Studios included Decca, Bullet, King, Imperial, and Columbia Records. Between 1954 and 1956, Frankie Miller recorded a series of singles for Columbia at Beck's studio.
The Genius of Charlie Parker is an LP record by Charlie Parker, released posthumously by Savoy Records. All but one of tracks on this album had been previously released on other formats, but is the first 12-inch release of these master takes. It contains selections from six sessions recorded between 1944 and 1948, and contains a previously unreleased alternate take from one these sessions.
Marilyn (Marylin) Duke(néeManfrey Lecta Duke; October 3, 1916 Jackson, Georgia – August 7, 1995 Clayton County, Georgia), was an American singer from the swing era of the mid to late 1930s and early 1940s. She began as a soloist in 1933 on radio in Atlanta, then, beginning 1936, was carried on syndicated and network radio from New York City. In the first half of the 1940s, Duke traveled and recorded as a featured singer with big bands, notably with Vaughn Monroe. She distinguished herself as a rhythm singer – that is, a singer who swings. And, while with the Monroe Orchestra, she was acclaimed for having an engaging personality. Duke was a tall brunette, and, according to journalists, attractive. As for her hair color, Duke was a blonde when she re-joined Monroe's band in 1944. After her career with big bands – after 1945 – and into the late 1960s, she performed on-and-off as a nightclub pianist-singer in the metropolitan areas of Boston, New York City, and Newport, Rhode Island. Her recorded hits with Vaughn Monroe include "There'll Be Some Changes Made" and "The Trolley Song" – the latter being a late-1944, post-Petrillo-ban, rush-to-market, swing band vocal duet with Monroe.
Puchito Records was Cuba's second independent record label. It was founded in 1954 during the mambo and cha-cha-chá explosion. Many of its recordings, produced by its founder Jesús Gorís, became instant hits.
Onyx Records, Inc., was a small, independent American record label based in Manhattan, New York, co-founded on July 15, 1971, by Joe Fields (1929–2017) and Don Schlitten and managed by Gentry McCreary. Its address was at 160 West 71st Street on the Upper West Side.