Bernice Akamine

Last updated
Bernice Akamine
BornDecember 1, 1949  OOjs UI icon edit-ltr-progressive.svg (age 73)
Honolulu   OOjs UI icon edit-ltr-progressive.svg
Alma mater
OccupationVisual artist  OOjs UI icon edit-ltr-progressive.svg

Bernice A. Akamine (born December 1, 1949) is an American artist and Hawaiian rights activist. Her visual art has taken multiple forms, including glass and feathers, and she teaches traditional Hawaiian art techniques such as the creation of kapa cloth and natural dyeing using Hawaiian plants. Akamine is an advocate for Indigenous land rights, using her artwork to bring attention to the colonial invasion of Hawaii and its continued effects on the native Hawaiian population.

Contents

Early life and education

Bernice A. Akamine was born in Honolulu, Hawaii, on December 1, 1949. [1] [2] Her heritage is kānaka maoli (Native Hawaiian) and Japanese American. [3] Akamine's grandmother was a kahuna lāʻau lapaʻau, a traditional Hawaiian healer, and her mother, Audrey Elliott, was a lauhala weaver. [4]

Akamine earned two degrees from the University of Hawaii at Manoa: a Bachelor of Fine Arts degree in glass in 1994 and a Master of Fine Arts degree in sculpture and glass in 1999. [5] [6] She studied multiple traditional Hawaiian art forms at the university, such as lei hulu (feather leis) and lauhala weaving. [7] She has also completed graduate work at Central Washington University in natural resource management. [8]

Artwork

Akamine's artwork focuses on environmental and cultural issues, especially the 1893 overthrow of the Hawaiian Kingdom and the ongoing Hawaiian sovereignty movement. [4] She is a kumu (expert teacher) of the methods of creating and using waiho‘olu‘u (natural plant dyes). [8] During a 2005 internship at the Amy B. H. Greenwell Ethnobotanical Garden, she documented the colors created with these dyes, pairing 20 samples of dye with plant photos. [9]

Akamine creates kapa, cloth created by beating bark. [8] She was featured in a 2015 documentary, Ka Hana Kapa, along with other kapa makers and has served as a consultant to the Smithsonian Institution, helping them identify the plants that made the kapa colors on items in their collections. [9] She has also created contemporary baskets inspired by traditional symbols of Hawaiian nobility, using the feathers of small birds. [10] Akamine says her art "is meant to make a statement and preserve cultural knowledge." [9]

Selected projects

Awards and fellowships

Related Research Articles

In the Hawaiian religion, Wākea, the Sky father weds Papahānaumoku, the earth mother. The two are considered the parent couple of the ruling chiefs of Hawaii.

<span class="mw-page-title-main">Flag of Hawaii</span> Flag of the U.S. state of Hawaii

The flag of Hawaii, in addition to the current state design, previously had been used by the kingdom, protectorate, republic, and territory of Hawaii. It is the only U.S. state flag to include a foreign country's national flag. The inclusion of the Union Jack of the United Kingdom is a mark of the Royal Navy's historical relations with the Hawaiian Kingdom, particularly with King Kamehameha I. The flag continued to be used after the 1893 overthrow of the Hawaiian Kingdom.

<span class="mw-page-title-main">Ancient Hawaii</span> Period in Hawaiian history

Ancient Hawaiʻi is the period of Hawaiian history preceding the unification in 1810 of the Kingdom of Hawaiʻi by Kamehameha the Great. Traditionally, researchers estimated the first settlement of the Hawaiian islands as having occurred sporadically between 400 and 1100 CE by Polynesian long-distance navigators from the Samoan, Marquesas, and Tahiti islands within what is now French Polynesia. In 2010, a study was published based on radiocarbon dating of more reliable samples which suggests that the islands were settled much later, within a short timeframe, in about 1219 to 1266.

<span class="mw-page-title-main">Native Hawaiians</span> Indigenous Polynesian people of the Hawaiian Islands

Native Hawaiians are the indigenous Polynesian people of the Hawaiian Islands.

<span class="mw-page-title-main">Kapa</span>

Kapa is a fabric made by native Hawaiians from the bast fibres of certain species of trees and shrubs in the orders Rosales and Malvales. The bark is beaten and felted to achieve a soft texture and dye stamped in geometric patterns.

<span class="mw-page-title-main">Hawaiian lava sledding</span>

Hawaiian lava sledding is a traditional sport of the Native Hawaiians. Similar to wave surfing, heʻe hōlua involves the use of a narrow wooden sled. The sled is used standing up, lying down, or kneeling, to ride down man-made or naturally occurring courses of rock, often reaching speeds of 50 mph (80 km/h) or greater. In the past, Hawaiian lava sledding was considered both a sport and a religious ritual for honoring the gods.

Judy Jensen is an American artist who resides in Austin, Texas. She is best known for her reverse painting on glass, although she incorporates other mixed media into her glass pieces. According to Nancy Bless, Jensen's works "lie somewhere between a collage and a collection."

<span class="mw-page-title-main">Hawaiian art</span> Art in Hawaii and by Hawaiian artists

The Hawaiian archipelago consists of 137 islands in the Pacific Ocean that are far from any other land. Polynesians arrived there one to two thousand years ago, and in 1778 Captain James Cook and his crew became the first Europeans to visit Hawaii. The art created in these islands may be divided into art existing prior to Cook’s arrival; art produced by recently arrived westerners; and art produced by Hawaiians incorporating western materials and ideas. Public collections of Hawaiian art may be found at the Honolulu Museum of Art, the Bishop Museum (Honolulu), the Hawaii State Art Museum and the University of Göttingen in Germany.

Richard Kekuni Akana Blaisdell, was professor emeritus of medicine at the University of Hawaiʻi at Mānoa in Honolulu, and a longtime organizer in the Hawaiian Sovereignty Movement.

<i>Osteomeles anthyllidifolia</i> Species of shrub

Osteomeles anthyllidifolia, commonly called ʻŪlei, eluehe, uʻulei, Hawaiian rose, or Hawaiian hawthorn, is a species of flowering shrub in the rose family, Rosaceae, that is indigenous to Hawaiʻi, the Cook Islands, Tonga, Pitcairn Island, and Rapa Iti, Taiwan and the Ryukyu islands of Japan.

<span class="mw-page-title-main">William Tufts Brigham</span>

William Tufts Brigham (1841–1926) was an American geologist, botanist, ethnologist and the first director of the Bernice P. Bishop Museum in Honolulu.

Preston Singletary is a Native American glass artist.

<span class="mw-page-title-main">Kapulani Landgraf</span>

Kapulani Landgraf is a Kanaka Maoli artist who is best known for her work in black-and-white photography. Through a series of photographic essays, objects, and installations, Landgraf celebrates Native Hawaiian culture while also addressing the legacies of colonialism and its impact on indigenous Hawaiian rights, value and history. While her work often centers on the negative impacts of land use and development, she also alludes to the resilience of the land and the indigenous population. Landgraf says about her work, "Although much of my work laments the violations on the Hawaiian people, land and natural resources, it also offers hope with allusions to the strength and resilience of Hawaiian land and its people.” Landgraf's most recent work combines photographic series with objects and installations.

Debora Moore is a contemporary glass artist. She is best known for her glass orchids.

Tʼuyʼtʼtanat-Cease Wyss is a Skwxwú7mesh (Squamish), Stó꞉lō, Kānaka Maoli (Hawaiian), Irish-Métis, and Swiss multi-media artist, ethnobotanist, independent curator, educator, activist, and small business owner based in Vancouver, British Columbia. Tʼuyʼtʼtanat is Wyss's ancestral name, which means “woman who travels by canoe to gather medicines for all people.” Wyss's interdisciplinary practice encompasses aspects of visual art, fiber arts, ethnobotany, storytelling, and community education, among other interdisciplinary approaches, and she has been working with new media, performance, and interdisciplinary arts for more than 30 years. As a Coast Salish weaver, Wyss works with wool and cedar and uses indigenous plants in the dyeing process. Wyss also engages with beekeeping and gardening practices as part of community-led initiatives and as a way to explore aspects of land remediation - the ability of plants to remediate soil that has been contaminated with colonial toxins.

Dalani Tanahy is an American artist specializing in the Hawaiian art of creating kapa, fabric made by beating bark. Tanahy creates kapa for artistic and ceremonial purposes and teaches courses and workshops. She is the founder of Kapa Hawaii, an organization dedicated to reviving and preserving the art of kapa creation.

<span class="mw-page-title-main">Puanani Van Dorpe</span> Hawaiian kapa maker

Greta Mae "Puanani" Kanemura Van Dorpe (1933–2014) was an American artist and master of kapa, the Hawaiian art of making cloth from bark fibers. Van Dorpe spent more than forty years researching the forgotten craft of making kapa, investigating the tools and materials used by ancient Hawaiians and experimenting to replicate the cloth. She has been credited as one of the women responsible for reviving the art of kapa in the 1970s.

Mary "Aunty Malia" Blanchard Solomon was an American textile artist and expert on Hawaiian customs, crafts, and culture. Solomon researched and traveled across the South Pacific to regain lost knowledge about kapa, the traditional Hawaiian craft of making cloth from the fibers of trees. The Chicago Tribune called Solomon one of Hawaii's "foremost amateur anthropologist/historians."

Brandy Nālani McDougall is a Kānaka Maoli author, poet, educator, literary activist, and associate professor at the University of Hawaiʻi at Mānoa. She is the Hawai'i State Poet Laureate for 2023-2025.

Maile Tomlinson Meyer-Broderick is a Kānaka Maoli community advocate, entrepreneur, small-business owner, nonprofit executive director, publisher, and consultant.

References

  1. "Bernice Akamine". Portland Art Museum. Retrieved October 13, 2020.
  2. "Bernice A. Akamine". Imago Mundi Art. Fondazione Benetton. Retrieved October 13, 2020.
  3. "Bernice Akamine & Abraham Cruzvillegas". Kadist. June 2018. Retrieved October 13, 2020.
  4. 1 2 3 4 "Sculpting with inspiration: Kahilu Exhibits featuring nationally recognized artist Bernice Akamine". North Hawaii News. July 28, 2017. Retrieved October 13, 2020.
  5. "Bernice Akamine". Taiji Terasaki. Retrieved October 13, 2020.
  6. 1 2 3 "Bernice Akamine". 8th International Shoebox Sculpture Exhibition. Retrieved October 13, 2020.
  7. "Bernice Akamine". IMNDN. Retrieved October 13, 2020.
  8. 1 2 3 "Bernice Akamine". Art in Embassies. U.S. Department of State. Retrieved October 13, 2020.
  9. 1 2 3 Valentine, Karen (2019). "From Kapa To Kalo: Bernice Akamine". Ke Ola Magazine. Retrieved October 13, 2020.
  10. Latham, Jessica Breedlove (April 9, 2013). "Art History: Bernice Akamine". Duplex Gallery. Retrieved October 13, 2020.
  11. Tanigawa, Noe (April 19, 2019). "Date Night? Have An Art Experience". Hawai'i Public Radio. Retrieved October 13, 2020.
  12. 1 2 3 "Bernice Akamine". Galerie 103. Retrieved October 13, 2020.
  13. Sauers, Jenna (July 12, 2019). "Indigenous Female Artists Take Center Stage in Hawaii". Harpers Bazaar. Retrieved October 13, 2020.