Bernard Saladin d'Anglure (born May 1936) is a Canadian anthropologist and ethnographer. His work has primarily concerned itself with the Inuit of Northern Canada, especially practices of shamanism and conceptions of gender. As an anthropological theorist, he studied under the structuralist Claude Lévi-Strauss, but has become most recognized for his innovative methodology and elaboration of the concept of the "third sex". He speaks French, English and Inuktitut fluently. He is currently Professor Emeritus (Retired) at the Université Laval. [1]
D'Anglure was born in France in 1936. At the age of 19, d'Anglure came to Canada through a bursary from the Fondation Nationale des Bourses Zellidja, and travelled throughout Northern Quebec, spending several weeks in the settlement of Quaaqtaq, Nunavik. [2]
Upon his return, he began a master's degree in anthropology at the Université de Montréal, receiving the degree in 1964. D'Anglure completed a Ph.D. in ethnology from the École pratique des hautes études de Paris in 1971. During his graduate work, he travelled to Canada to act as an assistant to noted French anthropologist Claude Lévi-Strauss in Nunavik, Quebec. [1]
Returning to Canada in 1971, he gained a permanent position as professor of Anthropology at the Université Laval as well as the directorship of the Department, which he held until 1974. [3] His work at the Université has remained centred on Nunavik and Baffin Island—particularly the community of Igloolik, Nunavut—and Inuit shamanism.
In 1977, he founded Études Inuit Studies , a bilingual international journal concerning the ethnography, political structures and hard scientific study of the peoples of the Arctic. He is the founder of the biennial Inuit Studies Conference as well as the Inuit and Circumpolar Studies Group, which has contributed significantly to Arctic social sciences in Canada. [1] D'Anglure received the Government of Canada's Northern Science Award in 2001. [4]
He currently holds the office of Professor Emeritus (Retired) at the Université Laval.
D'Anglure has been a pioneer in the use of visual techniques to collect ethnographic data. Along with Asen Balikci, he was one of the first very first users of audio-video techniques to record ethnographic data among the Inuit, and has produced and consulted for over twenty films, both academic and otherwise. A notable example of the latter is Atanarjuat: The Fast Runner (Kunuk, 2001). [5]
He has produced long-length ethnographic material, notably Igloolik Nunavut/Igloolik notre terre, [6] in partnership with Michel Treguer. The film explores traditional Inuit ways of life as they are affected by such changes as prefabricated housing, and the beginnings of the process started by Inuit to create Nunavut. [7]
He has also expanded on some of the work for which he acted as a consultant, publishing Au Pays des Inuit: Un Film, un Peuple, une Légende (2002) as an ethnographic and historical companion to Kunuk's Atanarjuat.
He has collaborated closely with Igloolik Isuma Productions in production, editing, and counselling roles, and has maintained a close relationship with the community of Igloolik, Nunavut: his son, Guillaume Saladin, is one of the founding members of the Inuit circus troupe Artcirq. [8]
Throughout his work as an anthropologist, d'Anglure has been a defender of autonomy and expression among the Inuit, as well as reappropriation of culture and anthropological data. In 1974, he founded the Association Inuksiutiit Katimajiit Inc., a Canadian non-profit society whose primary purpose was to return to the Inuit the research data, such as land use maps and family trees, that he had collected. [9] He helped to translate the first Inuktitut-language novel, Sanaaq , written by Mitiarjuk Nappaaluk and edited in 1983, into French. [10]
Saladin d'Anglure has contributed a significant volume of literature on the subject of Inuit culture, particularly regarding gender constructions and cosmogony: he has authored one hundred and sixteen articles, seventeen books, and various other publications on the subject.
Saladin D'Anglure's research on shamanism and gender brought to light a conception of Inuit shamans which was strongly dissociated with the traditionally accepted images of violence. In Être et renaître Inuit: homme, femme ou chamane (2006), he explores the conception of Inuit shaman as "boundary-crossers", who can navigate between the spiritual and material worlds as well as fall under a third conception of gender— separate from either male or female. This idea of shamanism as transcending the duality of gender contends with examinations of Inuit social life in winter conducted by Mauss. While Inuit spousal exchanges which had been declare "sexual communism" by Mauss, Saladin d'Anglure's analysis of shamanic practice argues the creation of a "third sex" as a balancing factor. [2]
Saladin d'Anglure has also written on Inuit intrauterine narratives, which describe individual Inuit's experiences before birth—experiences that are remembered even into past lives and, as such, indicate some relationship with the concept of reincarnation.
Though his analysis has been strongly influenced by the Structuralist school, Saladin d'Anglure has often deviated from the theories of Lévi-Strauss. According to Lévi-Strauss' structuralism, Inuit should have more complex technology than Southern populations while maintaining a simpler kinship system; d'Anglure's data, however, indicated an extremely complex kinship system based on shamanism and reincarnation. [2]
Though he has never declared himself a theorist of the Structuralist school, they maintained a close professional relationship, with Lévi-Strauss writing the preface to Être et renaître Inuit and going so far as to declare it a future classic. [11]
Inuit throat singing, or katajjaq, is a distinct type of throat singing uniquely found among the Inuit. It is a form of musical performance, traditionally consisting of two women who sing duets in a close face-to-face formation with no instrumental accompaniment, in an entertaining contest to see who can outlast the other; however, one of the genre's most famous practitioners, Tanya Tagaq, performs as a solo artist. Several groups, including Tudjaat, The Jerry Cans, Quantum Tangle and Silla + Rise, also now blend traditional throat singing with mainstream musical genres such as pop, folk, rock and dance music.
Inuit religion is the shared spiritual beliefs and practices of the Inuit, an indigenous people from Alaska, Canada, and Greenland. Their religion shares many similarities with some Alaska Native religions. Traditional Inuit religious practices include animism and shamanism, in which spiritual healers mediate with spirits. Today many Inuit follow Christianity, but traditional Inuit spirituality continues as part of a living, oral tradition and part of contemporary Inuit society. Inuit who balance indigenous and Christian theology practice religious syncretism.
Igloolik is an Inuit hamlet in Foxe Basin, Qikiqtaaluk Region in Nunavut, northern Canada. Because its location on Igloolik Island is close to Melville Peninsula, it is often mistakenly thought to be on the peninsula. The name "Igloolik" means "there is a house here". It derives from iglu, meaning house or building, and refers to the sod houses that were originally in the area, not to snow igloos. In Inuktitut the residents are called Iglulingmiut.
Inuktitut, also Eastern Canadian Inuktitut, is one of the principal Inuit languages of Canada. It is spoken in all areas north of the tree line, including parts of the provinces of Newfoundland and Labrador, Quebec, to some extent in northeastern Manitoba as well as the Northwest Territories and Nunavut. It is one of the aboriginal languages written with Canadian Aboriginal syllabics.
The Inuit angakkuq Inuvialuktun: angatkuq; Greenlandic: angakkoq, pl.angákut) is an intellectual and spiritual figure in Inuit culture who corresponds to a medicine man. Other cultures, including Alaska Natives, have traditionally had similar spiritual mediators, although the Alaska Native religion has many forms and variants.
Atanarjuat: The Fast Runner is a 2001 Canadian epic film directed by Inuit filmmaker Zacharias Kunuk and produced by his company Isuma Igloolik Productions. It was the first feature film ever to be written, directed and acted entirely in the Inuktitut language.
Zacharias Kunuk is a Canadian Inuk producer and director most notable for his film Atanarjuat: The Fast Runner, the first Canadian dramatic feature film produced entirely in Inuktitut. He is the president and co-founder with Paul Qulitalik, Paul Apak Angilirq, and the only non-Inuit, ex-New Yorker team member, Norman Cohn, of Igloolik Isuma Productions, Canada's first independent Inuit production company. Atanarjuat: The Fast Runner (2001), the first feature film that was entirely in Inuktitut was named as the greatest Canadian film of all time by the 2015 Toronto International Film Festival poll.
Nunavut is the largest and northernmost territory of Canada. It was separated officially from the Northwest Territories on April 1, 1999, via the Nunavut Act and the Nunavut Land Claims Agreement Act, which provided this territory to the Inuit for independent government. The boundaries had been drawn in 1993. The creation of Nunavut resulted in the first major change to Canada's political map since the province of Newfoundland was admitted in 1949.
Isuma is an artist collective and Canada's first Inuit-owned (75%) production company, co-founded by Zacharias Kunuk, Paul Apak Angilirq and Norman Cohn in Igloolik, Nunavut in 1990. Known internationally for its award-winning film, Atanarjuat: The Fast Runner, the first feature film ever to be written, directed and acted entirely in the Inuktitut language, Isuma was selected to represent Canada at the 2019 Venice Biennale where they screened the film One Day in the Life of Noah Piugattuk, the first presentation of art by Inuit in the Canada Pavilion.
The Inuit Broadcasting Corporation (IBC) is a television production company based in Nunavut. Its programming is targeted at the Inuit population of Nunavut and almost all of its programs are broadcast in Inuktitut. Select programs are also broadcast in English. In contrast with traditional commercial television broadcasting companies, IBC shows centre on Inuit culture. The company has five production centres in various places in Nunavut, all staffed by Inuit. Founded in the early 1980s, the IBC was the first Native language television network in North America.
Norman Cohn is a U.S.-born Canadian film director, producer, cinematographer and editor best known for his work on films Atanarjuat: The Fast Runner and The Journals of Knud Rasmussen.
Umik was an Inuit angakkuq (shaman) who proclaimed himself a Christian evangelist and began to preach to the Igloolik Inuit in the 1920s.
Uvavnuk was an Inuk woman born in the 19th century, now considered an oral poet. The story of how she became an angakkuq, and the song that came to her, were collected by European explorers of Arctic Canada in the early 1920s. Her shamanistic poem-song, best known as "Earth and the Great Weather". has been anthologised many times.
Artcirq is an Inuit circus performance collective based in Igloolik, Nunavut, Canada. It was co-founded in 1998 by Guillaume Saladin and several circus artists from Montreal and youth from Igloolik, with the financial support of Igloolik Isuma Productions, Canada's first Inuit independent production company and Cirque Éloize. Its activities provide Inuit youth with a vehicle for creative expression that maintains strong links to Inuit traditions and performance styles.
Inuit Nunangat is the homeland of the Inuit in Canada. This Arctic homeland consists of four northern Canadian regions called the Inuvialuit Settlement Region, the territory Nunavut (ᓄᓇᕗᑦ), Nunavik (ᓄᓇᕕᒃ) in northern Quebec, and Nunatsiavut of Newfoundland and Labrador.
Mistake Bay is a waterway in Kivalliq Region, Nunavut, Canada. It is located in northwestern Hudson Bay by the old mining settlement and trading post of Tavani. Mistake Bay, to the south of Wilson Bay, has numerous islands and shoals. The mission Saint Francois Xavier was founded here in 1939 or 1940 by Father Dunleavy.
Sanaaq is a novel by Mitiarjuk Nappaaluk, a Canadian Inuk educator and author from the Nunavik region in northern Quebec, Canada. The English edition of the novel was published in 2014 by the University of Manitoba Press in partnership with the Avataq Cultural Institute. It was translated into English from French by Peter Frost.
Marie-Hélène Cousineau is a Canadian film director and producer. Originally from Quebec, she moved to Igloolik, Northwest Territories in 1990, where she became a co-founder of the filmmaking collective Arnait Video Productions.
Qajartalik is a petroglyph site located on the Qajartalik peninsula of Qikertaaluk Island, Nunavut, approximately 40 km southeast of Kangirsujuaq, Quebec. The site consists of over 150 carvings of faces in soapstone. It was created by the Dorset people, the culture who inhabited the Canadian eastern Arctic and Greenland beginning approximately 2,200 years ago before disappearing approximately 1,000 years ago, and who inhabited the region prior to the Thule Inuit who arrived approximately 800 years ago. It is believed to be the north most rock art site in North America and is considered to be one of a kind. The site is currently on Canada's tentative list of sites proposed for inscription on the UNESCO World Heritage List.
In Inuit culture, sipiniq refers to a person who is believed to have changed their physical sex as an infant, but whose gender is typically designated as being the same as their perceived original sex. In some ways, being sipiniq can be considered a third gender. This concept is primarily attested in areas of the Canadian Arctic, such as Igloolik and Nunavik. The Netsilik Inuit used the word kipijuituq for a similar concept.